Full disclosure: I haven’t actually seen this movie. It was the opening night gala film at SXSW and despite a near 2-hour wait in line, the theatre reached capacity only half a dozen people too early for me to get in. However, I did spend the rest of the festival hearing about the movie from people who were there – 100% of whom regretted it.
To be fair, Terrence Malick is practically a hometown boy, and a huge local crowd turned out to see his latest film, which happens to be set in that very same town – Austin, Texas. The film is set against a backdrop of Austin’s vibrant music scene and SXSW is at the forefront of that music scene. Those factors attracted many people who’d never otherwise flock to a Malick film. Sean and I don’t consistently like them either (who does?) but at least we had a better idea of what we were getting into (we saw a Terrence Malick documentary narrated by Brad Pitt at TIFF this year).
What were some of the issues with the movie?
- Although Song To Song is a love letter to Austin, it’s mostly a love letter to Austin’s 1%. The McMansions that feature strongly in the film are not exactly the norm for the city. The whole thing has a much more slick and jet-set feel than laid-back Austin does in reality.
- SXSW in particular and Austin in general has an impressive music scene and is a real champion of indie acts. Abounding with local talent and featuring really cool guests from all over, Malick instead went with much more main-stream acts, including Patti Smith, Red Hot Chili Peppers, and Iggy Pop, and while no one has qualms with these guys, they don’t exactly scream Austin.
- Females as objects: that’s kind of a biggie. Natalie Portman and Rooney Mara co-star in this flick about not one but two love triangles, but basically the women exist only to serve the men in the film, one way or another.
- It’s insanely white. I didn’t really think of Texas as particularly diverse, but having visited Austin, it is. It’s young and it’s alive but Terrence Malick’s Austin is very monochromatic.