Billie (Julia Louis-Dreyfus) and Pete (Will Ferrell) are vacationing with their two teenage sons at a ski resort in the Alps. One day, during an outdoor lunch, a controlled avalanche sends a wall of snow down toward them, its powder cloud so substantial that all the restaurant patrons fear for their lives. In the panic, Pete flees, saving himself, leaving Billie trapped at the table, protecting their sons. When the snow cloud clears, no one is hurt, but tensions are high as his wife and sons believe he abandoned them in their time of need.

You won’t be surprised to learn that the rest of their vacation does not go well. Pete won’t admit what he did and Billie simmers in (mostly) silence, their interactions steeped in a strong brew of passive aggression. Things really reach a head when Pete’s coworker Zach (Zach Woods) shows up with his bubbly girlfriend Rosie (Zoe Chao) and their carefree hashtag lifestyle is no match for the simmering stress of their unhappily married friends. Billie tearfully, shakily recounts her brush with death and her husband’s cowardice, while the guests sit in horrified silence. She even gets the boys out of bed to confirm the story when Pete once again denies it. Oooof. The movie is supposed to be uncomfortable but it shouldn’t be so wildly miscast. Louis-Dreyfus is convincingly traumatized while Ferrell is just a buffoon. They’re feel like they’re making two different movies.
Downhill is the unnecessary American remake of the excellent Swedish movie Turist (known in English-speaking countries as Force Majeure). Force Majeure was one of the first films we reviewed here, and one that we talked about for weeks, admiring its cinematography and script, but most of all debating the ethics and themes. We went to a pub afterward, and talked about masculinity, filial duty, gender stereotypes, human instincts, and whether it’s fair to measure your relationship based on a split-second decision. Privately, we all wondered how we might have reacted ourselves.
Coming out of Downhill, all we debated was why Americans feel the need to remake movies and make them worse. Yes, laziness of course. Americans hate subtitles. And reading. But Parasite! Parasite just won Best Picture, and that’s subtitled. Progress? Or wishful thinking? At any rate, Downhill feels unfortunately titled considering how it compares to the heights achieved by its predecessor. If you’re going to bother, skip this one entirely and see Force Majeure. Provoking and invasive, it doesn’t just break the marriage open, it goes inside and pokes around.

being in charge. She’d never had another job. She was naturally meek, and kind of nervous. She was surrounded by assertive men, some of whom weren’t crazy to have her among their midst and certainly didn’t see her as an equal never mind a boss, and none of whom were shy about voicing their opinions. She was, however, an accomplished socialite, which in the city of Washington, means she counted many prominent politicians among her friends – and the particular politician at the epicenter of this scandal was among her closest. These facts are not to diminish her but to illustrate just how courageous she truly was to take the stance she did.
The gist of the movie: Garmadon (Justin Theroux) is the bad guy threatening the world of Ninjago. But every time he tries to invade it for good, he’s thwarted by a band of teenage ninjas trained by his brother, Master Wu (Jackie Chan) and led by the son he abandoned 16 years ago, Lloyd (Dave Franco) though none bear any familial resemblance. Being the son of a noted bad guy is hard, and so is being the vaguely named “green ninja” in a crew of ninjas otherwise named for the elements – Cole\Earth (Fred Armisen), Jay\Lightning (Kumail Nanjiani), Kai\Fire (Michael Pena), Zane\Ice (Zach Woods), and Nya\Water (Abbi Jacobson). They get to ride around in really cool LEGO robots that can shoot things and fly, and I can totally see the toy appeal. Lloyd’s robot vehicle is a dragon that shoots missiles from every body part imaginable – what kid could resist? But the genius is that that they all have something different, so the potential for you to spend money is almost limitless.
of people who are grieving even as she still lives, dealing with a loss that is still happening before their very eyes.
started turning things around. But Molly Shannon was a break-out, and some of her characters even got movie deals. I just didn’t like them. I thought she was brash, over the top, and obnoxious. I still do. But in this movie, as they dying mother, she’s none of those things. I still don’t like her, but she was easier to stomach when he’s mostly occupied evacuating hers. Is that a terrible thing to say? Yes it is. But it’s the truth.