A new judge arrives in the small village of Åland, Finland to modernize it. The villagers are a superstitious people. They cast spells for love, search dreams for omens, use herbs to induce abortions when the priest rapes them, seek revenge through the evil eye, and ask the local beggar woman to “divine” the perpetrator of crimes. Judge Nils (Magnus Krepper) believes in higher things: judicial evidence, unbiased law, proper trials. But also, you know, witches. When his mother gets sick, someone must be blamed. And of course his new and improved judicial system could use a steady stream of accused. Why not a good old-fashioned witch hunt (although to be fair, in 1600, it was simply just “the fashion”)?
Nils’ mother has a charming 16 year old chambermaid named Anna (Tuulia Eloranta) who’s in love with a married man. 16 year old girls who are in love for the first time are kind of jerks, but she’s at least kind and patient her charge. But she’s not oblivious when the mother’s stroke is blamed on the local healer, who is then banished as a result. Sure that’s kind of tragic, but Anna can see the benefits. After all, her lover does have a pesky wife, and it now seems that a few easy accusations do a pretty good job of getting rid of someone. And that is how a witch hunt starts.
Devil’s Bride is very atmospheric, playing up the tension and paranoia that ruled the day. Based on real historical events in Finland in the 1600s, the witch hunt snowballs as they always do, not just because of jealous young girls, but because of the church’s tacit encouragement. The film probably would have benefited from choosing either love triangle or witch drama. Instead if lets the two themes fight each other, and that weakens the overall effect. There’s not exactly a lot of new things to add to the witch hunt genre, but it’s fun enough to see Finnish pilgrim hats.