If you’re asking for forgiveness, Melissa, you’ve got it. Not that I really believe you have anything to be sorry for. The Happytime Murders was a misfire, but hardly your fault, and I admire any attempt to do something different.
With this movie, both Melissa McCarthy and the character she plays are trying something different. McCarthy is trying on a more dramatic role, and though Lee Israel has a teriffic wit, she’s got no slapstick about her at all. McCarthy only has her own skin to live in, face naked save for an inept smear of lipstick on only the most special of occasions (ie, when asking for money), hair constantly overdue for its next dye job, frumpy clothes in various shades of poop. But it’s Israel’s personality that poses the real problem. She’s abrasive and reclusive and just doesn’t really know how to exist among people, so she’s basically stopped trying. It’s just her and her cat – a daunting thought when it’s just her and a blank page. A once-celebrated writer of biographies, her agent nowadays can’t get so much as a $10 advance for a book on Fanny Brice that nobody wants.
Living in semi-squalor, Lee finds there’s good money selling literary mementos from great authors. Is it her fault that better content fetches higher prices? Isn’t it just good business sense to exploit her natural gift for writing and put it to use making money again?
Crime pays, for a while. And then the FBI gets curious about all the fraud and forgery and whatnot.
I love this script. McCarthy’s very first line earns a laugh out loud, and the script continues to reflect Lee’s caustic humour throughout. And McCarthy is just brilliant in the role, aggressively unpersonable, but also sympathetic. There’s a whole framework of supporting cast to admire too, particularly Jane Curtin, Anna Deavere Smith, and Marc Evan Jackson.
This isn’t just a film about forging letters, it’s about loneliness, and friendship, and purpose. It’s hard to say which Lee needs more – human connection or the sense that she is creatively fulfilled. Of course, when you’re crediting your best work to someone else, it’s plagiary of the heart and perhaps this is what hurts her most in the end. Lee Israel is not anyone’s idea of a hero, but her flaws are all-too-human, and it’s fascinating to slide down the rabbit hole with her.
Ooh Jay I’m liking the sound of this!
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I sense an Oscar Nom might happen. This film looks good and now, with your great review, I really want to see it.
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I wouldn’t object if it did but I would be surprised – not because she’s bad but because 2018 is a super strong year for women!!!
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Hadn’t heard of this one. But Lee sounds like a character I might love and it would be nice to see McCarthy doing something different. Thanks for reviewing it!
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It’ll be in theatres 19 October 2018 in North American, and February 2019 in the UK.
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I remember seeing the trailer for this and it looked pretty good and it looks to be a something really good (and different) for McCarthy. Great review….can’t wait to see it.
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What is it they say about actors? Comedy actors can do drama, but not necessarily the other way around. I can see how McCarthy would work in this.
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Looking forward to this. The real life Israel was quite the cause célèbre in the autograph world and she was quite good at it.
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So pleased to hear this get a good review as its a film I am looking forward to watching.
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I think you’ll really like it!
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I have a feeling I’m gonna love this one. 🙂
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This is one of her movies that actually interests me. 🙂
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Great review Jay, I’m interested to see her work here. She’s due another type of performance.
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I hadn’t even heard of this one but I’ll definitely make a note to check it out, will be good to see McCarthy in a different role rather than being so typecast, and the biographical narrative sounds interesting! Thanks for the review =]
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Your inner-goodness always shines thru Jay but I could not find evidence that “it’s about loneliness, and friendship, and purpose”.
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I’m not a big fan of McCarthy, but I was awestruck by her performance here. The whole cast is spot-on, and it’s just, it’s just a stellar story. The story doesn’t try to turn her criminal actions into some sort of “good” thing, but at the same time the audience can see why she does what she does. Even folks who don’t like McCarthy should really give this film a go. Films like this can prove that those we “peg” into a certain genre do not have to stay there.
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