Tag Archives: nostalgia

On the Other Hand, it’s Drive-In Season!

Matt’s been belly-aching about his favourite movie rental place biting the dust while the rest of us saw it coming for – what? – the past 15 years or so? Only teasing, Matt. Elgin Street Video was THE place; it managed to be a neighbourhood fixture and also a city-wide go-to for its eclectic catalogue that was worth getting your knees dusty for. The original owner was a bit of Luddite, like Matt, unwilling to believe that new technologies could topple his empire, having famously quoted to the Ottawa Citizen in 1994 “We certainly know the value of this so-called information highway has been grossly exaggerated in the media” but alas the internet finally caught up with his legacy (he died in 2008, his video store outliving him an impressive 7 years thanks to friendsdrivein and family who vowed to keep it going). The store will shutter for good at the end of the month, and in the meantime, the store’s contents are on sale and everything must go. Everything? Even the wacky memorabilia? Even John Candy’s pants? Well, that remains to be seen.

So while Matt’s throwing a funeral for the crumbs of his nostalgia, I’m still indulging in mine.

The drive in. Oddly enough, the drive-in was almost done in by videotape. It nearly vanished when people could simply rent a tape at Blockbuster and take it home to their living rooms instead. They’ve been going extinct for 40 years now, but here’s the thing: they’re not dead yet. And unlike DVD (or VHS!) rentals, there seems to be a throwback factor that’s keeping their faint hearts beating.

Why do I love the drive-in? What’s not to love about seeing a movie under the stars? About the sense of community involved in pointing our cars in the same direction, tuning in to the same radio station, honking our horns in unison to tell the projectionist we’re ready, flashing smiles along the way as we make the dark stumble towards the bathrooms, greet each other over popcorn, walk our dogs during intermission.

By the late 1950s, one-third of theaters in the US were drive-ins. It was an affordable way to see a movie (and often two or three), the drive-ins relying more heavily on concessions and the ticket prices staying quite low, often a set price for a whole carful of movie goers. Turns out that wasn’t a super sustainable business model and today there are fewer than 350 operating drive-ins in the US (there are about 40 000 indoor screens, by contrast). But there are some things that deserve a resurgence, and like vinyl records currently enjoying a comeback, so are drive-in theatres.

This weekend, our local (the only local) drive-in theatre showed its first double bill of the season (drive-in season in snowy Canada is tragically short). It never matters what they’re showing; concessionSean and I go every other weekend, which is as often as they bring in new movies. The movies are almost always movies we’ve already seen paired with a movie we had no intention of seeing, but we go. We bring blankets and pillows and mosquito netting and a picnic, and a bottle of champagne. We watch the movies with varying degrees of interest, sometimes with rapt attention from the edge of our captain’s chairs, other times stretched out in the backseat, half an eye on the screen and someone’s hand up someone else’s shirt. Being at the drive-in reminds us old married fuddy-duddies of the art of making out. It inspires us to learn new ways of doing old tricks so that the Volkswagen doesn’t get to a-rocking. It gives us a new appreciation of the suburbs – the night sky, the fresh air, the full moon, the fireflies. I can’t say exactly why we love to go, but we do.

Maybe it is a form of reminiscing. As kids, Mom would have us all put on our jammies before piling into the van. We’d negotiate amongst ourselves for who would sit in the middle seats, and who would go way back. There’d be cheesies and juice boxes during the first film, the family one, and during the second we were expected to sleep. I remember sneaking surreptitious peaks at the screen during Crocodile Dundee 2, a movie only tantalizing to someone who’d been told it was off-limits, “too grown-up” (it was rated PG).

Now we have the luxury of leaving if we don’t like the second feature, but we rarely do. The movie is secondary at the Templeton Cineparc. Foremost is the holding of hands, the nuzzling, the ability to talk through the movie without being shushed, smuggling in a whole pizza if the mood strikes, and having privacy but still enjoying the communal aspect of watching a movie with your neighbours. We’ve only just been and I’m already itching to go back.

 

 

 

Do you have childhood memories of the drive-in? Do you still go? Do you have one near by?

My Own Little Piece of Nostalgia

Back in December, I posted one of my first ever reviews on this site of George Lucas’ classic of nostalgia American Graffiti. This is how I closed my review.

“I can’t think of many teen party movies that were made by such a celebrated and talented filmmaker. Rent it.”

In response, fellow Asshole Jay couldn’t resist leaving one of my favourite comments ever on one of my posts.

“I think “renting it” is your own little piece of nostalgia, Matt. Apart from you, I’m not sure I know anyone who rents movies anymore.”

Apparently she’s right. Truelginth is, I still do rent movies. Or did. Until Elgin Video announced on Thrusday that it was closing its doors after 25 years in business. I can’t say it came as a surprise. What small business that charges five dollars for a three-day rental could ever hope to compete with a more convenient and less expensive Netflix subscription. Even if every fourteenth rental is free. (Trust me, 14 comes quick when you’re an Asshole). Stores like this have been fighting a losing battle with the internet for years.

The first thing I do when I rent a DVD is assess the damage. Without even thinking, I immediately turn it over to see just how cracked it is and before inserting it into my player, I usually can’t help thinking about where else it’s been. Worse even, who among us hasn’t felt the disappointment that follows the elation of finally having tracked down You Only Live Twice only to have it start skipping just when it’s getting to the good part.

Maybe what comes too easily isn’t fully appreciated. When I was sixteen, I waited months for Supercop to come to video and- when it finally did- my video store (now long gone, barely even making it through the nineties) only had one copy. After weeks of feeling behind empty cases to find nothing there, you’d better believe I relish every kick, stunt, and badly dubbed line of dialogue when I finally went to the store at exactly the right time. I’ll even miss crawling around on my hands and knees because I know From Here To Eternity’s got to be down there somewhere.

When Elgin Video closes at the end of May, there won’t be many- if any- places like it left in Ottawa. It really is a shame. Last month when I discovered that they had Heathers in stock, it was nice to have a friendly staff of fellow cinephiles to share my excitement with. Like the girl behind the counter who, going above and beyond the call of duty, presented me with a list of 25 Movies Based on Young Adult Novels to help me with a particularly challenging Thursday Movie Picks. Or the guy behind the counter who knew more and had seen more than I did (something I rarely encounter and will even less rarely admit). I vowed that one day I would stump him. Now I never will.

I can’t help feeling an end of an era- one that I seem to have clung to longer than most. I’m a resourceful guy and- if I’m in the mood to watch Blood Simple- I’m sure I’ll find a way and may not even have to crawl around on all fours to do it. I’ll love watching the movie’s I love and hate watching the movies I hate as much as ever. It’s just finding them won’t be as fun as it used to be.

Ode to John Cusack

It’s impossible not to encounter an AWFUL lot of John Cusack when you’re perusing teen comedies. He practically had right of first refusal back in the 80s.

Say Anything

This one seems to lose a lot of sparkle the more I see it, and I’m not sure if it’s because it’s not aging well, or I’m not. Either way, the things that used to get me – the Peter Gabriel on the boomsayanything box, the post-virginity snail mail, it all starts to feel like not quite enough. Like, is this really the gold standard? I’m not sure if it used to impress me, but nowadays I just can’t shake the feeling that Lloyd Dobler is a loser. “Noble underachiever” is a phrase that can only be used by someone with the word teen at the end of their age. Unemployed, unambitious lazybones is more like it. Does that make me sound like my mother? Sure he’s sweet, but I like my sweet with a steady paycheque and some hobbies that go beyond stalking.

Better Off Dead

This movie is so bad I can’t even. Hadn’t seen this before, and should have kept it that way. The effects are terrible, although not quite as terrible as the wigs on the stunt doubles, but nothing holds a candle to the terribleness of the sentient hamburger animation. I can’t believe this didn’t derail Cusack’s career then and there. This comedy, which deals repeatedly with Lane (Cusack) better-off-dead-burgerwanting (and attempting) to kill himself because his girlfriend dumped him, should be much too dark for a burger playing an Eddie Van Halen song. And yet!

Turns out, no one hates this movie more than John Cusack. He walked out of the movie after 20 minutes of the screening and accused writer-director Savage Steve Holland of tricking him. “Better Off Dead was the worst thing I have ever seen. I will never trust you as a director ever again, so don’t speak to me.” He felt used and foolish and finished working with Holland only out of contractual obligation. Too bad they don’t mention any of this on the back of the DVD.

Sixteen Candles

Poor Molly Ringwald. She’s trying to turn 16 and it’s all going horribly wrong. John Cusack is only in this peripherally, as a skinny little nerd, but even he’s not enough to keep the nostalgic glow sixteencandlesalive. Matt recently re-watched this and couldn’t get over the overt racism – a gong literally sounds every time not-at-all-racistly-named Long Duk Dong comes on-screen. For me, it was the rape that was unbearable. There’s sexism throughout the movie, of course, but rape is rape. This isn’t creepy or questionable. It’s legally, certifiably, conviction-worthy rape, but the movie plays it like it’s just par for the course. John Hughes died in 2009, recently enough that a look back should have been painful, but we’ll never know what he thought because he all but retired from the spotlight in 1991 after John Candy died suddenly of a heart attack. He wrote a few terrible scripts – Maid In Manhattan, Drillbit Taylor – under a pseudonym but kept his privacy well-guarded. He was nevertheless a genius of his generation and I wish we could have heard him say he knew now that it was wrong. Because this movie does get it very, very wrong.

A Christmas Story

I will probably watch many Christmas movies over the holiday season, but my favourite, my absolute all-time favourite Christmas classic is A Christmas Story. The Christmas Story. Our Christmas Story.story

Because the best thing about this movie is how well it evokes the wonder and the misery of a childhood family holiday. It captures the agony of anticipation to this highlight of “the entire kid year.” Filmed in 1983 but set in the 1940s, I’m far too young (and way too beautiful, may as well throw that in) to remember things quite as old-timey as little Ralphie experiences, but by and large, a lot of the big themes were quite nostalgic for me as well, and probably continue to be today: running around outside, wearing those god-awful snowsuits (to this day I don’t own a parka, or snow boots, because I developed a severe claustrophobic reaction to winter apparel). The kid in every family who won’t eat? My baby sister. Their faulty furnace was our busted sump pump. The demoralizing lineup to sit on Santa’s lap. And we were never treated to the spectacular department store windows unfortunately, but for us it was the Sears Christmas catalogue. Not quite as good as “mechanized, electronic joy” but still pretty drool-worthy.
IMG_0168
You will surely remember that Ralphie wants, more than anything in the world, more than anything a boy of 9 had ever wanted before, was a Red Ryder BB gun. Me? I wanted a Barbie horse trailer. I asked for it every year for probably a solid decade, for longer than I even wanted it because it was tradition, and because I had to be getting close! I never got it, but my little sister did. At the time, I probably wished she’d somehow manage to shoot her eye out with it. She’s still got two beautiful blue eyes to this day, the little bitch.

This movie was only a sleeper hit at first but gained huge momentum as it aired on TV over countless Christmas seasons. The writing is just legendary. It’s perfect, and it should be, being based on Jean Shepherd’s successful series first published in Playboy magazine. It reminds me a whole lot of David Sedaris, though I guess I should say Sedaris reminds me of Shepherd.

The fantasy sequences are genius. I was a day-dreamer myself and was probably guilty of the same hyperbolic mental narration thatRalphie indulges in. He’s definitely the hero of his own story. But his father, brilliantly played by DarrenMcGavin, sure gives him a run for his money. Rumour has it that Jack Nicholson wanted the part, but his big salary demands meant the role went to the man who was born to play it.

A Christmas Story major prize - leg lamp

“The soft glow of electric sex”

And for all this magical Christmas spirit, for the pure joy of the soft glow of electric sex gleaming in the window, we have Porky’s to thank. It was Porky’s who put director Bob Clark on the map and allowed him to make the movie he really wanted to make. He shot the house itself in Cleveland Ohio but most other scenes were shot here in Canada – the tree lot right in Toronto, the schoolyard in St. Catherine’s. Peter Billingsley, the young star, knew a career-high when he saw it. Now he teams up with friends Jon Favreau (as a producer for Iron Man) and Vince Vaughn (as director of Couples Resort).

Aren’t you watching it yet? Relive the lusty unwrapping! The crappy Mom gifts (a fly swatter? really?). The present coma. The tinsel vomited all over the tree. The pink bunny suit, for chrissakes.

pink bunny suit from A Christmas Story

“He looks like a deranged Easter bunny”

This movie is a classic and respect must be paid. I’m not sure you need to watch the 24 hour marathon, but if you aren’t watching this movie, you aren’t really celebrating Christmas. This movie is filled with all the pitfalls of spending any amount of time with your crazy family, but the closing shot reminds us that this is what Christmas is all about.

What was your all-time favourite Christmas gift? Tell us in the comments! And don’t forget to cast your vote for best Christmas movie in our poll.