Shaun is a sheepdog’s worst nightmare. He’s kicking up plenty of mischief on his farm, prompting the poor, overtaxed sheepdog to post signs like: no sheep hot air ballooning, no sheep archery, and definitely no sheep tractor hijacking. But this farm has more alarming things going on than harmless sheep pizza pranks. Shaun has made a new friend, an alien who has special powers. And one of those special powers is for making Shaun’s mischief even more mischievous.
While the rest of the sheep rather obligingly cover for his absence, Shaun goes on an epic journey to get his alien friend back home, all the while evading capture by a certain government agency. Meanwhile, back at the farm, the farmer has had the bright and hopefully lucrative idea to capitalize on the town’s UFO fervor and turn his farm into a Farmageddon theme park – with the poor dog in charge of construction. The film clearly positions the dog as Shaun’s nemesis but you can’t help but feel the dog is given the worst jobs and takes all of the blame. I, for one, feel sorry for him.
Shaun The Sheep is very simple story telling, very charmingly told. There isn’t a shred of dialogue and yet the story is easily communicated. All the gags are visual, and most are aimed at children, but some references to the genre (to XFiles, for example, and Close Encounters of the Third Kind), are clearly meant for the adults in the audience.
Shaun and friends provide everything you’d hope for in a sequel, plus a far wider world to explore and enjoy. And as we expect from Aardman productions, the stop motion animation is not only sweet but filled with beautiful detail, a film clearly made with love. The character work is great and the film is gratifyingly simple. What else can you ask for?