I first came to know Caitlin Moran when her publisher sent me a copy of her book, How To Be A Woman, to review (Jay trivia: I did in fact review books before movies – scandalous!). That’s all it takes to be a Moran convert. She’s so…I mean, likable is both the right and wrong word. She does not asked to be liked. She does not write to be liked. But her don’t-give-a-fuck-edness is extremely likable. She is the role model we deserve: bold, brash, body-positive, full of piss and vinegar. She isn’t someone else’s shitty idea of a woman, she is a REAL woman, no apologies given and none necessary. She may have been new to me then but she was already a well-respected journalist and popular TV personality in England. But over here we’ve mostly had to make due with her books.
Lately she has embarked on a semi-autobiographical trilogy, the first of which is How To Build A Girl. It follows Johanna Morrigan, an educationally-uninspired, council-estate-abiding, overlooked teenage daughter in Wolverhampton who one day just decides that the best ticket out of there is one she writes herself. So she reinvents herself as the fast-talking, confident Dolly Wilde, music journalist extraordinaire. With a top hat and some swagger, Dolly trips through life, interviewing Britpop’s biggest bands at the beginning of their journey to fame, and swashbuckling through bedrooms as a Lady Sex Pirate (Moran’s words, but god I wish they were mine). Is it easy? Fuck no. The music industry is notoriously sexist, and Johanna/Dolly is, after all, still a teenage girl.
The movie has a lot going for it, but I’m going to start with its star, Beanie Feldstein, whom you might already love from Booksmart or Lady Bird, and with whom you will fall certainly and mightily and madly head over heels in this. Johanna Morrigan is the kind of character every actor wants and few will ever find; the personal grown charted on screen is nearly immeasurable. Johanna is every kind of dichotomy you could hope for in a character study of a young woman: brave and nervous, self-conscious and audacious. We see every attempt to ‘build’ her up by the men in her life – father, boss, boyfriend, brother. But then we get to see her break away from all that bullshit and start to build herself. And the ingredients for building a self-possessed girl are all here. It is glorious.
Caitlin Moran’s signature style is all over this film, which she helped adapt to screen. The humour is self-effacing, witty, rude, clever. It is amazing and liberating and just such a relief to see a young woman’s actual sexual awakening be told (though I think it may be slightly watered down from the book, if you can imagine). And that’s what will punch you right in the face: director Coky Giedroyc has given Johanna permission to be a real person, whose inner life and outer trappings are just as full and fully-realized as any man’s. Yes, she’s ambitious. Her peers find her intimidating and confusing. Her life isn’t perfect. She swears like a sailor. She likes her body. She likes sex. She wants more. Have we ever seen a better representation of a female character, ever? EVER??? Everything I like about this movie makes me dislike every other movie just a little bit. How To Build a Girls is vital and necessary – easy to fall in love with, because it’ll make you fall in love with yourself.