Tag Archives: Katherine Heigl

Home Sweet Hell

Furniture salesman Don Champagne (Patrick Wilson) has a picture-perfect life – a beautiful wife, high-achieving children, a lovely home…and yet all is not as it seems. His business isn’t thriving, his home was purchased with help from the in-laws, his son isn’t quite as successful as his daughter, and all of those things are carefully monitored and measured by wife Mona (Katherine Heigl), who carries a goal tracker around and expects everyone to conform to its (her) high standards.

I was really not feeling this movie when I first turned it on. The cold, bitchy wife trope is overdone and offensive. She’s controlling. She’s exacting. She schedules everything obsessively and won’t do anything that wasn’t pre-planned. Kill me now. Her poor, welcome mat of a husband Don is practically a saint for putting up with her. When he starts up an affair at work, we’re very understanding. His wife is practically frigid, their sexual activity under-scheduled. He’s not a bad guy. He’s earned this affair, and the new salesgirl Dusty (Jordana Brewster) seems like the perfect opportunity. In fact, he is the target, and their affair a convenient excuse for blackmail. Shit. Since Mona controls the purse strings along with everything else, Don has no choice to come clean. And that’s when things get spicy.

It’s just enough to make me wonder if there’s mayyyyyybe something here. Is it satire? Black comedy? I’m going to be generous and say yes: that was probably the attempt. But something gets sorely lost in translation and what we end up with is something that looks and feels a lot more like misogyny. The men in this film are no great shakes but the women are relentlessly vile and the 3 men who wrote this shit are probably moderating incel chatrooms right now. It’s not a good look for anyone, not even my precious Patrick Wilson. His perfect, angelic smile has been tarnished by this film.

Home Sweet Hell is probably meant to skewer suburban conformity through Mona’s obsessive need to preserve the perfection she meticulously portrays. What it actually does is send out some serious toxic masculinity vibes and I should have listened to my first instinct that said: no.