Tag Archives: Jason Momoa

Sweet Girl

Ray Cooper (Jason Momoa) is understandably upset when he and his daughter Rachel (Isabela Merced) watch their beloved wife and mother die of a cancer that is treatable, if only they could afford it. An affordable generic brand is tragically pulled from the market, having been bought out by its larger and more expensive competitor, BioPrime. Ray harbours an inevitable and totally justified grudge, and vows to take it out on BioPrime CEO Simon Keeley (Justin Bartha). It just so happens that Ray is a trained fighter with a passion for justice, so even though there’s a hitman literally hot on his trail, Ray’s going to see this thing through, to avenge his wife and protect his daughter.

So: grief and action. Blood and then more blood. The action’s decent, but it’s definitely a watered down version of better scenes in better movies. Not great movies, mind you; Sweet Girl is a pretty low bar, and no one involved in the movie seems motivated to reach any higher. I probably should have been more motivated to reach for the remote to give this movie the boot, but had I, this review would end here and you’d never know how Sweet Girl turns around.

It gets worse. It goes from generic, forgettable action movie with a superficial social justice heart to a bullshit “twist ending” that thinks it’s quite clever but will only earn eye rolls at best. Nothing feels authentic enough to care about or good enough to enjoy. The acting ensemble is not to blame; Momoa is the weakest link but the others, including Amy Brenneman, Manuel Garcia-Rulfo, and Lex Scott Davis, do a plausible job with implausible words and circumstances. It’s not enough to save a worthless cause. However, if you’d feel content just to watch Momoa throw some punches (and his hair over his shoulder), this movie delivers exactly that, with little else to distract you.

Aquaman

How do I even deal with the atrocity that is Aquaman? You probably know already that Aquaman is about a plot by the Atlanteans to attack the people who live on land, and so Aquaman has to become their king to save the world. But what you may not know is that this film is racist.

The only two black people in the movie are criminals (and also father and son). The black dad blows himself up when Aquaman (Jason Momoa) seemingly foils their attempt to steal a submarine from a bunch of white guys (Russians, as it happens).

Then that same submarine reappears to fool some of the Atlanteans into thinking that MV5BMzZjZTU2NjEtZTEzMC00YmRkLWIzZjUtMDczMWI4MDU4ODAxXkEyXkFqcGdeQXVyNTc5OTMwOTQ@._V1_the surface world is attacking them to obtain enough votes to attack the surface world. Turns out, one of the Atlantean human-shaped leaders had hired the black guys to steal the sub and fool another Atlantean human-shaped leader. Except then it also turns out that the leader who seemed to be fooled by the sub attack was actually aware it was fake news the whole time and went along with it anyway (and in case it is not clear, all the human shaped Atlanteans we see are white men, every last one, other than Aquaman’s love interest and Aquaman’s mom who are white women).

Then the surviving black guy is hired again by the Atlanteans to kill Aquaman and his love interest in Sicily, and the black guy is willing to go along with it because he blames Aquaman for his dad’s death. That plan fails, with the black guy apparently being killed by Aquaman, and also two non human CGI underwater leaders are either killed or maimed by the white underwater leaders who do not attempt any type of stolen submarine trickery on them at all.

So, to summarize the repeated, overt, MAGA-level racism (on the level of “Look at my African American over here!”):

1. The black son is called “Black Manta” so even when he wears a full suit of armor you can be sure that he’s not white.

2. No effort at all was put into fooling the two CGI leaders who weren’t on board with the plan to kill all humans. Again, those disposable leaders are the two that aren’t white men (and blond, blue eyed white men at that) – one is a merman voiced by a black guy and the other is a big brown CGI crab-man. So you might say the CGI leaders were less worthy of respect than the white ones or perhaps you’d say they came from “shithole” countries, if you were a racist.

3. The Atlanteans are really concerned with following certain rules, namely ones that prohibit going to war against us without four votes, while those same Atlanteans have no problem doing awful things to get those four votes, like killing the CGI underwater leaders who won’t vote the way you want in order to install a new leader who will. Which suggests a set of niceties for white guys that don’t apply to non-whites. Or that the nonwhites were asking for it by looking scary and not giving into what the white guys wanted. Po-tay-to, po-tah-to.

4. If the Atlanteans hadn’t bothered to steal the sub for fooling reasons, we wouldn’t have needed the black humans to steal anything. But then we’d have missed an opportunity to perpetuate the stereotype that black men are criminals.

Does it matter at all that the racist Atlanteans are the bad guys and they lose in the end? I don’t think it does. This movie is so dumb generally that it is not capable of coherent social commentary, and incoherent social commentary is worse than not saying anything. Further, if the film had wanted to make a point about the dangers of a racist political leader, it needed to make the racism a rallying point for Aquaman and those opposing that leader. In other words, for this movie to be on the right side of prejudice (i.e., against it), the racist Atlanteans needed to lose because of their racism. The non-racists needed to object to the racists’ offensive conduct and resist for that reason, but that never happens in Aquaman.  Instead, Jason Momoa’s character seems to buy into the same stereotypes as the Atlanteans when he leaves the black dad to die because the black guys killed some of the all-white sub crew.

Admittedly, Aquaman later says he learned a lesson from that experience but his application of that lesson is to provide mercy to the all-white Atlanteans. Which means Aquaman does not actually learn the RIGHT lesson, so neither does the audience.  As a result, the harmful stereotypes in Aquaman are perpetuated and normalized, and that’s very, very bad anytime but particularly bad in a film that is targeted at white males.

There’s so many other problems here but I won’t get into them because trafficking in stereotypes is the real issue here. Aquaman is intolerant and intolerable and you should avoid giving DC one more dime for this hugely problematic film.