I feel like I heard about this movie such a long time ago – Warren Beatty’s Howard Hughes biopic. Beatty’s return to acting in, what?, 15 years? His first directorial effort since Bulworth, which was 1998 if my memory of the great soundtrack song serves.
Lily Collins plays Marla, the Apple Blossom Queen, who is under contract with Howard Hughes, an elusive man she has yet to meet despite the fact that she’s been living and earning a stipend in Los Angeles for several weeks. Her devout mother (Annette Bening) has already returned home in frustration, so now it’s just Marla and Frank (Alden Ehrenreich), her devoted, reliable driver, who hasn’t met Hughes yet either. His only job, besides driving her around, is not to fall in love with her. That’s kind of tricky even though he’s practically married and she’s a prim virgin. But when a man tells you your beauty and uniqueness means “rules don’t apply to you” – well, crap, it’s the kind of think that dampens the panties.
When Howard Hughes (Beatty) finally does make an appearance in their lives, he’s a larger than life figure of course, and on the bring of insanity (though close enough to the one side that he’s paranoid as heck about seeming crazy). He’s obsessively keeping out of the public eye while skulking about in the dark. He doesn’t have as much use for these two young protagonists as they have for him, but it makes for an interesting dynamic.
The movie is only funny, or romantic, in fits and starts. Tonally it seems to be a little wayward. I found it interesting nonetheless. Beatty has chosen to show only a small window of Hughes’ life, not his best years by any stretch. He also relegates him to a supporting character in the film, with Frank and Marla providing life and context to Hughes’ sad descent. Perhaps more than a biography of Howard Hughes’ life, this is a tribute to the earliest days of Beatty’s career, when he was a young, ambitious actor just getting his footing in L.A. And with a supporting cast including Matthew Broderick, Martin Sheen, Alec Baldwin, Candice Bergen, Ed Harris, Steve Coogan, Oliver Platt and Paul Sorvino, there’s just too much talent to ignore. Beatty is good; Collins is even better.
Great review. You have peaked my interest as Howard Hughes is always a fascinating character to view. Looks like an altogether lighter story than the epic Scorcese/DiCaprio collaboration The Aviator (2004) which really got under the skin of the character. Interesting to see Alden Ehrenreich again in a period drama – I think this actor is going to be a star.
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How does Alden hold up, he was great in Hail, Caesar!
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He was fine, not really all that spectacular, and his voice was more pip-squeakish than I’d thought.
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Excellent review Jay. Just the cast alone makes me want to see this!💁🏻
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Sounds juicy enough for me! Will savor this. I liked Beatty all along.
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That’s a hell of a cast, will look out for this one.
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Can’t say I share your views, I HATED this one. Lily Collins was great however
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Likewise. I couldn’t stand this goddamn movie. It is inspiring to see positive reviews for it, because quite frankly I couldn’t think of more than one nice thing to say about it. Warren Beaty in particular was so annoying
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I kinda want to see this one.
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I remember when a Beatty movie was like an event because they happened sporadically. I might take a chance on this little film. I do love the Beatty films of bygone eras like Heaven Can Wait & Reds.
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You’re so right.
And it’s been a while again. He’s almost as elusive as Hughes.
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I guess he has to be inspired. Like all of us. I have heard from various people that have worked with him in interviews that he is notoriously slow when it comes to deciding on projects.
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Dang! Beatty looks pretty darn good in that pix! Who’d have thunk it!
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Oh yeah, he’s still got it!
He and Annette never appear on screen together but it’s nice to see them work on something together.
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This is unexpected. I like Beatty a lot and given it involves Howard Hughes, that’s two reasons to give this one some attention. Even if it’s no Bullworth.
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Ha! Well, so few are.
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