We are sitting smack dab in the golden days of the Summer of Keanu – John Wick 3, Always Be My Maybe, Toy Story 4 – a real career renaissance for Hollywood’s nicest leading man, a Keanussance if you will, though it doesn’t roll of the tongue quite as convincingly as McConaissance did.
Henry Torne (Keanu Reeves) is a toll booth operator and chronically nice guy in that passive way that drives his wife (Judy Greer) kind of crazy. He’s so nice, in fact, that he goes to prison for a crime he didn’t commit. Accused of bank robbery, he protects a friend (Fisher Stevens) and takes the sentence, losing his wife in the process. His cellie is a crazy man named Max (James Caan), away for life. Henry does his time and eventually leaves prison with one important lesson imparted by criminals more hardened than he: you did the time, you may as well have done the crime.
And that thought just niggles at him. So much so that he springs Max out of prison and they befriend a Buffalo actress (Vera Farmiga) who just happens to be doing a play in an old theatre that has a prohibition-era tunnel running from its basement straight to the bank’s vault. Convenient! Love and money, all in one fell swoop.
Of course, Henry is not exactly a professional thief. He got caught – and remember, he got caught for a crime he DIDN’T commit. How much of a disaster is he going to be with the real thing?
Safe to say this film (released in 2011) is NOT part of the Keanussance. Reeves suffers from the coolest of detachments while the rest ham things up. Farmiga in particular is several degrees north of TOO DAMN MUCH. Henry’s Crime is entertaining at times, merely watchable at others, and sometimes it’s just slow and not building to much. Sometimes I’m startled to come across titles featuring several prominent actors that I’ve simply never heard of before, but the reason why usually becomes quite clear, quite quickly. While there are worse crimes than Henry’s, a misdemeanor rather than a felony, it’s still not worth doing time for.