Kate Bradley (Tiya Sircar) is a TV reporter who takes too many risks getting exclusive footage of fires and daring rescue attempts. Dedicated to the bummer beat, her boss can’t get her to stop, so he gives her a different kind of story, soft news that insults her, but the story turns out to be quite the gold nugget.
An anonymous donor has left a literal bag of cash on someone’s door step. She’s thrilled to have $100 000 but has no idea who could be so generous. That first recipient wants to call it a miracle, but Kate’s story doesn’t stop there. There are other door steps, other bags of money, and pretty soon the whole city’s abuzz with the good news.
Kate, who started off reluctant to report on something so negligible, now has quite a story on her hands. And it’s not just that it’s something positive making the news for once. It’s the mystery of the thing. Who is this guy, who becomes known in the media as Good Sam, short for good samaritan, and why is he changing lives without taking credit? Kate is obsessed with but skeptical of the notion that someone might be doing good without expecting anything in return – is this naiveté, or wishful thinking, or a new kind of philanthropy set to inspire a whole city?
Good Sam is a feel-good story, and perhaps a bit of a fantasy. In the day and age of Trump, it’s hard to imagine such a positive news cycle dominating the headlines. The plot’s a little flimsy and the characters aren’t shadowed by motivation or even much personality, but Tiya Sircar leads the cast with such good cheer, she’s hard to resist. Which is a good thing, because though Good Sam reaches for themes on the top shelf (journalism’s role in public perception, generosity without expectation), it all too often scrapes along the very bottom (mired in Kate’s relationship status). But with tempered expectations, Good Sam is not a bad way to spend time thinking about how ratings drive a news cycle, and heck, it’s easily accessible on Netflix right now.