Are We Good Parents?
Director: Bola Ogun
One day before school, a daughter lets slip she’ll be shopping for her homecoming outfit, and her parents are floored to find out that a certain “Ryan” will be picking her up for her first dance. As soon as the daughter’s out of earshot, Mom and Dad are questioning their whole parenting motif. They’d always assumed she was gay. What have they done wrong? Is she actually straight or just rebelling, or has something they’ve done or failed to do made her feel unsafe to come out?
The script is flipped from the hetero-normative expectation that a kid is straight until you hear otherwise. It’s an interesting statement to make but one which might have worn thin with a less authentic-sounding script (by Hailey Chavez). But this is no after-school special; Are We Good Parents is genuinely funny, thanks in large part to Tracie Thoms and Sean Maguire, who really tap into the self-doubting roles of two loving parents to a straight kid. This short film has big heart but it really makes you think about the assumptions we make not just as parents but as a society, and what ‘coming out’ really entails.
A first-generation American from Nigerian heritage, Ogun was born and raised in Texas and has a bright film making future ahead of her. Her film is making its world premiere at the SXSW film festival on March 10 and screens again March 12 and 15 as part of the Shorts Program 3.
The Coffin Club
Director: Briar March
This short is a documentary about a club formed by senior citizens in New Zealand. Through a lively musical number, the real members of the club tell us how they’ve formed a club that makes their own coffins. Sure they save some cash with their hand-made confections, but the best part is how they personalize their final resting places with glitter, paint, and pictures of Elvis. The film is 3 and a half minutes long, the whole thing sung (with Jean McGaffin and Kevin Quick providing spirited vocals), and it covers the snacks they nibble on between their morbid arts and crafts, and the trouble they got into from local funeral homes who felt their bottom lines were being hurt.
I am several decades too young and not a joiner by nature but I am desperate to be a member of the Kiwi Coffin Club. These are people who know that a box is just a box – but why not make the thing beautiful? They’re demystifying death, and preparing for it in their own way, putting their own stamp on a funeral that is usually designed by others. But it’s also clearly a social thing, with lots of camaraderie. If the club is looking for new members, I’m a great beaker and I have my own glitter, a glue gun of course, and a whole drawer full of ribbons. I’m not much of a singer, but I can snap and believe I look quite fetching in a top hat.
This doc is just minutes long but I felt like I’ve made some real friends. I could have watched for hours more. The production is great, and director Briar March turning the thing into a musical extravaganza shows us there’s more than one way to flip death the bird.
This film screens in the Documentary Shorts 1 block on March 10, 12, and 15 and honestly, it’s a whole lot of fun.