Tag Archives: animated movies

Mr Peabody & Sherman

The Assholes are too young to feel nostalgic about this movie. I can’t comment on how it stands up to the original stuff, I can only say how I felt about it as a stand-alone movie starring charapeabodycters that I first heard about in 2014.

I take it that the source material, 4-minute shorts contained as a side piece to the Rocky & Bullwinkle show, was one of the first “ironic” cartoons made for kids. But in 2014, snarkiness is now a fait accompli if an animated movie is going to be have much success at the box office, and by that standard, Mr. Peabody and Sherman is actually quite innocent.

Mr. Peabody (voiced by Ty Burrell) is exceptional. He’s a genius, and an Olympian, a Nobel-Prize recipient, and Harvard know-it-all (he was valeDOGtorian, in fact). Finally he’s found himself an actual challenge: raising his adopted (human) son, Sherman, who mysteriously calls his father Mr. Peabody. We are treated to a little montage of their lives together thus far (set sweetly to John Lennon’s Beautiful Boy). And then launched into plot: Sherman is 7 now, and attending school where he is bullied. He gets into a fight with the bully and bites her. Mr. Peabody is very surprised at this behaviour and learns that the intolerable thing that the bully has accused Sherman of being is – a dog. That little moment is a delight in animation. We can read the hurt on both their faces – the father and his pain at being the thing that his son cannot stand, and the son and his shame for wanting so badly to not be like his father. If only the movie could provide us with more such moments.

Alas, it’s time for the action. And in case you didn’t guess, Mr. Peabody, genius inventor, has a secret time machine that allows him to teach his son about history and the world first-hand. But when left alone with the bully, who just happens to be a cute blonde, nerdy little Sherman tries to win her affection by spilling the secret, and like that, they’re off to Ancient Egypt where complications await them.

It’s basically a sweet film, great for kids, and it’s hard to argue against a talking dog. It’s just that this dog has no bark, and no bite. He’s all bowties and cuddles. Pop this one into the DVD player for the kids, and go have a martini all to yourself.

 

 

Big Hero 6

 

Now that was a great cartoon! It was just as advertised – robots and superheroes! I can’t say enough good things about it. Things started slow as we were going to be the only ones in the theatre but then at the last minute a couple walked in and for reasons unknown sat in the seats right behind us. Then came about 8 previews, none of which were for Star Wars 7, but some looked good. And then the short, which was very enjoyable and reminded me of our puppy Bronx. But things really took off when the bot fighting started, and I was hooked from that point on.

By far the best part of this movie is Baymax the robot. I wish I had a robot like Baymax. He is the best inflatable robot I have ever seen. And his voice just added to his awesomeness, as did his love of hugs. Even better was when he got drunk (or as we call it in cartoons, had a “low battery”). I criticized Frozen for being a vehicle to sell princess dolls but Disney, you sold me on this one. I will buy every existing and future Baymax toy for our nieces and nephews (but will keep them at our house since I am sure their houses are already full of toys). Baymax is that good.

The other characters are pretty good, as good as needed, but in case you haven’t figured it out yet, Baymax really steals the show. When he’s not on the screen I was mostly waiting for him to come back, but wisely the movie never lets him go away for too long once we meet him. It’s a fun movie, an action packed movie, and a sweet orphan teenager/robot best friend movie. Really well done. Jay knew what was coming, as she always does. I didn’t see the twists in advance but admit I should have. Whether or not you see what’s around the corner, if you like action or superheroes or ever wanted to own a robot, you need to see this movie. And if you like action and superheroes and wanted to own a robot, you’re probably going to need to see it more than once.

Big Hero 6 is fantastic and rates ten musical fist bumps out of ten, plus one inflatable robot hug for good measure.

Frozen – reviewed by the last man on earth to see it.

I saw Frozen for the first time last night. Jay knew I hadn’t seen it and since all our nieces and nephews want Elsa dolls for Christmas, it seemed the time was right. I generally enjoy animated movies (or cartoons as I will probably always call them) and Wreck-It Ralph is one of my recent favourites. Since Frozen is Disney’s follow up to Wreck-It Ralph (at least chronologically) I thought Frozen might be quite enjoyable. As it turned out, there was a little bit of truth to that but not as much as I would have hoped.

The problem for me was that Frozen is basically another princess movie geared toward selling new dolls and dresses and direct-to-video sequels. And clearly it has been a massive success on that front, but it struck me as a very hollow movie. I think there were a few good choices made in its creation, mainly that Elsa did not become the bad guy (which Jay tells me was originally going to happen until they realized they were going to have a huge hit in “Let it Go”) and that the guy with the reindeer did not really end up saving our two princesses.

I shouldn’t complain too much. I don’t want to be unfairly critical or hard on Frozen. After all, it is a cartoon and a princess movie at heart and on those levels I can understand why it is beloved by all my little relatives. It’s just a big step down from Wreck-It Ralph, which really lived up to Pixar’s legacy as a movie that was designed for people my age as much as it was for kids (see Up, Toy Story, the Incredibles, etc.). It’s a high standard and a tough mark to hit but there have been some great animated movies produced in the last ten years (some not even by Pixar) and I hope most people making movies, animated or otherwise, are aiming to match or beat what has come before. Frozen had a few moments where something new and exciting seemed like it might materialize but I think it just ended up being too easy for them to stick to the tried and true princess formula instead of really making something original and memorable.

Hopefully Big Hero 6 will be a stronger continuation of Pixar’s best efforts, or at least be more exciting. That’s probably a safe bet because it seems to be about robots and superheroes so there should be very few princess cliches involved. And for whatever reason, robot and superhero cliches do not bother me at all; I will happily watch the same basic plot over and over if Batman is involved, but if you put a singing princess (or two) in the starring role and tell a generic story then I’ll call your movie unoriginal. So don’t be surprised to see my Guardians of the Galaxy review assign a final score of 21 out of ten space guns (or something equally clever) but in the meantime I am not ashamed at all to give Frozen a rating of six talking snowmen out of ten.

(Check out the comments for Jay’s rant on Frozen’s supposed feminism.)

How To Train Your Dragon 2

 

Has it really been four years since the first one? No wonder I barely remember it.

I do remember being surprised how much I liked it though. The heroic score and spectacular animation of dragons in flight was impressive even when seen through my tiny portable dvd player. And the story-as best as I could remember about a Viking boy named Hiccup who is the only one who believes that dragons can be our friends- was touching stuff and completely changed the way I felt about dragons.

In How to Train Your Dragon 2, Hiccup has changed his village for the better. Now everyone has a dragon of their own and even have dragon races. Even though he is solely responsible for all these changes, Hiccup still can’t quite fit in and skips the dragon racing to go exploring with his own pet dragon, unsure of who he is because he never knew his mother.

Last time, Hiccup discovered that sometimes, we are afraid of things because we misunderstand them. This time, he will learn an even more grown up lesson- that sometimes we are afraid of things because they are scary. When Hiccup’s dad, the chief, learns the evil Drago is building a dragon army, Hiccup urges everyone to keep calm and let him find Drago and reason with him. “This is what I’m good at”, he says. He will soon learn that “Men who kill without reason cannot be reasoned with” and that Drago really does in fact plan on enslaving all the people and dragons he can get his hands on. What a maniac. Once he has accepted that some men are just bad and need to be fought, Hiccup will finally be able to become his father’s successor as chief, a job that only Hiccup doubts that he was born for.

My memory of How to Train Your Dragon is vague but I remember enjoying it more than I did the sequel. The animation is even more impressive this time around with two battle scenes that I absolutely loved but the story doesn’t add anything to the message of the first one. And Kristen Wiig, as talented as she is, should not be doing voice work.

Shark Tale

You know how movies always come in pairs? White House Down and Olympus Has Fallen: same basic film. Dante’s Peak and Volcano: twins! Armaggeddon and Deep Impact: same damn thing. Antz and A Bug’s Life: why the hell not. Infamous and Capote: nominally two different films. Turner & Hooch\K-9. Platoon\Full Metal Jacket. The Truman Show\Ed TV. The Prestige\The Illusionist. No Strings Attached\Friends With Benefits. I could go on and likely so could you. Are the movie studios hoping you’ll see one instead of the other, or are they banking that if you liked one, you’ll like the other?

Or did Jeffrey Katzenberg steal an idea and take it with him when he left Disney? He’s been shark-taleaccused of that more than once, and that’s the theory behind Shark Tale conveniently riding on Finding Nemo’s coat tails. Both are animated movies dealing with outcast sharks befriending fish. Doesn’t that seem like quite the coincidence?

DreamWorks Animation has often been a step behind animation powerhouse Pixar, and in this case, Shark Tale isn’t exactly a bad movie, but it is the inferior one.

Oscar (voiced by Will Smith) is a small fish who dreams big. When a shark turns up dead at his feet (fin?) of course he takes the credit, and then the money and the fame that come along with being The Sharkslayer – everything he’s always wanted. Until some real sharks start threatening his reef and he’s the one that’s supposed to stop them.

There’s a tonne of voice talent on hand: Renee Zellweger, Angelina Jolie, Jack Black – butGang001.jpg my favourites were Martin Scorsese and Robert DeNiro, who recorded their lines together, and if you look carefully at their characters, you’ll see some tell-tale eyebrows and a distinguishing mole.

So why is it that this movie fails? Story, mostly. Pixar has this magical formula for making a children’s movie that still appeals to adults, and I think in striving for it, Dreamworks failed to hit either target. It’s fast and it’s colourful but it doesn’t seem to captivate kids the way that Finding Nemo did. And there’s no underlying truth and sweetness, so no reason for adults to really watch, except for the sharks-as-mafia bit that’s kind of a tired joke, and got the Italic Institute of America all riled up. But that’s not the only organization they pissed off: the Christian wackos over at the American Family Association (a nice euphemism for spouting pure hatred) decided 1that Lenny the Shark was a bad example to kids because his VEGETARIANISM was an allegory for HOMOSEXUALITY. Um, no comment.

The one thing this movie does get right is its soundtrack. But everything in between is forgettable and derivative. Even the animation doesn’t live up to the standard they set with Shrek. There’s no charm, and no whimsy. Would this movie be as ugly if it wasn’t always being compared to the pretty twin, Finding Nemo? Who knows. But it’s just not interesting enough for me to care.

 

The Princess And The Frog

I want to like this movie. I do love the New Orleans vibe, the beautiful bayou, and DISNEY’S FIRST BLACK PRINCESS. But in addition to this movie just not feeling up to Disney’s standards (or, I suppose, mine), it’s not even what it promises.

Disney’s first black princess is in fact a frog for most of the movie. So kudos to whoever came up with that little workaround: how to have a black princess without actually committing to it, kind of like how they just had their first gay character without actually doing that either. Person of colour, yes, but did that colour really have to be green? Classic movie, Disney. Also, how many of the characters feel like stereotypes? There’s a pimp, and a Mamie, and one with a fat ass and missing teeth. Erm. Tug on the ole collar. The voices alone feel deeply racist. And let’s not forget the bit fat white saviour, even if he is cleverly voiced by John Goodman.

And the truth is, the setting isn’t quite as spectacular as I wish it was either: put through Disney’s rock polisher, it’s scrubbed clean of any true colour. The score is kind of cool, kind of jazzy, but the songs are unforgivable generic, totally unmemorable, un-sing-alongable.

There’s no real flair here, and even worse for Disney, no magic.