Shimmer Lake is a murder mystery told backwards. The story reverses day by day through a week as a small town sheriff investigates a bank heist gone wrong and the three local criminals he suspects. Innovative? Sure, maybe a little. Confusing? Maybe a lot. It’s just a lot of story to keep track of. And often the first time we meet a new character, he or she is a dead body. Ten or fifteen minutes later for us is usually a day earlier for them, so the corpse reanimates and is suddenly a major player.
Now, telling the story backwards is a gimmick, and one that in my opinion, doesn’t really pay off. I suppose the story was too generic to get greenlit when played forward, but for future purposes, I’d appreciate it if Netflix could release movies in their natural order, and I’ll use my rewind button if I feel a particular need to bedevil my brains. Without proper introductions, I couldn’t even keep the character names straight. One of the film’s running jokes has its punchline right at the beginning but then we have to watch it get set up one morning at a time. It’s the kind of movie that might require some note-taking but it’s not good enough for me to be motivated to go rummage around in the drunk drawer for a pen.
With credits like Rainn Wilson Rob Corddry, Adam Pally, and John Michael Higgins, I expected them to put the comedy into black comedy. They don’t. Shimmer Lake seems to have some over-the-top elements but it never really embraces them. The script is safe and scrubbed of laughs. Oren Uziel, one of 5 writers credited for 22 Jump Street, writes and directs this one all by his lonesome. And while I appreciate that Netflix is trying to take some risks, this one doesn’t pay off. Or, it does, but only in the last seconds, which means you’ll spend the vast majority of this film not enjoying it very much at all. The ends do not justify the means.