As a book, I very much enjoyed The Dinner. It’s fascinating and controversial but hard to talk about without giving everything away. Same goes for the movie I suppose, but the most important takeaway is that the movie is very, very bad. Read the book. It’s a gut punch page-turner. The movie fucks it all up.
First, the book is Dutch. The movie of course makes the characters and setting American (even though half its stars are Brits). It’s about two couples who meet at a very fancy schmancy restaurant to discuss their problematic children. Paul (Steve Coogan) is a history teacher with some mental health problems; his wife Claire (Laura Linney) is a cancer survivor. It’s hard to say who is more protective of whom. Paul’s older brother Stan (Richard Gere) is a politician poised to become an even more powerful politician, as evidenced by the aides who can’t quite allow him a moment of peace or privacy during the dinner (not that he objects); his wife, aka, his second wife, Katelyn (Rebecca Hall) raises his kids so that he can govern unencumbered and expects to be rewarded. Their sons have recently been involved in a crime that is making its way around Youtube. They are thus far unidentified but now the parents must decide how to handle things should they found out – or should they remain undiscovered.
The dinner is filled with tension, not just because of what their boys have done, but because of the strained family dynamic between Paul and Stan. And because Paul is uncomfortable with all the pomp and circumstance surrounding the haute cuisine. The dinner is constantly interrupted by flashbacks, many of which actually detract from the story. The book is really about morality and the thin veneers we hide behind in “civilized” society, and the tension ratchets up as more and more secrets explode like bombs dropped among the gold-rimmed china. The movie doesn’t manage to retain much of what makes the novel great. The characters are repugnant because they’re stripped bare of any pretense. The worst has happened, their primal, parental instincts have been activated – anything can happen.
But the movie just drops the ball. It’s a complete waste of time that doesn’t even know what to do with itself. It has maybe the worst, most abrupt ending that I’ve ever encountered, and it made me want to interrupt their dinner by swinging an angry cat around by its tail. Fuck y’all.
“everything must be American” is nearly as popular as the whitewashing culture in Hollywood. Abrupt endings in films should be punishable. Ugh.
LikeLiked by 1 person
Not a Coogan fan so glad to miss this.
LikeLiked by 1 person
Totally agree!
LikeLiked by 1 person
Jay, back away from the cat.
Great review. I’ve added the book to my to read list. 🙂
LikeLiked by 1 person
It sounds like your idea of “bombs dropped among the gold-rimmed china” would have been a rather solid improvement and by far …… way more American!
So often movies don’t live up to books because movies dominates the mind where books enlivens the mind. Tubularsock’s mind would make one scary movie!
Great review, Jay!
LikeLiked by 1 person
Endings are as important as the beginnings. Great review…Great book 😊 and horrible movie😫
LikeLiked by 1 person
I don’t mind abrupt endings when they work, but when they don’t….man, there’s nothing I hate more. lol
LikeLike
Agreed.
This didn’t feel like an artistic decision, it didn’t end on a cliffhanger or anything. It feels like a mistake.
LikeLike
I’ve heard the Danish movie isn’t much better. It’s too bad. It’s probably not an easy book to adapt.
LikeLike
Well…I am Dutch but haven’t read this book. Too bad this movie was such a letdown, but honestly am a bit glad that I can avoid a movie. My backlog is already way too big as it is. Sorry you had to suffer through this though 😢
LikeLike
Luckily I had a cross-Atlantic flight and needed to pass the time – round trip!
LikeLiked by 1 person
OK. I’ll skip this one, then.
LikeLike
In other words, read the book 😉 Got it!
LikeLike
I disagree with this review. The Dinner is an excellent, complex movie and very thought provoking. It may be unsettling for some people as it is presented in a disjointed fashion, interspersing flashbacks with the current day, and constantly offering various interruptions that prevent the actors from discussing the unspoken issue that needs to be discussed. This “brokenness” also reflects the nature of Steve Coogan’s character, who is a broken man and the state of the family generally, which becomes more and more fractured as the movie progresses. It adds to the tension/anticipation and makes the movie a great thriller/drama.
LikeLike