Julia Hart, the director and co-writer of Fast Color, almost had me fooled. She introduced Fast Color to the SXSW crowd as a story about motherhood, and in a way that’s true. Of course, in a way it is also true that the original Superman comics are about the experiences of Jewish immigrants. I mention Superman because both Fast Color and Superman use superheroes to tell their stories, although the movies’ respective approaches to the genre are worlds apart.
Fast Color might be best described as a near-future quest for redemption, as Ruth (Gugu Mbatha-Raw) tries to stay one step ahead of her pursuers in the harsh wasteland that the midwestern United States has become due to a prolonged drought. Plot-wise, that’s all you’re getting from me, so you’ll have to watch the film to see how deep the rabbit hole goes.
I hope one day we won’t need to make the case for inclusion, but since we’re not there yet, Fast Color is more proof that diversity in film generates powerful, original, thought-provoking movies. Fast Color possesses all those qualities and a big reason why is because it is a story about women told by women. It is the kind of movie that we need (and deserve) more of. It is the kind of movie that helps us see things from a different perspective and realize that we are made stronger, not weaker, by our differences.
Fast Color is yet another SXSW surprise, a movie that we lucked into by virtue of scheduling and one that I urge you to keep an eye out for. It does not currently have a release date but hopefully a strong SXSW showing will change that, as this is a movie that deserves to be seen.