Why Stop Now

Jesse Eisenberg is having a terrible, no-good, very bad day. He’s a piano prodigy who needs to get to the audition that will launch his future, only he has to get his sister to school and his imagemother (Melissa Leo) to rehab first, if only her drug dealer (Tracy Morgan) will let him out of this inconvenient hostage situation.

This movie has no idea what it wants to be. It ricochets between the hijinks you’d expect from a drug dealer named Sprinkles badly in need of a Spanish translator, to the high drama of a family in turmoil, to the awful lows of the whiny, fast-talking tones of every single Jesse Eisenberg movie ever made. And was I comfortable with the white guy = piano prodigy, black guy = drug dealer dynamic? Not so much.

I suppose this film is mildly entertaining if you can forgive the fact that it doesn’t actually have why-stop-now-imageanything to say. I mean, 5 minutes after it was done, I forgot how it ended. What was the point of all of this? Somewhere between wacky and weepy it gets muddled and lost and never recovers.

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