Sean and I are on our way to the Venice Film Festival (by way of Philadelphia, oddly enough). Founded in 1932, the Venice Film Festival is the world’s oldest. It has the distinction of being one of the “Big 3” alongside Cannes and Berlin, and also one of the three festivals that kick off Oscar season, alongside Telluride and of course TIFF (these three festivals occur nearly simultaneously, but Venice ekes them out by a hair).
The very first film to be shown at the festival in 1932 was Rouben Mamoulian’s Dr. Jekyll and Mr. Hyde. A couple of years later they made it competitive, offering up the “Mussolini Cup” for best foreign film and best Italian film. [As you can guess, the festival underwent some bumpy times. Prior to 1938, political pressures distorted the festival. In the 1940s, there was pretty much a monopoly by movies and directors from the Rome-Berline Axis. But by 1946, things were back on track, the Mussolini Cup renamed once the dictator was ousted.] More recently, the prize takeaway is a Golden Lion (Leone d’Oro) for the best film screened in competition; the Silver Lion (Leone d’Argento) awarded to the best director; and Volpi Cups (Coppa Volpi) for best actor and actress. These are awarded via jury, this year presided by Annette Bening. Bening will be supported by Baby Driver director Edgar Wright; British actress Rebecca Hall; Hungarian filmmaker Ildiko Enyedi; Mexican filmmaker Michel Franco; French actress Anna Mouglalis; film critic David Stratton; Italian actress Jasmine Trinca; and Taiwan-born filmmaker Yonfan. John Landis will preside a jury judging the virtual reality competition. He’s also debuting something of his own – a 3D version of Michael Jackson’s Thriller (also screening at TIFF).
The Jaeger-LeCoultre Glory to the Filmmaker Award is dedicated to personalities who have made a significant contribution to contemporary cinema. This year’s recipient is to be Stephen Frears, who is screening Victoria and Abul at the festival. Past honorees have included James Franco, Brian De Palma, Kitano Takeshi, and Spike Lee.
Venice holds a lot of prestige because it screens a lot of movies that make a big splash come awards season. Last year it hosted the world premieres for La La Land, Arrival, Jackie, and Nocturnal Animals — all of which would go on to either win or be nominated for Oscars (and all of which we saw a week later, at TIFF). What will this year’s Big Movie be? Hard to say, but Alexander Payne’s Downsizing is the festival’s opening film, and not to be missed.
Actually, the programming is such that there are tonnes of not-to-be-missed films, including Netflix’s Our Souls At Night. Its stars, Jane Fonda and Robert Redford, will be receiving Lifetime Achievement Golden Lions at the September 1st screening.
As long as Sean and I can tear ourselves away from this beautiful Italian island, we’ll be watching several exciting titles and reviews will be plentiful. Matt will be heading off to TIFF almost as soon as we return from Venice, which means Assholes Watching Movies will runneth over with exciting new stuff. As always, please tune into our Twitter @assholemovies for live updates. Plan on seeing lots of gelato there.