Before Christmas, I questioned Gaspar Noe’s choice to film Love in 3D. While the gimmick of real sex in 3D managed to satisfy my moribid curiousity in a couple of scenes, the feeling that we could reach out and touch them couldn’t change the fact that the characters didn’t act or talk like real people. Love was a dull, lifeless, depressing, and badly translated drama. But it had lots of sex.
Director Wim Wenders (whom I tend to like), also hit the 2015 festival circuit with an inexplicably 3D drama. Like Love, Every Thing Will Be Fine is dull, lifeless, depressing, and badly translated but doesn’t even have the decency to throw a little 3D ejaculate our way. What we DO get- and any Canadians out there might enjoy this- is Rachel McAdams doing a Quebec French accent. Despite the film being set in Montreal, why she would go out of her way to play Quebecoise, I have no idea. There are, after all, lots of English people living in the Canadian city. (I used to be one of them). Whatever her reasons, I’m willing to bet that the Screen Actors Guild did not see this movie or they would have never made the already questionable decision to nominate her for Best Supporting Actress in Spotlight.
Struggling writer Tomas’ (James Franco) relationship with Sara (McAdams) is already not going so great even before his life is changed forever by accidentally running over and killing a small boy with his car. The boy’s mother (Charlotte Gainsbourg) immediately makes it clear to Tomas that she doesn’t blame him but forgiving himself isn’t so easy for Tomas, even after he begins to profit from becoming a much more inspired and successful writer after the trauma.
My favourite Wim Wenders films (Wings of Desire and Paris, Texas) are understated and haunting but Every Thing Will Be Fine slows the pace down to a whole new level. Unsure of exactly, what the director’s looking for, Franco plays it safe by avoiding emoting at all costs. Probably aiming for restraint and subtlety (two qualities I admire most in an actor), he succeeds only at being wooden. He’s not burdened with an ill-advised accent but his performance is almost as embarrassing as McAdams’.
Gainsbourg and real-life Montrealer Marie-Josee Croze (The Barbarian Invasions, The Diving Bell and the Butterfly) don’t come out looking so bad but even they don’t have anything interesting to do. Wenders seems especially committed to losing our interest by constantly disrupting the narrative to jump ahead a year or two, or sometimes even more, whenever there’s even the smallest risk that someone in the theater may find themselves caring even a tiny bit. And the dialogue from Norwegian screenwriter Bjorn Olaf Johanessen feels badly translated into English and is already being compared to Tommy Wiseau’s The Room.
I was not able to catch a screening of Every Thing Will Be Fine in 3D so I have no idea exactly what Wenders was going for by shooting in 3D. I do know that I’ve seen 3D summer blockbusters that had more heart than Wenders’ painfully dull drama.
I liked 3D for Ice Age and think it works best for animations, don’t think I’ll be seeing this. 🙂
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I’m sick of 3D I find it works best for movies like Hugo or Gravity though.
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I hate 3D so much. I will avoid going to see films if they are in 3D. It just seems gimmicky to me, and it doesn’t add anything to my movie-going experience. If anything, it takes away from it, as I am constantly readjusting the glasses and annoyed by them.
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I know, even if it looks cool it can’t make up for it hurting my ears, nose, or both.
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Hm… Pass on this one, I think. Not that we ever get a great variety of these movies here in Utah anyway.
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It’ll be worth avoiding on Netflix too.
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Absolutely love the writing style of you despicable assholes! Safe to say I agree with your distaste of wasted 3D gimmicks
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Thanks! Our distaste for wasted 3D gimmicks is one of the few things all three Assholes agree on.
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I’d watch anything with James Franco in it, but I guess I’ll have to skip this one -,-
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I’m a little tired of him. He’s usually better than this though.
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Oh my.
Did you know Dial M for Murder was shot in 3D? For what reason, I have no idea. Probably the same reason as this movie did.
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If the script is being compared to The Room then I really need to see it!
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Matt, “… but doesn’t even have the decency to throw a little 3D ejaculate our way.” Hahahaha. (I still think in 4D would be better!!) 😀
I’m sorry for your disappointment. I still don’t get this 3D thing. I guess it’s cool for kids but a drama in 3D sounds like a joke.
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3D should be saved for big special fx movies. Even then, I don’t find it necessary. Too bad this film couldn’t overcome its own gimmick.
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Ouch.
The concept sounds interesting but by your review, the execution sounds like an utter failure.
Can’t decide if I’m curious enough to watch, or if I’ll just let you take one for the team.
Nice review, Matt.
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