In a way, this is exactly the kind of end-of-the-world movie I’ve been keening for. No disaster porn here, it’s quiet, contemplative; a meditation on faith and hope. Margot Robbie plays a farmer’s daughter who’s beginning to think she might just be the last woman on earth when she comes across an exhausted scientist (Chiwetel Ejiofor) who can’t believe he’s just found the last lungful of fresh air. The two start building a life together when a third person (Chris Pine) arrives, disrupting their equilibrium.
The movie tells very little and shows even less of whatever it was that brought upon the world’s end. All we know are these few survivors and the shadows behind their eyes. You already know that Ejiofor is a fine actor, but both Robbie and Pine bring their A game as well, and this becomes a character study in the garden of Eden.
If you need action in your apocalypse, this one’s not for you. But if you like a movie that raises more questions than it answers, then you’ve probably met your match. What becomes of people when their past is wiped out and their future uncertain? And what happens to morality when no one is looking? There’s just a touch of creepiness to all that quietness, all that wide-open space that you can’t quite trust. A concept like safety gets redefined when humanity has just been all but wiped out.
If you’re open to it, there’s a lot of religious symbolism hidden like Easter eggs in the narrative of this movie. I wrote narrative rather than plot because to be honest, not a lot happens in this movie. And as much as I loved the absence of mutated monsters, and actually appreciated the stillness, and the lush cinematography that made it feel almost impossible that any ugliness could find their little corner of land, there was also a…dullness, something lackluster about it all, despite the finely tuned performances. I think it was a lack of commitment, as if the movie really didn’t want to make any choices at all, wasn’t confident enough to actually choose a position. I’m not usually unconformable with ambiguity, but this one tested me a bit, and it was only because the movie was quite good that I wanted for it to be great, and this weakness held it back.