One day, a handsome man named Oren walks into Thomas’s German bakery, looking for cake and coffee, and possibly a gift suggestion for his young son. By the end of the day, Oren and Thomas are lovers, but their affair must be put on hold as Oren returns to Jerusalem to see his son and wife. A month, he tells Thomas as he walks reluctantly out the door, trying to make it sound insubstantial. One month.
Only Oren never does return, and Thomas’s calls go unanswered. There’s been an accident in Jerusalem, and Oren was killed. He isn’t coming back, to Thomas or to anyone. Grief-stricken, Thomas travels to Israel to feel close again to his ex-lover, wrapping himself up in the city where he last knew he was alive, and he finds himself in the cafe of Oren’s widow, Anat. Thomas (Tim Kalkhof) takes solace by inhabiting different aspects of his dead lover’s life, and it’s not long before he’s helping out in Anat’s cafe, and erm, doing other things for Anat (Sarah Adler) besides. Of course, Anat is unaware of the relationship her husband had with Thomas, so it’s only her grief pushing her into Thomas’s strong but unfamiliar arms.
The Cakemaker is slow and deliberate. It feels a bit like a recipe, with ingredients lovingly chosen and carefully measured, and everything kneaded together with slow, sensuous strokes. There are no surprise ingredients, but the way they’re blended makes for a very interesting movie, equal parts delicate and passionate. Writer-director Ofir Raul Graizer stirs his creation in a way which suggests that our identities, religious, political, sexual, whatever, they’re fluid. And grief is complicated. It’s sad of course, because love is inevitably sad, but it’s the journey more than the destination, the story of survival, the getting there, and the rest is just cake crumbs.
The Cakemaker screens as part of the Toronto Jewish Film Festival and if you’re lucky, you can catch it tonight, May 9, 8:30pm, at the Cineplex Cinemas Empress Walk 9.