SXSW: Atomic Blonde

I was sitting on the floor of the Austin Convention Center, waiting to get into the SXSW conversation between Nick Offerman and Nick Kroll when I got the news: Stella was gone. Out for a walk in the mountains near her Zurich home with her husband and her beloved Boxer, Odin, she slipped in some snow and fell 40m to her death. Just like that, one of the most vibrant women I’ve ever known, gone forever. Unfortunately I’ve had some experience with losing people unexpectedly, but that doesn’t make it easier. It’s unreal, incomprehensible. Sean held me tight as I fell apart in the middle of hundreds or thousands of happy festival-goers. I think Sean’s first thought was to get my soppy self back to the hotel room where I could grieve less publicly, but instead I found myself being filtered into the Nick Offerman thing, and then following my rigorous SXSW schedule, one thing after another: Bob Odenkirk and Fred Armisen, followed by Lemon, followed by Atomic Blonde. But it just so happens that the screening for Atomic Blonde ran late, and as I sat in an increasingly crowded theatre listening to a DJ spin some danceable 80s music, I had too much time to think, and my thoughts were filled with Stella, my own Atomic Blonde. This review is inadequately dedicated to her memory.

Atomic Blonde is a cross between James Bond and John Wick, except its protagonist, Lorraine (Charlize Theron), could kick both their asses without smudging her lipstick. Charlize made a splash as a kick-ass hero in Mad Max: Fury Road but this movie is pure Id, all sex and violence, with some 80s fashion and music thrown in for your hedonistic pleasure. Lorraine is an undercover MI6 agent sent to Berlin in the days before the Wall comes down to investigate the murder of a fellow agent and recover a important list containing the names of double agents.

James McAvoy plays David, a fellow agent who’s been in Berlin a little too long. Berlin is, of course, in a state of chaos. Everything is changing, everything is moving fast. Lorraine has basically been sent into an impossible situation, and she’s going to have to fight like hell just to survive, let alone fulfill her mission.

The fight choreography on this film is amazing. Full stop incredible. Director David Leitch co-directed the first John Wick (uncredited) and will direct the second Deadpool, but he got his start in stunt work in films like Blade, Fight Club, Daredevil, and The Matrix films. His action sequences, which are perhaps 80% of Atomic Blonde, are faultless but relentless. The actors are BRUTALIZED.  Charlize Theron had 8 trainers to prepare her for the role, and she trained alongside Keanu Reeves as he got ready for John Wick 2. Theron is fearless and dauntless. The violence is graphic and unending. The story, however, isn’t quite equal to it.

The story is retold during an investigation conducted by an MI6 officer (Toby Jones) and a CIA executive (John Goodman). They’re an odd couple good for a couple well-needed laughs, but it drags you out of the action and out of Lorraine’s flashy world where her slick 80s ensembles (big props to Cindy Evans for creating so many memorable looks) are an interesting juxtaposition to Berlin’s crumbling dumpster fire of a city. And the thing is, with a premise that’s almost silly in its duplicity, the action is really the justification for this movie’s existence. With long cuts and mind-numbing body counts, the fight design won’t disappoint action purists. But anyone requiring a satisfying story should maybe look elsewhere.

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31 thoughts on “SXSW: Atomic Blonde

  1. Widdershins

    When I saw the title of this post I was saying to myself, ‘please say it’s good, please say it’s good.’ I’ll settle for ‘good action.’ 😀

    Sorry to read about you losing your friend. May she find the Summerlands.

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    1. Jay Post author

      Oh I’d even say the action is great.
      As you probably know, it’s based on The Coldest City, so there’s a whole story they’re trying to accommodate but really this is about the action, and that’s where most of the time is spent. If that’s what you’re signing up for, jeez, hold on to your seat!

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  2. tubularsock

    Jay, Tubularsock is very sorry for your loss. But as sad as it all happens to be we all have to leave the movie sometime and enter the intermission. It still doesn’t make it easy for the rest of us. Tubularsock’s heart goes out to you and your family.

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  3. sportsattitudes

    Condolences for your loss. The film certainly sounds like the female equivalent of John Wick albeit not as well executed…although it sounds like more than enough characters are executed.

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    1. Jay Post author

      Well put. This one’s based on a graphic novel, so I think they tried too hard to shoe-horn in a political story but it just has too much action and not enough plot. But if you love action, then the rest is easily forgiven.

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  4. Lloyd Marken

    My condolences on your loss Jay and rest in peace Stella. Unexpected deaths I have not experienced much of so all I can say is I am sorry and it sounds like she led a good life. The trailer for Atomic Blonde was solid John Wick is pretty kick ass so I may just have to check out someone who might be able to take him. Best wishes Jay.

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    1. Jay Post author

      Thanks Lloyd.
      Stella had a big life, and that’s some comfort. She’s leaving a big hole though.
      If you like action, this one’s going to be a real pleaser.

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  5. Susan Leighton

    So sorry for your loss, Jay. You will be in my thoughts. Terrific review of Atomic Blonde. 8 trainers seems crazy. I have seen the trailer & Charlize is one kick ass fierce female in it.

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  6. J.

    Condolences, Jay. Sending you good vibes.

    As for the movie, it sounds pretty splendid. Who needs a plot when there’s so much great action, right?

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    1. Jay Post author

      Pretty much. I think the misstep was trying to have plot but then losing a lot of it to show more punching!
      Sean was also frustrated by the twistiness of the plot\characters, but the fight work is sublime no matter how you look at it.

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  7. CineMuseFilms

    You are being too kind with this one Jay. I really wanted to like this film and espionage is a favourite, but the non-stop heroine-inflicted carnage was the most inauthentic I’ve seen for a while. The fight scenes were over-choreographed and you can see many heads turn a split second before another textbook martial arts blow by our heroine. When will filmmakers realise that to portray strong women you dont just make them more violent than men.

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