Tag Archives: Billy Crudup

Odds & Ends – Netflix Edition

longestweekThe Longest Week – Jason Bateman plays a dependently wealthy man-child chronically working on (or at least thinking about) the great American novel until one day his parents cut him off, he gets evicted, and he shows up on his best friend’s (Billy Crudup) doorstep, begging for a place to stay. And this might have gone well if he didn’t immediately start crushing on and sleeping with his best friend’s girl (Olivia Wilde). Likeable leads. Aiming for quirky but falls into been there, done that.

Touchy Feely – Rosemarie DeWitt plays a massage therapist suddenlyTouchy-Feely-Poster1 stricken with a complete aversion to touch. She can’t do her job anymore but that’s the least of it: all of her personal relationships start to suffer too. Luckily her brother the dentist starts to do really well healing his patients thanks to his daughter (Ellen Page) breeching protocol. The uptight family does some X and wander around and just like this movie, they never really go anywhere.

Life of Crime – Tim Robbins is a rich old white guy with a young, hot wife (Jennifer Aniston) but leaves his wife for a younger, hottlife-of-crimeer mistress (Isla Fisher). Too bad some dumb criminals pick this exact moment to kidnap the wife and demand a hefty ransom. Sure he has the money, but now that he thinks about, he wouldn’t mind if his wife just disappeared – in fact, it would save him on alimony. Not the best Elmore Leonard adaptation but solid, and sometimes charming.

The Giant Mechanical Man – Jenna Fischer plays a woman who’s a little too old to still not know what she wants to be when she grows up. Temping isn’t paying what it used to andmechanicalman she has to move in with her uppity little sister. She feels comforted by the giant mechanical man (Chris Messina) when she spots him around the city – one of those street performers who dress up like a metal statue and never move. Turns out the mechanical man is going through a transition period himself. His girlfriend’s left him because he spends his day wearing silver paint rather than being gainfully employed. The two finally meet when they both take jobs far below their stations, and bond over their common loserdom. It’s quietly sweet, but it’s hard not to think that Pam belongs with Jim, and Danny with Mindy. Call me crazy.

 

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Just off the Top of O-Ren Ishii’s Head: 10 Death Scenes I Will Never Forget

I’m not really a Final Destination kind of guy but with stock dwindling at my favourite video store just two weeks before it closes, I settled on a movie that my friend had been trying to get me to watch for months. Final Destination 2- so far left on the shelves by eager shoppers looking to take advantage of the store’s Everything Must Go policy- has a death scene that apparently I just had to watch.

Watching the movie, I couldn’t be sure which scene she meant. There were a lot. Could it be the lottery winner who slipped on some spaghetti and got his head smashed in by a falling fire escape? Or the grieving mother who was decaptiated when she got her head caught in an elevator door? Turns out I should have been watching for the teenager who was crushed to death by something- what exactly I can’t be sure, things happen fast in this movie- while chasing away some pigeons. Apparently, if you watch closely, he explodes long before anything falls on him. How does she know? She’s watched it in slow motion. Several times.

final destination

While I may not have even been temptedc to check the tape on that one, it got me thinking of my favourite on-screen passings. After all, we just saw some real beauts in Mad Max: Fury Road on Friday. Here’s my attempt at a Top Ten. I left out a lot out, I know. How about you? What are some of your favourite scenes that I might have missed?

10. Count Laszlo de Almásy  The English Patient (1996)

English Patient

One of the movies that I am most likely to meditate on the finality of death after watching. Once we’re gone, everything we’ve felt, everything we’ve feared, everything we’ve loved die with us. It’s painful to watch Ralph Fiennes suffer from his burns throughout the movie and when Juliette Binoche’s Hana agrees to help him end his agony once and for all, I could almost feel his last breath. Even though, technically, the scene ends before Laszlo does. Before this act of mercy, Hana reads him this.

“We die rich with lovers and tribes, tastes we have swallowed, bodies we have entered and swum up like rivers, fears we’ve hidden in like this wretched cave. I want all this marked on my body. We’re the real counttries. Not the boundaries drawn on maps, the names of powerful men”.

9. Phil Groundhog Day (1993)

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Condemned to live a bad day over and over until he gets it right, Phil (Bill Murray) uses this opportunity to try new things without having to wake up with any consequences. He makes a move on the girl he likes and punches the guy he doesn’t. He runs around town playing hero. He even gives dying a try. His suicidal phase is one of the funniest and darkest parts of the movie. (I haven’t seen the movie in awhile so I can’t remember if it’s made clear to us whether Phil is counting on waking up the next morning or hoping not to).

Before my favourite of said suicide “attempts”, Phil calmly walks into the lobby ignoring the pleasantries of the hotel staff and steals their toaster. Phil calmly prepares himself a nice hot bath and takes the toaster in with him. This scene would also make my list of Top Ten Reasons I Love Bill Murray.

8. Captain Frye The Rock (1996)

the rock

Ed Harris’ General Hummell is a madman but he really does think he’s doing the right thing. It’s the mercenaries he brings with him to sieze Alcatraz Island that make me nervous, especially Captain Frye. Played with his usual sneer by character actor Gregory Sporleder, there’s just something not quite right about this guy. He always seems to be wishing he was pushing an old lady down a flight of stairs.

A lot of these guys die for their cause in spectacular fashion but director Michael Bay saves the best for last when chemistry geek/action hero Stanley Goodspeed (Nicolas Cage) shoves a vial of sarin gas in his mouth and smashes it with his fist. Neither Bay or Cage have gotten much right since but they did good here. This guy had it coming.

7. Sydney Barringer Magnolia (1999)

Magnolia

P. T. Anderson gets our attention right from the start and manages to hold it for Magnolia’s entire three-hour running time. Seventeen year-old Sydney Barringer jumps from the roof of his nine-story apartment building only to have his suicide attempt interrupted both by a safety net installed by some window washers and by a shotgun blast from a sixth floor window that killed him instantly. His unsuccessful suicide became a successful homicide when his own mother accidentally fired a shot while threatening his father during a heated argument.

Anderson didn’t come up with this story on his own. It’s an adaptation of a sort of urban legend that had been circulating for years but it sets up the strange events that follow perfectly.

6. Guy in elevator Drive (2011)

Drive

Ryan Gosling is a charmer. He swept Rachel McAdams off her feet both on and off screen and even taught Steve Carrell how to be a smooth talker. Just don’t get on his bad side. This guy’s not fucking around. He understands the golden rule of action movies. When someone’s giving you trouble, sometimes you’ve just got to stomp on their face until they’re dead. He doesn’t carry a gun much in Drive but why would he? He’s got his boot.

5. Edward Bloom Big Fish (2003)

Big Fish

The deathbed scene in The English Patient inspires me to meditate on death. Big Fish inspires me to reflect on life. Will Bloom (Billy Crudup) finally understands the value of myth and the key to good storytelling while seeing his father (Albert Finney) through his final moments. For most of his adult life, Will stubbornly told stories with “all of the facts, none of the flavour” but, when his father asks him to tell him “how he goes”, Will ad-libs a fantastical story fit for Ed’s remarkable life- one that undoubtedly touched so many others, even if the details are a little embellished. I still get chills when I watch it.

4. Cecilia Shepard Zodiac (2007)

zodiac

I feel crass talking about an on-screen depiction of something that actually happened in the same post as the twisted thrills of Drive but there aren’t many scenes in 21st century American film that are more effective. All the recreations of the Zodiac killings in this movie are almost impossible to watch without some temptation to look away but this one at the beach is the most chilling. I felt a wave of anxiety every time I found myself anywhere secluded for weeks after watching this movie. The Zodiac killer was never caught or named but this faceless killer- now probably long gone- still haunts me.

3. Elle Driver Kill Bill: Vol. 2 (2004)

kill bill

I only allowed myself one Quentin Tarantino entry on this post and I could have easily done one just on the Top Ten Tarantino Death Scenes. He’s the guy that knows how to do it, whose mind seems to take him to to places most of us wouldn’t dare. Daryl Hannah’s Elle puts up quite a fight against the Bride but the fight’s pretty much over when Uma Thurman’s antihero plucks out her only good eye. Adding insult to injury beyond anything I can imagine, poor Elle hears a sound that can only be Uma crushing it beneath her feet. Good and pissed but with nothing much she can do about it, Elle thrashes about unitl a poisonous Black Mamba finishes her off.

Elle Driver was an assassin and a bit of a sadist but I can’t help but feel just a little bad. What a way to go.

2. Spider Goodfellas (1990)

spider

Everyone has a favourite scene here and I could have probably done a Top Ten just on this one movie but Spider (Michael Imperioli) really gets a raw deal. After finally being able to get back to work after being shot in the foot by Tommy DeVito (Joe Pesci), the poor waiter finally stands up for himself and tells Tommy to fuck off. Tommy’s gangster buddy love it and tease Tommy until he loses it and empties his clip into the poor guy, shocking his buddies. “What the fuck, Tommy?goodfellas We were just kidding around”.

Tommy’s a funny guy (yes, sort of like a clown) and I sure did miss him after he gets whacked. But he really was a mad dog. It’s probably for the best that he never got made.

1. Lester Burnham American Beauty (1999)

american beauty

This also made my list of Movie Moments That Took My Breath Away. Lester makes it very clear from the start that he won’t survive the movie and the final moments are filled with tension as we wait for something to happen. Writer Alan Ball presents us with three suspects and we’re not sure until after the killing shot is fired who murdered Lester Burnham.

The murder is beside the point anyway. The tragedy is that Lester dies in pretty much the instant that he finds inner peace. His life flashes before his eyes as he reflects on all the beauty  in the world. “You have no idea what I’m talking about, I’m sure. But don’t worry. You will someday”.

Rudderless

This movie has the production value of a Canadian television show, and you know that ain’t no compliment. It looks terrible. I stuck with it though, mainly on the strength of Luc’s recommendation, and I’m glad I did.

This is William H. Macy’s directorial debut and in it, we see a young college student working on songs, and doing some rough recording in his dorm room. Cut to: a father (Billy Crudup), stood up in a pub, catches news footage on TV of a school shooting. His son is dead. The grief is overwhelming.rudderless

Two years later, Sam\Crudup is hiding from his trouble, he’s lost his home and job and is fairly miserable, but when his ex-wife (Felicity Huffman) drops off a box of CDs, he has a new connection and new insight to the son who is lost to him, and it helps him work through his grief and loneliness and guilt. He starts playing the songs himself, and at an open mic night, he attracts the attention of Quentin (Anton Yelchin), who is needy for creative inspiration and collaboration. He hounds Sam until the two start working together on the music, and soon they have themselves a band, and a following.

The catch? Sam never tells Quentin that these songs belong to his dead son. So they forge a bond that looks and feels an awful lot like father-son but there’s a big, bad secret between them. Crudup does a really good job of showing both the yearning for a lost son and the desire for a new life. His heartache is there in silences and shadows. Yelchin, conversely, is a nervous energy, kinetic and wanting. I end up enjoying him in pretty much everything and I’m surprised he hasn’t really blown up yet. I don’t know if there’s another actor his age with anywhere near the range and depth and subtlety.

The real star of the movie is the music. If this is where the budget went, then it was worth it, and fuck the shitty look of the thing and the glaring anachronisms. The music is really that good. Credited to Simon Steadman, Charlton Steadman and Fink, the songs are ably performed and it makes you wish Macy lingered on the band’s success just a little longer. Crudup’s guitar does the (gentle?)  weeping for him, and it’s beautiful, though maybe not quite enough for the enormity of the grief.

The story bites off more than it can chew and we never get enough context to really appreciate all the layers that are happening here. The movie’s to concerned with the gotcha aspect and not concerned enough with our emotional payoff. Nevertheless, I enjoyed the two actors, I enjoyed that they seem to have done their own singing, I loved the music, and I liked that as the credits rolled I found myself wondering – how much can we really know someone through their art?