American Honey is one of those rare American movies that are so beautiful that even Shia LaBeouf couldn’t ruin it.
I’m not exaggerating. It really is that good. In fact, Shia’s in it. And he’s really good. Really, really good.
American Honey works neither in spite of or because of his performance. Instead, he is just one of many important parts of an impressive cast of mostly non-actors with not a single weak link in the bunch. Jake (LaBeouf) leads a team of about a dozen runaway youths who earn their living by travelling across the United States selling magazine door-to-door. Their newest recruit Star (Sasha Lane) isn’t so sure that she is comfortable with the lies that her new colleagues use to sell their product but, having seemingly nowhere else to go and having quickly fallen for Jake, she starts to feel at home with them anyway.
I struggle to communicate what it is that works so well about American Honey. My writer’s block was so bad that I went to see it a second time, quite a commitment with its 163-minute running time. All I’ve really learnt from two sittings is that writer-director Andre Arnold creates a believable world around these characters and makes it easy for the audience to feel like they’re a part of it. (Well, maybe I should just speak for myself. At my first screening, the film had lost over half its audience by the end).
To keep from getting too bored or discouraged while on the road, Jake’s team engage in any number of traditions and rituals that are often somehow both unsettling and charming. Their favourite songs, games, and chants serve the film well in helping create a subculture that we can believe and relate to. Beautifully naturalistic performances from an exceptionally well-chosen cast, great choice of music, and some terrific (though sometimes elf-indulgent) cinematography help bring their world to life.
It’s hard to describe what works about American Honey because it works mostly on an emotional level. Intellectually, I’m not sure if it’s really “about” anything other than an unusually honest and surreal coming of age story but the power of the filmmaking gave me chills.
I just love your first sentence!
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Haha thanks, just wanted to communicate how remarkable it is that I was so moved by a film that part of me was rooting against.
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On t he ‘watch’ list then, cheers Matt.
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I think you’ll love it. You’ll barely notice that it’s pushing 3 hours long.
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I’m so looking forward to seeing this. I like the look of the trailers and I really like Shia Labeouf. I like his acting (not in Nymphomaniac, though) and I find him a fascinating person. I know, I know, thousands disagree . . .
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Well, I always found him to be a promising actor, I just never found that he did anything that was all that interesting and he was a dick about it by always trash-talking his projects after-the-fact.
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Did you see Lawless?
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Yeah, he bugged me to no end in that one. But I actually really didn’t like that movie, for reasons that years later I can’t remember. I do remember finding it needlessly sadistic though.
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Really liked this one. And I completely agree about it being hard to pinpoint what it is exactly that works so well about it. All I know is that the performances were great, the story was a lot of fun, and the ending was quite moving.
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Yeah! And the soundtrack was just perfect.
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Added to the list! Good to see Shia back on screen. I haven’t seen him in much, right enough… Transformers, Charlie Countryman and Lawless (oooft), but I like him.
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He seems to be making a comeback. His next two projects- the post-apocalyptic one and the John McEnroe one- seem pretty highly anticipated.
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I didn’t know about the post-apocalyptic flick… need to hit Google / IMDb!
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“so beautiful that even Shia LaBeouf couldn’t ruin it.” Omg A+++ statement!!
I’m SO bummed that I didn’t get to see this one on the big screen…it was playing at an indie theater near me…for only a week 😦 The run-time kind of deterred me, but after reading this, I’m slapping myself for missing it.
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Yeah, between Shia LaBeouf and the run time I was going into it pretty grumpy but it turns out that Shia was great and the 2 hours and 40-something minutes flew by.
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The run time kind of puts me off but all the reviews have been amazing. I’ll see it if I get the chance.
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I don’t know if it really needed to be that long but I can’t think of anything I would have liked to see cut. I think you’ll like it.
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It sounds like it is more about the characters than the plot. Perhaps that’s why you had a bit of writer’s block 😉
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That could definitely be part of it. I just find it hard to describe how it’s different or better than other recent road/coming of age movies.
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Sometimes you have to sit with a movie for a while before you can articulate what it is that you love about it. And sometimes the emotional connection is so deep you can’t quite explain it. Not a bad thing, that.
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Oh, for sure. One of my favourite movies of the last few years was Beasts of the Southern Wild which, had I been reviewing movies when it came out, I would have had no idea how to review.
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Starting to get legitimately pissed off on the number of amazing-sounding movies I am missing out on by rolling the dice and landing in f**king New Jersey. Lol no theaters near me are playing this, Loving, Manchester by the Sea, half a gazillion others. Sad face.
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I was pretty excited for this ever since the reviews out of Cannes started to roll out and I’m still pretty excited for this because I loved Andrea Arnold’s Fish Tank.
Thanks for putting my mind at ease because Shia LaBeouf was my only main concern about this film.Glad to hear he does a good job here too.
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This movie seems to have slipped under my radar. But your superb review has got me very interested.
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Reblogged this on Journal Edge and commented:
Article Source: assholeswatchingmovies.com
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Reblogged this on Tao Talk and commented:
I just finished watching “American Honey” and sought out this review at my favorite movie-reviewing blog. I won’t give away any spoilers about it but will give you one piece of advice while you’re watching it: RELAX! One thing that became glaringly apparent while watching the film is that too many movies purposely keep you on the edge of your seat, where you’re anxious for whatever the next big bomb will be to throw the plot into a tailspin. You are not going to find that big bang in this movie. Enjoy it for the beautiful piece of work that it is.
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