Is this the absolute coolest movie ever?
Honestly, I think I’d pay my $12 just to see that opening scene again.
Baby (Ansel Elgort) is a getaway driver, the best in the biz despite his young age, according to his boss, Doc (Kevin Spacey). But Baby has a glitch: he wears ear buds constantly to fight tinnitus. So to him, the whole world is a soundtrack. And you’re about to enter his world.
Doc never works with the same crew twice, so we see a rotation of criminals including Darling (Eiza Gonzalez), Griff (Jon Bernthal), Buddy (Jon Hamm), and my personal favourite, Bats (Jamie Foxx), personal motto: “I’m the one with mental problems in the group. Position taken.” GUYS, HE’S NOT KIDDING.
But don’t get attached to any of those fellows. This is Baby’s movie. He’s being coerced into this life of crime, but that doesn’t mean he isn’t good at it. He is, however, trying to get out, and nothing is as inspiring as the love of a good woman. So when Deborah (Lily James) soft shoes into his life, he’s got a boner for the open road. But wait – you didn’t think getting out would be that easy, did you?
This is a film by Edgar Wright, whom I love, unreservedly. This is a very different sort of film from him, but he’s already thrust himself to the top of the game. When you catch your breath at the end of the film, you’ll have to answer me truly: have you ever seen action to equal it? Ansel Elgort’s character Baby is obsessed with two things: music, and cars. And so is the film; car chases and music both turned WAY up to 11. Anything that gets between them is incidental.
Wright is a phenomenal writer, and Baby Driver is just as quippy and quotable as any other in his oeuvre. The music jangles, sometimes wildly incongruous to what’s developing on screen, sometimes deliciously ironic, but it stitches the film together between Wright’s explosive action sequences. Wright’s films are always kinetic. His own exuberance for film making comes across on the screen, is barely contained by it, in fact.
If Ryan Gosling from La La Land fucked Ryan Gosling from Drive, Baby Driver is what you’d get. On paper, this isn’t the kind of movie I normally care about, or for, but on the screen it sang to me, I fuck-yeahed in the dark of the theatre, and I can’t wait until August when I can see it again.
Incidentally, I have a mini poster signed by Edgar Wright himself. If you’re interested in winning it, Follow us on Twitter (@AssholeMovies), and retweet the relevant post. Comments here are worth extra entries. Good luck!
Also: super DUPER bonus: check out the comments section for ROBERT RODRIGUEZ doing a Q&A with Edgar Wright and stars Eiza Gonzalez, Ansel Elgort & Jon Hamm.