Beyond the Grace (Portos dos Mortos) is a post-apocalyptic indie sensation out of Brazil, where it successfully made the rounds of film festivals. It’s about a police officer looking for a serial killer, more or less. The catch: life is governed by magic and madness in this new reality. The serial killer is possessed. The cop is fueled by vengeance. This is not a tale of good vs. evil, but rather, the bad vs. the very bad.
The cop picks up a couple of teenagers on his travels – a risky thing to do, he knows. But they too are searching for someone who did them wrong. The cop isn’t much of a talker but luckily the boy can provide both sides of any conversation. And the bonus: the cop has a gun without bullets, and the kid has a lone bullet.
During their road trip they pass what look like zombies to me, but low-budget zombies you’d see trick-or-treating at your house come Halloween. It’s hard to embrace horror when the effects are too cumbersome to be scary. There are some genuinely interesting visuals here, most of them blood-soaked, but it’s not enough to make up a frustrating act in story-telling. The quiet serves the story well though, the audience learning much of what we know from a constantly cracking radio rather than any character.
I was a little upset, and by a little upset I mean and I was REALLY FUCKING UPSET when a zombie pulled out a gun. I mean, doesn’t that violate everything we know about zombies? And how do the zombies have guns when the cop’s is useless? I know I just mentioned two paragraphs ago that this post-apocalyptic world is governed by magic, I just didn’t expect the ‘magic’ to be ‘stupidity.’ My mistake.
So I lost interest in the movie quickly after this, especially when some super cheesy music was played over a montage where the teenagers learn to shoot a gun…that has no bullets.
So this movie is probably only to be enjoyed by those who really love zombie flicks – foreign, subtitled, low-budget, fantasy, road-tripping zombie movies with a western twist. Which I can’t say that I am.