Director Pablo Giorgelli has it in for us. His protagonist, Ely, is a marginalized teenaged girl who finds herself pregnant by the adult, married son of her after-school employer. She’s brilliantly played by Mora Arenillas, no small accomplishment because much of what is conveyed is done in total silence. Arenillas must constantly reach into her bag of tricks in order to portray the insight and the mental toughness, and the resilence shown by her character.
For his part, Giorgelli sets his gaze upon the social margins of Argentina with a sparse aesthetic that will test your limits. He likes agonizingly long, silent shots in which we contemplate our heroine as she stares out the window of a moving bus [which, by the way, why do movies always make this seem so peaceful? If you’ve ever rested your forehead on a bus window in real life, you’ll know it feels more like going through the wash with a bunch of rocks, but whatever, don’t mind my grumbling, that’s neither here nor there]. The point is: looooooooong shots with little to no action, little to no dialogue, little to no plot. The whole movie can be summed up as: She’s pregnant. Oh jeez. How to get an abortion in a country where abortion is illegal? It’s only 87 minutes long but it feels more like 87 hours. Case in point: Sean fell dead asleep.
Invisible is a love letter to spartan film making. Although Ely dominates the screen in almost every shot, the things that remain unseen are as significant. We don’t know much about her home life, and glimpses are enigmatic. Her living situation and long commute suggest poverty but Giorgelli doesn’t rub our noses in it. His lens is sympathetic but we get a sense of her loneliness as she faces the biggest decision of her life.
There’s no pointed political criticism to the film but Ely’s exploration of the underground abortion scene is chilling. She is so matter of fact, so responsible, it’s easy to forget that Ely is still a young student. The actress is formidable as she bravely, stoically faces down an impossible situation. But as interesting as I found the topic, I couldn’t forgive the long, boring stretches of just watching her mute in her daily routine. It felt stagnant, bled of life, like a carnival ride that pelts you with boredom.
hmm, think I’d need a bit more than this sounds like it gives.
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Yeah, I wanted to appreciate the style but I just couldn’t. I was bored. But worse than bored, I felt like when it comes time for her to make the big decision, we don’t really understand her choice. Sure we’ve seen her quiet, and I’m sure she was thinking things to herself, but in movies we kind of need a little more than that – stuff just felt out of the blue.
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it seems some directors concentrate more on arty farty than substance!
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Never a good sign when a film doesn’t offer much despite tackling something challenging.
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His last feel won the Palme D’or at Cannes so I feel like a dolt for not buying it but I just don’t.
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Well, to quote that ancient Chinese proverb, “all the Palme D’ors in the world doesn’t excuse your next film”
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I’ve been on far too many bus rides with people who are anything but calm and peaceful to think of them as anything but an unpleasant situation which makes me glad to be older and in possession of my own, private mode of transportation.
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Ah. Mood. These are the kinds of movies I’m happy to have my knitting for.
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Yep, you only need to look up at the end of each row. 😀
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