Richard Linklater- Boyhood
Alejandro González Iñárritu- Birdman
Bennett Miller- Foxcatcher
Wes Anderson- The Grand Budapest Hotel
Morten Tyldum- The Imitation Game
One of the more controversial categories this year, the Best Director race is traditionally one of the more reliable predictors of the Best Picture Oscar. The Academy’s snub of Ava DuVemay for Selma has put a bit of a damper on things but Linklater and Iñárritu’s inclusion still make for an nteresting race.
Miller and Tyldum are strange nominations. Not only did I find Selma a much better movie than The Imitation Game, it was much more of a director’s showcase. And Miller won’t win. Since I started watching 20 years ago, no director has won for a film that didn’t even earn a Best Picture nomination. As good a job as he did with Foxcatcher, it really is bizarre that the Academy passed over four Best Picture nominees in favour of Milller.
Now for Wes Anderson. I am running out of things to say about him, having praised The Grand Budapest Hotel several times over the last couple of weeks. We love him here at Assholes Watching Movies and are thrilled that the Academy finally got around to giving him his first Best Director nomination.
That leaves Linklater and Iñárritu who have made two of this year’s best movies. How do you compare the ambition of these two projects. Birdman’s self-aware screenplay and dizzying cinematography vs Boyhood’s 12 year commitment. I wouldn’t be disappointed either way but I’m voting Linklater. He made a great film, not just an ambitious one that was filled with beautiful moments filled with truth.
I’ve commented on all eight of these films at length andhave made no secret of my love for boyhood. Experts have declared Boyhood and Birdman as the two frontrunners, leaving me with no idea what is going to happen. Both movies are great so I won’t mind either way. As long as American Sniper doesn’t win as my colleague just predicted.