An experiment to save the world actually destroys it, sending the world into a deep freeze. The few survivors board a train that constantly whizzes around the globe, smashing through ice and snow, in perpetual motion. The train is strictly divided according to class, with the very rich poshly appointed in the front and the poor kept in dismal conditions in the back until cryptic messages filter through to them, inciting them to rebellion.
Curtis (bushy bearded Chris Evans) is the reluctant leader of the great unwashed in a brutal, gruesome battle toward the front, and the train’s inventor\conductor, Wilford. Wilford sends his minions to do his dirty work, including a nightmarish Tilda Swinton.
I heard about this movie from several sources in late spring of 2014 and looked forward to finding it in theatres, though I never did. Why did such a fascinating movie disappear? It’s because of a little dick named Harvey Weinstein. The Weinstein Company owned the rights but didn’t believe that North American audiences were smart enough to “get” the movie, insisting on a 20-minute slaughter of the film, as well as the addition of opening and closing monologues. To punish director Bong Joon-ho for sticking up for his movie, Weinstein buried the movie. But guess what? We found it, lots of us did, and you can too.
This movie works on many levels – as an allegory, as social commentary, as an action flick, as an intense, thrilling drama. I love how the progress of the underclass from the back of the train to the front is literally transformative, from the darkest quarters, to bright, lush, and sumptuous toward the front, with devastating frosty beauty outside the windows. This film is visionary, but it declares a certain urgency in setting year 0 at 2014. The editing is tight, it keeps the motion pressing forward, keeps the pace brisk and exhilarating (and sometimes terrifying). This is a real trick of cinematography, to use the train’s inherent claustrophobia as an asset, and to use the momentum as a character and not byproduct of the plot. The scenes are literally compartmentalized but they fit together to make a really nice, fluid picture that you’ll enjoy watching, enjoy rewatching, and really enjoy discussing.