Tag Archives: Maya Rudolph

Mr. Pig

Ambrose’s farm is failing. He and his daughter are estranged. He doesn’t have anywhere else to be, so he and his friend Howard take a road trip down to Mexico. We get some solid, buddy-road-trip stuff out of Ambrose and Howard: questionable roadside food cards, cold beers, 000070-26554-16618_mrpig_still1_dannyglover__bydamingarca_-_h_2016reminiscences. It’s only a little wonky that Howard is Ambrose’s prized pig.

Howard is the last of a hallowed pig lineage, and Ambrose (Danny Glover) is making this illegal road trip to drop him off where he’ll be treasured and treated right, with the son of his old partner. It doesn’t hurt that the son is willing to pay what only Ambrose thinks Howard is worth. But when the incredibly porcine duo arrive, Ambrose finds his old partner’s farm to be thoroughly modernized, and that’s no compliment. It’s a factory farm that treats live animals like end products, so of course Ambrose balks. The deal is off: he and Howard hit the road once again.

This is when Ambrose’s very concerned daughter Eunice (Maya Rudolph) appears on the scene, but she cannot simply drive Ambrose and Howard back home because US customs just won’t allow it (well duh, they make you throw out orange slices for the love of god). So now it’s a father-mr-pig-moviedaughter-hog road trip movie, only there won’t be any touching redemption in this minivan. Ambrose just isn’t the type.

Mr. Pig wallows. It’s slow going. Diego Luna directs, and he’s got a fine eye for the beauty of Mexico, I’ll give him that. We see a side of it that we don’t usually glimpse in movies, the less cliched part of Mexico. The character study, however, is extremely low key. Too low key, you might be forgiven for thinking. Both Glover and Rudolph do their damnedest, but there’s just not enough bacon to go around.

 

Idiocracy

Natural selection should, in theory, favour the smartest and strongest, but what happens if it actually results in a dumbing down of the population? Evolution rewards those who reproduce the most, and in Idiocracy, intelligent people have become an endangered species.

I didn’t really care for this movie when it first came out, but waking up to a world in which Donald Trump is president brought this immediately to mind.

_88551016_trumpcoverLuke Wilson plays a very average dude waiting out his pension in an army library until he’s chosen to pioneer an experiment. Maya Rudolph, a prostitute, is also extremely average, and both have the added benefit of being completely friendless in the world, so no pesky family members to ask nosy questions when the army turns them into human popsicles in order to determine if humans can successfully “hibernate” for a year. Verdict: never trust the army, for starters. The experiment is neglected and its two subjects lay dormant for years. Meanwhile, humanity gets stupider at an alarming rate.

It’s a pretty dismal picture for the future of mankind, but as far as Idiocracy goes, it doesn’t go far enough. It fails to account for the reality TV  host of its fictional show “Ow, My Balls” not only running for president, but actually winning. That’s one little nugget that even Mike Judge couldn’t fathom, and he’s the guy that divined a Carls, Jr. burger-dispensing device that also confiscates children from unfit mothers. Reality is turning out to be even stupider than the most low-brow satire had the balls to portray.

The rest of the world is horrified. Nauseated. And not just at the 59 million racist, misogynist Americans who voted for a smug, clueless, unapologetic (boastful, even) rapist, but for the millions more who didn’t show up at all to stop him. Of course I’m heart sick and nervous about so many of my largeuncomfortably-close neighbours to the south harbouring such hatred in their hearts, but I’m almost as upset about the apathy, and what that apathy means. It means that a man can run a campaign on blatant lies, zero experience, and rampant xenophobia, and people will let him. It means Americans are not the people we thought they were. That progress is rolling backwards in that country. That now our own rational, credentialed, professional world leaders will be forced to treat Trump like an equal even though he has proven himself unqualified to open his own car door. We have embraced “sunny ways” up here in Canada but see nothing but dark days across the border. I wouldn’t have wished a Trump presidency on my worst enemy, and never wanted to believe that this Neanderthal would succeed. Would be allowed to succeed. Nevertheless, he is the president-elect, and maybe the president they deserve. It’s a wake up call to all of us. We are not without problems in Canada and as the U.S. is usually our cultural mirror, it’s safe to say we should all be taking a much longer look at ourselves and each other. We can do better than this. We ARE better than this. Even Idiocracy offers hope: in the end, the smartest man is elected. Order is restored. The righteous are vindicated.

 

 

 

Never underestimate the power of stupid people in large groups. – George Carlin

A Very Murray Christmas

AVeryMurrayChristmas_posterLet’s get one thing straight: this isn’t Scrooged, the redux. It’s a plotless variety show without a lot of variety, but it’s got Bill Goddamned Fucking Murray, so what else do you want?

It’s Christmas Eve and Murray is contractually obligated to put on a Christmas special live from the Carlyle Hotel in Manhattan. He’s in no position to be doing such a thing and the show is doomed to hell, but so what? His piano accompanist is Paul Shaffer, for crying out loud. How bad could it be?

Well, as Amy Poehler and Julie White come bustling into his room to assuage his pre-show jitters\brow-beat him into meeting his obligations, it would seem that they are worried too. There’s a blizzard blanketing NYC, and none of the celebrity guests have shown up. No guests at all, actually, except for Michael Cera, playing a slimy talent agent desperate to sign Murray (who is famous in real life from being unrepresented).

Murray starts off singing dejectedly but can’t even finish his first song. NEN1NCNECeZIRU_1_bThe special’s a disaster! But wait! Who’s that sight for sore eyes revolving through the door? Why it’s none other than Chris Rock, here mistakenly, but here nonetheless, and despite his vehement refusals, he gets emotionally manipulating into joining the live broadcast. Singing ‘Do You Hear What I Hear?’ as a duet, Murray and Rock are one of the highlights of the show. In a special that’s not even an hour long, Chris Rock proves he may not be a singer but he is indeed an actor; the reluctance to join in spackled across his slowly turns into Christmas cheer as the joy of the song spreads to his heart…until the power goes out, and he takes the opportunity to make his escape.

“Force Majeure!” cry his cheeky producers. The contract taken care of by an act of god, White and Poehler hoof it out of there too, leaving Murray to mope around a nearly-deserted hotel where he comes across a sobbing bride (Rashida Jones) and her wobbly wedding cake. Dream wedding ruined, no guests in sight, no preacher to marry them, and a 90bunch of lobsters going bad, she and her groom (Jason Schwartzman) have fought.

Never fear: when not hosting Christmas specials, Bill Murray also proffers marital counselling, and so in he goes to save the day, and spark up some more “impromptu” holiday tunes. Jenny Lewis playing a waitress is on hand to do the lady part of ‘Baby It’s Cold Outside’, everyone’s favourite date-rape carol, and the band Phoenix is conveniently on hand pretending to be kitchen staff to back up several more ditties, so that Jason Schwartzman can prove there is a worse singer in this thing than Chris Rock.

And then Maya Rudolph shows up playing a washed up lounge singer, and holy hell, she just puts them all to shame. She belts out a ‘Christmas (Baby Please Come Home)’ so good that even Darlene Love would approve (she sang that song on Letterman every Christmas since 1986 except for the writer’s strike in 2007 – this will be her first year without, since Dave is retired). It’s not surprising that Rudolph is amazing: she is, after all, daughter to soul singer Minnie Riperton and composer-songwriter Richard Rudolph. Oh, and granddaughter of Teena Marie. She’s got chops, plus extra credentials for often impersonating Beyonce on SNL, and for playing in a Prince cover band called Princess. And I’ve got a huge crush on her.

Then the action mysteriously leaves the Carlyle Hotel for a decked-out maxresdefaultsoundstage in New Jersey, where two new guest stars join the festivities: Miley Cyrus, cheating on her own cameo in The Night Before, and George Clooney to mix the martinis. An unlikely pair? If you say so!

I wish I could find something to be grumpy about with Miley’s performance, but the truth is, she sounds good. Perched atop Shaffer’s bill-murray-miley-cyrus-george-clooney-netflix-christmas-specialpiano, Silent Night is rendered faithfully, although there’s probably a little too much leg for the holy parts. The real surprise, and delight, is when Clooney pipes up during ‘Santa Claus Wants Some Lovin.’ Is the world ready for this side of George Clooney? Unfortunately he flashes a lot less leg, but he does look awfully dapper in his suit.

Anyway, director Sofia Coppola did quite a job of rounding up a slew of stars and dipping them in Christmas coating. You can play a real game of celebrity bingo, as you’ll see in the comments. There’s no plot, no story, no moral: just a lot of the ever-charming Bill Murray. It’s available on Netflix and it’s the kind of thing you can easily just put on in the background while you do some holiday baking or cleaning or wrapping, or better yet – some imbibing.

Cheers.