TIFF18: Life Itself

If you watch Dan Fogelman’s This is Us, then you know what to expect from the writer-director: a love story to make you swoon, a family saga to make your heart swell, emotional manipulation to milk your tearducts dry. Life Itself is This Is Us on steroids, and with swearing.

Will (Oscar Isaac) and Abby (Olivia Wilde) have the kind of love story only found in movies and imaginations. She’s wounded in a sexy way, he’s wildly devoted to her, they’re both unbearably attractive, he talks about his feelings, which are grandiose and pointed solely toward her, she doesn’t complain when he kisses her with stubble.

But – record scratch – this isn’t some ordinary rom-com, this is Life Itself! We can’t stop MV5BOTAwMjU4NjA5Nl5BMl5BanBnXkFtZTgwODgyOTY4NTM@._V1_SX1500_CR0,0,1500,999_AL_there. No, Dan Fogelman grows the concept to include generations that cross continents. The ensemble cast includes  Antonio Banderas, Annette Bening, Olivia Cooke, Sergio Peris- Mencheta, Laia Costa, Alex Monner, Mandy Patinkin, and Jean Smart. Like his hit television show, Life Itself is not so much about the destination but the journey. Fogelman plays around with the chronology, as he does, and with an unreliable narrator and its delicious implications.

I love the casting. I loved seeing Jean Smart. Oscar Isaac was a stand-out for me. He’s playing Prince Charming, only sexy, and he sells it. Coming from almost anyone else on Earth I’m sure I would have been rolling my eyes but for Oscar I was nodding and tilting my head, and wanting desperately to touch him lightly on the forearm. Alex Monner was also really solid. His part isn’t huge, but he leaves quite an impact. And I loved that his story line shot in Spain was done in Spanish and subtitled in English. I think there’s been a trend in films lately to see more characters speaking in their native tongue, and I’m all for it. It worked really well here and I hope to see this trend continue.

But before you start thinking this is to good to be true, to be honest, I had some problems with the film. Specifically with the direction taken by some of the characters that just didn’t feel right to me. I admit those choices fit the narrative; Fogelman knew where he was going and he got us there. Does that excuse it? Ugh. I’m struggling because the movie gave me emotional release, I had such a satisfying, cathartic ugly-cry that I sort of want to excuse it anything. But the truth is that no, you shouldn’t shit on your characters. If you’re going to ask me to buy some pretty extreme things, you shouldn’t spend so much time letting me get to know them first, know them well enough to call bullshit when they suddenly start acting out of character.

In the end, fans of This Is Us are extremely likely to like this movie if they aren’t too shocked by Dan’s potty mouth. I liked it myself. I can’t help it! This movie hits you right in the feels and there’s no use trying to logic it away.

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11 thoughts on “TIFF18: Life Itself

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