When I think about space, my limited imagination often goes to the arrogant American astronauts boldly planting a flag on the moon. In fact, there are now 6 American flags on american-flag-moonthe moon, one from each Apollo mission that landed there. Of course, none of these flags would be identifiably American any more, the stars and stripes long since bleached away by radiation from the sun. And none of them ever rippled in the breeze as the famous photo would have you believe (there is no wind on the moon, there is no atmosphere on the moon). It was a ruse devised by NASA and enabled by Neil Armstrong. The flag has a hidden metal rod along the top of the fabric; when Armstrong planted it, he gave the metal bar a push and the flag “waved.” It was a cheat, but after declaring a giant leap on behalf of “mankind”, the Americans wanted a way to tell the world “We got here first.”

Why am I rambling about the flags on the moon? Well, mostly because I don’t think there’s a single inch of film in all of Life where director Daniel Espinosa could plant his flag. It’s a complete retread. And I don’t mean that it’s bad, just that it owes a lot to space movies that have come before it, and it doesn’t have anything original to add to the “trapped in space” trope.

There’s questionable judgment and the flagrant flogging of protocol. There are plot holes to rival black holes. If you think about it at all you’ll be sucked into the vacuum of space where there’s no enjoyment of anything. But there is a way to enjoy this film: lay back and enjoy the ride. Because what Life is is a pretty intense thriller. My anxiety was so high I life3had to look away from the screen and focus on my gold Converse for safety’s sake. It was so tense I had the bones in Sean’s right hand nearly as mangled as a certain someone‘s in the movie.

Basically, six surprisingly attractive astronauts are hanging out in the International Space Station, waiting for a special delivery, some samples from Mars. Their mission is to probe the samples that arrive, and before long they’ve found the first incontrovertible evidence of life on Mars, which is cool for about 10 seconds before it starts trying to eat them. This is of course their own damn fault for pushing the thing out of hibernation in the first place. Note to everyone: curiosity killed the cat. So yeah, this alien thingy becomes very strong and oddly sentient and wildly out of control. The astronauts’ lives are in imminent and immediate danger, which is hard to care about because we hardly know them before the single cell from Mars becomes the monster that threatens humanity. And that’s the other slight problem is that the lives of the astronauts are overshadowed by the greater threat against all of humankind.

Luckily, the acting is pretty good. None of the characters is all that distinguishable but between Jake Gyllenhaal and Ryan Reynolds, there’s enough charisma to circle the earth roughly 16 times a day (Zing! that’s an international space station joke, y’all!).

Okay, I’m quitting while I’m ahead. Life: fun but forgettable.

26 thoughts on “Life

  1. Sean

    I totally agree. It’s well executed but it’s not at all original. At least it knows that. And it is very tense. I thought the first scene was particularly effective, being one long tense take. But the plot holes! And the dumb decisions! You have to turn off your brain to really enjoy it.


  2. sportsattitudes

    In my view it wasn’t that Life was that bad. Indeed it just didn’t display any life of its own. A sci-fi film made from the jet stream of those flicks that orbited ahead of theirs. Some shots and angles were cool. Cast was good. I’m glad I saw it. I’m just not sure why.


  3. Susan Leighton

    When I saw the trailer for this one I thought, hmm. We have seen this film before and it has been done better. However you raise a very good point, Jay. Just go with it. You may enjoy the ride but like you say you forget it when it is over. Good review.


  4. J.

    Sounds like a film or two that I may have already seen. Perhaps a better version of Prometheus without the Alien baggage? Or more accurately, minus the Ridley Scott baggage? Either way, one for Netflix, I reckon.


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