Having somewhat of a crush on Guillermo del Toro’s movies, I watched Crimson Peak soon after it came out, despite my being a huge chicken. But I refused to review it because I was sure I didn’t really get it: the film had gotten tepid reviews, but my initial reaction was anything but lukewarm. On a recent del Toro kick I’ve rewatched it and came to the same conclusion: Crimson Peak is kind of great.
Okay, it’s not epic story-telling the way The Shape of Water is, but it’s a visual master piece that succeeds in both creeping us out and sucking us in.
Mia Wasikowska plays Edith Cushing, a young woman both relatable but maddening because she spurns the favour of her childhood friend, a mild-mannered, handome doctor who cares for her (Charlie Hunnam) in favour of the mysterious badboy newcomer (Tom Hiddleston). Even the brutal murder of her beloved father doesn’t stop her from flitting off to England to a crumbling old mansion atop a mountain that oozes blood-red clay with new hubby Thomas (Hiddleston) and his wicked sister Lucille (Jessica Chastain) as her only (living) roommates.
Del Toro has crafted an ode to gothic ghost stories. The story is simple but the visuals a sumptuous feast, with every inch of his Victorian sets crammed with macabre detail that are never without meaning. He couldn’t do it without some talented help. Thomas E. Sanders (Braveheart, Hook, Star Trek: Beyond; Oscar nominated for Saving Private Ryan and Dracula), who died earlier this year, was responsible for the incredibly rich production design. The mansion was built in its entirety on a sound stage, its layered look reflecting the generations of the Sharpe family who would have lived within it. Although inspired by period architecture, this being a del Toro film, everything was amplified and magnified. The details are familiar but the effect they create it startling and rather lavish. It helps to create a world in which the supernatural feels like a natural fit. Kate Hawley (Edge of Tomorrow, Suicide Squad), costumer extraordinaire, used a lot of the same principles on her end. Every single piece in the film was hand-stitched specifically for it. Though styles and silhouettes were inspired by the fashion of the time (circa 1901), every piece is elevated and made more moody, more dramatic. Weeks and weeks were spent stitching an intricate detail onto one of Chastain’s dresses that gets a lot of screen time. And this being a haunting ghost story, every costume had to look just as meticulous from behind, for those eerie shots down darkened hallways.
Tom Hiddleston I can generally take or leave (well, preferably leave) but Jessica Chastain continues to impress with her versatility and restraint. And interestingly, it’s del Toro staple Doug Jones who packs a major wallop. A classically-trained mime and contortionist, most of Jones’ best work is done under heavy layers of prosthetics, but embodying several of the ghosts in this film, he reminds us just how creepy a mere movement of the arm can be.
Guillermo del Toro is a master orchestrator of aesthetic and imagination. Crimson Peak’s script doesn’t quite hold up to its incredible production design, but it chills your bones when it wants to and sets your blood pumping overtime when it needs to. There are twisted monsters hidden in the depths of the Allerdale mansion, but like his crowning achievement The Shape of Water, they aren’t always who you expect.
This film is easily one of my favorite films of the past few years not just for its visuals but also Jessica Chastain who I feel was robbed of an Oscar nomination for Best Supporting Actress. She was fucking nuts and I loved every second of it. I want to have hot, nasty sex with that woman and I want to become her bitch!
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I’m positive that hot, nasty sex is her default setting!
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This sounds good. Yay! It’s always good to hear that something rises to the surface above all the sludge. I’m looking forward to seeing this one. Thanks for the review.
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I absolutely agree with you: It is kind of Great. I loved it😊
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I must see this. Thanks Jay.
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I’m a chicken when it comes to del Toro. I did hear about this. And good things, too. But alas…
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I’m chicken too. I always see his movies anyway because I must, and I always manage to fall in love. Incidentally, The Shape of Water is totally safe, even for chickens, and totally beautiful.
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I’m of the opinion that del Toro is a special filmmaker. I actually don’t think I’ve ever been disappointed by one of his flicks. Certainly not that I can think of right now. Anyhoo, I still haven’t seen this one… no idea why, really.
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This film was ok but I wasn’t as bawled over as I thought I would be. Jessica is excellent as the truly nuts sister but Tom Hiddleston seems weak in his role and unconvincing as one in love with Mia. The real star is the house and the Moody effects which is excellent.
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Totally agreed, the ambiance is very immersive and they spared no expense. Not a fan of Tom Hiddleston’s.
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I have seen this a while back, and wasn’t really enthusiastic for it. The visual aspects of it were definitely amazing, but the story felt a bit slow and boring to me. After reading this, maybe I should give it another try 😀 Great review!
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If I’m going to see The Shape of Water I’ll have to convince my son or a friend to go with me or go alone because the wife is not interested. This sounds appealing, too.
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Never heard of this, but it definitely sounds like one I need to add to my collection. Off to Amazon!
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Ooh, it sounds awesome! Can’t wait to see it!
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This film got screwed out of a production design Oscar nomination.
I liked it over all, it had some flaws but I enjoyed it for the most part.
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I know, that one should have been a given.
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I check this one as to watch soon!
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I really like del Toro, but this one was just meh for me. The visuals were great, but not enough to overcome a story I found both lackluster and predictable.
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Thanks for the Heads Up, Jay! I want to see Shape of Water! This sounds very interesting and intriguing. 🎈❤ I will rent this from the library. . . Thank you so much!
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