Author Archives: Jay

I’ll Be Next Door For Christmas

Nicky’s parents are super pumped about Christmas. Like, obsessed. Like, levels of enthusiasm approaching sickness. Nicky refers to it as OCD – obsessive Christmas disorder, but Nicky better watch her mouth as Target recently caught heat for selling a sweater that said the same. Insensitive to those who suffer from the actual disorder, they say, and nobody is as good at fixating on things as those afflicted with OCD, so in they end they triumphed over their oppressors; Target apologized and removed the offensive items from their shelves.

Anyway, Christmas has basically ruined Nicky’s whole childhood, so to her, it is serious, year round business. She rebels by taking up the tuba (please do not ask me the logic behind this), and improbably, she meets a fellow music nerd at band camp. MV5BMmZmMGExM2UtMzFkNi00NjUwLWE3YWItZDRlNzY2ZDE2YjU2XkEyXkFqcGdeQXVyMDY0MDUxOA@@._V1_SY1000_SX1500_AL_Ahem. Tanner is super cute and they manage to keep up their long-distance relationship all through the fall. But come winter, Tanner wonders if he and his father might come out to California for a visit. Tanner’s dad has a heartbreak triggered by the holidays, so they keep things super low-key. Up until now, Nicky has managed to keep her family’s affliction to herself, but a visit is pretty much game over.

Logic being Nicky’s strong suit, she decides the only thing to be done is to use the empty house where she’s cat-sitting, hire actors to play her parents, and create a fake Christmas with which to trick her boyfriend. The auditions alone are enough to convinece you of just how bad an idea this is, but Nicky is young and optimistic, which is the nice way of saying stupid, and they go full steam ahead with a plan that backfires harder than Santa’s sleigh after the reindeer annual chili cookoff.

The trio of young actors – Juliette Angelo, Kirrilee Berger, Javier Bolanos – are actually pretty watchable. My holiday movie standards are super low after overdosing on Hallmark trash, so I’m giving I’ll Be Next Door for Christmas a solid “not horrible” rating. I cannot go so far as to call it good, but it is occasionally funny, sometimes even on purpose, and I have to give it bonus points just for not being a Hallmark piece of coal.

And the Oscar goes to…

legooscarI would like to take this opportunity to present myself with a fabulous LEGO Oscar because I’m the winner of our Asshole Oscar pool. This should come as a surprise to absolutely no one since I won last year also, and tied for first the year before, which means I’ve never lost. Even Meryl Streep doesn’t have a record like that. Suck it, Streep!

Hope At Christmas

After the death of her grandma, Sydney and daughter Rayanne spend Christmas in the house they inherited from her.  Sydney is newly divorced and recently bereaved, so her Christmas spirit is understandably a little tarnished. A local book store brings a little cheer her way in the form of Mac, the town’s 4th grade teacher and resident Santa, with whom the store’s owner, Bea, keeps trying to set up a very reluctant Sydney.

I don’t know about you, but I manage to vacation without becoming completely entangled in local politics. Sydney’s in town for less than 2 weeks but for some reason she finagles a job – “a little fun for the holidays,” she calls it, as if she’s never had a job before, as if the rest of us aren’t desperately trying to secure as many days OFF at the holidays as possible.

Anyway, little Rayanne makes a special Christmas plea to Santa to make her mom feel MV5BMDdkOWVlZjEtNDNlMC00NmFjLWFlMzQtZDdlZGQ2YTE0YjNmXkEyXkFqcGdeQXVyMzEzMjg5NjA@._V1_better. Underneath the beard, it’s really Mac, who moves her wish to the top of his list.

Will Sydney leave the big city to embrace small town life in Hopewell, which includes Mac, or will she stay where the big career opportunities are? That’s right: it’s a question not worth asking, and even the script doesn’t pretend it’s very serious. We know from the very first snowflake that of course Sydney and Rayanne are staying in their grandmother’s house. They’re going to make a family with sad widower Mac. And they’re going to take over running Bea’s book store. The only surprise in the whole movie is when a Christmas tree falls over, but they somehow turn that into not just a Christmas emergency, but an event so dire it threatens Christmas itself. Yes, that’s what passes for conflict in Hallmark holiday movies: a tipped over Christmas tree. And that’s fine. As far as I can tell, these films aren’t meant to be good. Between their unerring formula and the homogeneity of their cast, Hallmark movies are the equivalent of that channel that just plays the crackling fire round the clock. It’s background noise.

Christmas Wonderland

Heidi moved to New York to be an artist but ended up excelling in a position as art gallery curator, her paints mostly forgotten. Her sister needs a favour close to the holidays – she needs an overnight babysitter for her two kids, so Heidi finagles some time off work to return to small town Pleasant Valley and spend some time with her niece and nephew.

While there, Heidi isn’t just a babysitter, but the defacto Christmas mom too, fulfilling all the holiday duties her sister is signed up for. She has to bake cookies, take the kids to pageant rehearsal, and volunteer for the Snowball dance. And guess what! The Snowball dance is being organized by her former high school sweetheart Chris, who is now her nephew’s teacher and hockey coach. While not the obvious choice for Snowball volunteer, the truth is, Chris and Heidi are both Snowball royalty – they were Snowball king and queen back when they were young and in love.

Although she’s badly needed back at work, of course Heidi’s stay with the kids gets extended. And while she’s there, she gets out paints and canvas that she’s apparently had stashed there for years (?) and gets busy IN HER SISTER’S ALL BEIGE LIVING ROOM. I mean, there isn’t even an ugly-patterned couch to help hide the inevitable stains. Her apron suggests that only a small fraction of paint actually makes it to the canvas, but she’s going to risk the wall to wall carpeting in someone else’s house? Really, Heidi? I’m such a messy painter that I once accidentally dripped some pain on my dog Herbie, then a frisky puppy, when I was refurbishing a dresser. When I later made an appointment to take him to his first vet visit, they asked me lots of questions over the phone – how many weeks old, what breed, what colour – to which I responded, white, black, and teal, which technically, pre-bath, he was. I explained the joke and how it came to be, but when we turned up to the vet days later, teal had made it into his official file, and remains there to this day.

Anyway, there’s very little romance in this romantic Christmas movie. There’s very little to recommend it, period. There’s not even a cute, off-colour dog. But if you’re looking for cute, Hallmark does have quite a deep well, so visit us here!

Amelie

Sean and I are celebrating our wedding anniversary in Paris; today we’re actually renewing our wedding vows at the Eiffel Tower so I’m posting about a wonderfully romantic French film about love and life in Paris through the eyes of an idealistic and imaginative young woman.

Gloriously known as Le fabuleux destin d’Amélie Poulain (translation: The Fabulous Destiny of Amelie Poulain), this film introduced the rest of the world to Audrey Tautou, seemingly born to play the role though it was actually written specifically for Emily Watson, who turned it down because she doesn’t speak French. A passion project for director Jean-Pierre Jeunet, he’s been collecting the various memories and curiosities that make up the story of Amélie since 1974. Who knew that the guy who brought us Alien: Resurrection had such magic and whimsy in him?

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Amélie was brought up in a rather protected fashion, her father being very concerned about her supposed heart condition. To make up for her isolation, a young Amélie lives in her imagination, and her grown-up self is still very much a dreamer, a wondrous observer and devoutly introverted. She devotes her life to making others happy, and lucky for us, she’s surrounded by a very quirky bunch.

For her father, she fulfills his lifelong dream of travel (tough for a recluse) by stealing his treasured lawn gnome and sending it all over the world. This was inspired by true events – in fact, a rash of pranks perpetrated in the 1990s in England and France.

amelie

The traveling gnome was inspired by a rash of similar pranks played in England and France in the 1990s. In fact, the theft of garden gnomes is so pervasive it even has a name – “gnoming.” A gnome is taken from someone’s garden and released back “into the wild” (wherever that is for an inanimate object – the shelves of Walmart?). In 1997, a the leader of the Garden Gnome Liberation Front was convicted of stealing over 150 gnomes – his prison sentence was suspended, but he did pay a hefty fine.  (A couple of years later, there was a “mass suicide” of garden gnomes in a small town in France – residents woke up to find 11 gnomes hanging from a bridge, swinging from the nooses around their necks). At any rate, Amélie was responsible for bringing the whole garden gnome kidnapping thing to our attention, and the idea was later used by Travelocity in an ad campaign.

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Although the movie is shot in a dreamy sort of way, with Paris polished, glowing, and blemish-free, some of the locations can actually be found in Montmartre. The cafe where Amélie works, for example, can be found on Rue Lepic (and is conveniently also named “Les Deux Moulins”). The fruit store run by M. Collignon is at 56 rue des Trois Frères. And of course the church where Amélie’s mother is crushed to death by a suicidal jumper is none other than the uber-famous Notre Dame  cathedral.

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Amélie’s watchful neighbour paints the same painting yearly – he’s up to 40 copies of Renoir’s Luncheon of the Boating Party, and he still hasn’t got the girl-drinking-water’s expression quite right. Pierre-Auguste Renoir is a French artist of the impressionist variety and I’m looking forward to ogling his stuff at the Museé de l’Orangerie, but that particular painting can actually be found in The Phillipps Collection in Washington, DC.

If you haven’t seen this, you should, and if you  have, no time like the present for a re-watch!

ameliemetro

Gender Inequality in Film

Yes, there are movies made with a female in the lead. But has Oscar ever heard of them?

This year’s Best Picture nominees are as follows: a story about a man who goes to war and loves it; a man on Broadway as actor\director\schizophrenic; a little boy growing up to be a man; a man running a crazy hotel; a brilliant gay man; a brilliant black man; a brilliant man with a degenerative disease; a devoted male student and his sadistic male teacher.

So, a big time sausage fest. These are the stories of men. Felicity Jones, Emma Stone, and Keira Knightly are all nominated for their roles as pretty accessories. None are real players in their films; they are passive actors in someone else’s story. Julianne Moore in Still Alice, Reese Witherspoon in Wild, and Marion Cotillard in Two Days, One Night are all the driving forces in movies told from their (female) points of view, and none of those movies earned best picture nods.

2014’s highest grossing movies include:

1. Transfomers: Age of Extinction

2. The Hobbit: The Battle of the Five ARmies

3. Guardians of the Galaxy

4. Maleficent

5. X-Men: Days of Future Past

6. The Hunger Games: Mockingjay, part 1

7. Captain America: The Winter Soldier

8. The Amazing Spider-Man 2

9. Dawn of the Planet of the Apes

10. Interstellar

Women fare a little better here – females take the lead in 2 of the 10, which, in case your math is  weak, is exactly 20% of the top-earners and 0% of the most lauded. And women, in case you haven’t looked around in a while, make up a good 50% of the population. Does that make any sense to you? Only 12% of protagonists were female in 2014 movies, which is down 3% from the previous year. THAT’S THE WRONG WAY, PEOPLE!

a0e86469192b5ac4b68c392aa7ee39b1Yes – you’re reading that right. Only 9% of directors are female. Only 4 women have ever been nominated as Best Director, and of them only Kathryn Bigelow has won (for The Hurt Locker – a movie with basically no women in it). It would seem that to be taken seriously, a woman has to direct a masculine film; Angelina Jolie made war movie Unbroken this year, and Ava DuVernay tackled the most iconic man in American history with Selma. Both were locked out of the Best Director category but Selma scored 2 men nominations for Best Song while Unbroken garnered 3 nominations spread among 5 men and 1 lone woman (Becky Sullivan, for sound editing – we salute you!).

In 73 years of Academy history, only 8 women have won best adapted screenplay, and only 8 have won best original screenplay. In 85 years, only 7 women have taken home Best Picture Oscars as producers, and all of them were co-producers with men.

77% of Academy voters are male. Another big surprise: the average winner in a female acting category is 36 years old compared to 44 for men.

The top 10 highest-paid actresses made $181 million in 2013 while the men made more than twice that – $465M!

The worst part is that the stats are worse when it comes to movies made for kids – in top-grossing G-rated family films, there is almost a 3:1 ratio of male characters to female characters. And how many of those are industrious go-getters? What are we telling our daughters, or for that matter, our sons? And what does it say about us as a society that animated female characters tend to show more skin than male ones – even the little girls – and are portrayed with tiny little waists and sexy features. Even the non-human females are sexualized in children’s cartoons!

In G-rated family films, speaking parts are 70% male. Characters with jobs are 80% male.

In 2012, Pixar released Brave, its first movie (out of 13) with a female protagonist. While Merida provides a positive female role model to its young audience, behind the scenes things were a little less progressive. Brenda Chapman, who spent 6 years working on the film, was stripped of her directorial duties and for the 13th time in a row, a Pixar movie was helmed by a man.

Check out the Geena Davis Institute on Gender in Media to find out more.

 

 

 

Audrey Hepburn In Paris

Audrey Hepburn's iconic look, by Givenchy

Audrey Hepburn’s iconic look, by Givenchy

This week will be the tale of two Assholes in Paris – Sean and Jay are there on vacation. They’re posting about various movies set in Paris (On Valentine’s day they were at Le Moulin Rouge – guess which movie the reviewed? Check it out below).  Today we’re covering several movies, each of them revolving around a quintessential French star (who was actually American) – Audrey Hebpurn.

Hepburn in Sabrina - a classic French look
Hepburn in Sabrina – a classic French look

Sabrina is one of my favourite Audrey movies. It’s not really set in Paris, but it does open there, with Sabrina at a French cooking school. Today Sean and I are also at a French cooking school, learning to make delicious macarons (Earl Grey and milk chocolate, and white chocolate and raspberry, if the syllabus is to be believed).

Sabrina is the chauffeur’s daughter who attracts the attention of the family’s playboy son (William Holden). He’s interested because she’s fresh and beautiful, but despite his ardour, she’s really be a better match for the older son, a serious business type (Humphrey Bogart). Fuck the plot though, this film is significant because it marks the beginning of

Audrey Hepburn in Sabrina - dress by Givenchy

Audrey Hepburn in Sabrina – dress by Givenchy

a great collaboration between Audrey Hepburn and Hubert de Givenchy. He’d never heard of her when she first showed up in his French salon, assumed it must be Katharine Hepburn, in fact. But it was the start of a beautiful relationship. He supplied designs and dresses for her to wear in the film, and continued to do so for most of her career. The awkward thing is that the Academy gave the Oscar for costume design to Edith Head when in fact the outfits were created by Givenchy and personally selected by Hepburn.

 

 

 

Givenchy of course created her iconic look in Breakfast at Tiffany’s, and started being credited

Breakfast at Tiffany's

Breakfast at Tiffany’s

for providing her wardrobe in the credits. Audrey has said “His are the only clothes in which I am myself. He is far more than a couturier, he is a creator of personality.”

 

At the Louvre - Audrey in Funny Face

At the Louvre – Audrey in Funny Face

 

Funny Face saw Audrey back in Paris again, this time because she’d been discovered as a frumpy bookshop clerk and turned into a high fashion model and whisked away to Paris to wear sumptuous dresses in elegant locations – running down the steps of the Louvre waving a scarf of red chiffon;

 

 

givenchyfunnyfaceseine

fishing on a barge on the Seine in cropped suit and straw hat; dashing through the Jardin des Tuileries in a cap-sleeved black dress.

Funny Face

Funny Face

Audrey in Charade

Audrey in Charade

Charade saw Audrey dressed in a lot of coats, smart suits, and trenches – perfect for drizzly Paris weather. It’s both a romance and a mystery set in the

Givenchy's aesthetic for 'Charade'

Givenchy’s aesthetic for ‘Charade’

city of light as poor Audrey is chased through Paris by men wanting the fortune that her murdered husband stole. Things are complicated but she always looks chic and put together. Givenchy focused on classic but straight lines, ushering a new aesthetic into the 60s.

pwsaudreygreensuitParis When It Sizzles is not Hepburn’s best movie. She stars as a secretary sent to type up a writer’s manuscript for his new movie, but she arrives: no script! She helps him get over his writer’s block by reenacting (I guess it’s more like fantasy sequences) different plot possibilities. The movie may not have worked, but Hepburn’s wardrobe sure did (although let’s not question how a she could

Paris When It Sizzles

Paris When It Sizzles

afford couture on a secretary’s salary). Givenchy was inspired by Paris in the spring to use a sorbet-coloured palette. He was also the first to receive a screen credit for a scent – Ms. Hepburn’s wardrobe AND perfume, it said, though I don’t think audiences could tell the difference. Still, how positively Parisian.

 

 

 

How to Steel a Million

Givenchy has her all in white

How To Steal A Million is also set in Paris. It’s a comedy-caper with stereotypical French art forgeries and museum heists. Audrey is a smart and sexy woman of the 60s, and above all, well-dressed. Her many stylish outfits led to co-star Peter O’Toole to quip, in character, during a scene

Givenchy frames her face

Givenchy frames her face

when Audrey is disguised as a cleaning lady,”it gives Givenchy the night off”.

Ratatouille

This post will publish the moment Sean and I, in Paris and thus “6 hours into the future” will set foot into Guy Savoy, a beautiful 3-star Michelin restaurant, the second most-expensive in the world, where we hope to eat caviar, drink champagne, and delight over brioches slathered in truffle butter. There will be 35 chefs in the kitchen preparing dinner for 60 hungry people and we will hope, hope hope hope, that none are rats. That none so much as have a rat in their hat.

Ratatouille is one of Sean’s favourite Pixar movies, probably because Sean loves food, but ratatouillepossibly also because Sean doesn’t have the classic aversion to rats that the rest of us do – his family idiotically kept them as pets (RIP Robbie and Bambam). So did the animators of Ratatouille. Rats lined the hallways of the Pixar studios so that animators could get their whiskers and tails and paws just right.

The film’s protagonist, a rat named Remy, is rendered with over a million individual hairs (his human counterparts have a tenth that – still impressive!). Little Remy dreams of becoming a great French chef despite the fact that his family’s against it, and you know, he’s also a rat. And restaurants hate rats. But he encounters a laconic chef named Linguine who benefits from Remy’s passion and skill.

The bad guy is the Head Chef, Skinner. This character is named after behavioural psychologist Images_DLP_Ratatouille_2014_02_12_0B.F. Skinner, who was known for the Skinner Box, where he made rats push a button for food over and over again.

This is the first Disney movie to feature a bastard. You know, as in, a kid born out of wedlock. Shocking! However, plenty of Disney movies have featured orphaned or partially-orphaned children – disproportionately so, one would hope.

To get the feel of the city just right, Brad Bird took a team up to Paris for a week where they buzzed around on motorcycles and ate at its top five restaurants (certainly Guy Savoy would have been on their list – it’s actually in the top 20 of the world). I feel sort of silly for not figuring out how to get my bosses to pay for my trip. And then I remember I’m self-employed. So I guess she kind of is! Meanwhile, the animators back home got to deadratsstudy and photograph rotting vegetables in order to render a realistic compost pile. No jealousy in that office, I’m sure.

Anyway, while the lucky ones were in Paris, they came across quite a sight, which made its way into the movie: a window shop displaying dead rats! Sounds weird but it’s a real shop that you can find (and we just might) in the first arrondissement called Destruction des Animaux Nuisibles. It’s an exterminator, established 1872, and quite a curiosity, but I don’t think I’ll be shopping for souvenirs there.

I may, however, be staking out their fine wines to bring home to our wine cellar if only we have Anton-Ego-Ratatouille-Chateau-Cheval-Blanc-1947the weight to spare in our suitcase. There’s a surprising amount of wine to be seen in this children’s movie – the restaurant critic Anto Ego orders a Chateau Cheval Blanc 1947, a Grand Cru, and obviously quite a vintage. This baby would set you back at least two grand, so for the second time in this film review, I’m left commenting: damn. How can I possibly bill that one to my boss? I’m clearly in the wrong profession! John Lasseter, Pixar head honcho, has a winery in Sonoma Valley and a bottle of his Lasseter Cabernet Sauvignon can be seen in the background.

This is a delicious little movie and I hope you’ll give it a watch if you haven’t already!

Marie Antoinette

Sean and I are still in France and in fact should be touring around the beautiful grounds and palace at Versailles right now, so what movie is more fitting that Marie Antoinette?

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She was a bright and beautiful girl, married at the age of 14 to a political ally she’d never seen tumblr_lbhpd2jWia1qecnumo1_500before. She is traded from one kingdom to another. She is surrounded by servants and comforts of every kind; she has jewelry and clothes and feasts like no other. She also has no grip on reality. And this movie doesn’t criticize her for it. Sofia Coppola may have strayed from historical accuracy in the writing and directing of this film, but she does give us a more human character to relate to. Marie-Antoinette is above all just a teenage girl, used to a lavish lifestyle, uncomprehending of any other.

shoesThe production had special permission from the government of France to film on location at Versailles. Even more impressive (to my mind), Coppola even induced famed designer Manolo Blahnik to create hundreds of shoes for this film. Fittingly, there is a shoe montage, which will make you squeal with delight, and if you watch carefully, you might catch a 1.5 second shot of a pair of Chuck Taylor Converse, not exactly time-period correct, but a staple of any teenage girl’s closet.

Did you know Jason Schwartzman is Sofia Coppola’s cousin? I didn’t. I get my Hollywood royalty  kirstendmixed up just as assuredly as I get my regular royalty confused I guess. At any rate, he plays the king to Kirsten Dunst’s queen, and I have to admire the casting. Who but him could play such a socially inept little weirdo, and who is more inherently hated than Dunst?

I saw this originally back in 2006 when it came out (I’m kind of surprised it’s not older than that) but in the 8 or 9 years since, I’ve become more familiar with some of the other names of the cast: Rose Byrne (broke out in Bridesmaids), Tom Hardy (aka, Bane, and almost Mad Max), and Jamie Dornan (soon to be the pervy guy in Fifty Shades of Grey). Coppola otherwise cast a lot of progeny of movie stars, most of whom I don’t know (although I did see a Nighy and wondered, and was correct in wondering). Plus she threw a bone to her boyfriend, Thomas Mars, from the band Phoenix – he and a bandmate play guitars in one scene, although they can’t have been happy about the tights.

marieantoinette

Midnight in Paris

Establishing shots at the beginning of the film are divine, and if I wasn’t in Paris already, I’d be booking my flight! Funny how the toast of Manhattan, consummate New Yorker Woody Allen, now seems to be smitten with Paris. Is the City of Light his new inspiration?

Owen Wilson is quite taken with Paris in the 1920s.  He’s a writer who’s spent years grinding out Midnight in Paris (2011)scripts in Hollywood (successfully, it seems) but wishes he’d had the guts to write novels in Paris instead. He’s visiting the city with his fiancée (Rachel McAdams), who’s had enough (“If I never see another charming boulevard or bistro -) but he’s still bubbling with anecdotes of Monet and Hemingway and their fruitful time lost in their art. While he’s out chasing the ghost of Joyce down cobbled streets, the clock strikes midnight and an old Peugeot drives up, full of merry-makers. Turns out – spoiler alert – that it’s Scott and Zelda Fitzgerald.

We never know whether this is magic or mental health, but he now possesses the ability to slipparis3 back to his favourite time period, 20s era Paris, and he gets invited into Gertrude Stein’s (Kathy Bates) famous salon. Bates is lovely but I have to say, Wilson’s earnestness is what really sells this piece. He’s wide-eyed and worshipful of his heroes. It’s major wish-fulfillment and it’s fun to see all these giants come to life.

parismarionRachel McAdams starts to get annoyed that he disappears every night, but how can he resist? Hemingway himself has offered to edit his work! Woody Allen’s script sings with treasures for book-lovers, and in this film, I can combine with my love of literature AND film (AND Paris, incidentally). Owen Wilson is just as bowled over – particularly when he comes across a beautiful muse (and mistress) to many famous artists (Marion Cotillard), but what a conflict between his actual fiancée in the present tense, and the people who get him but may just be figments of his fertile imagination.

This movie is not for everyone and that’s okay. And it’s not just about being well-read. You just either feel the charm or you don’t. Allen sprinkles the scrip liberally with treats that add up to a veritable feast (a moveable feast?) – you get the sense that he must have had fun writing this, which is perhaps why he won the Oscar for Best Orignal Screenplay (though he never attends to pick up his statuettes). If any of the above has sounded interesting, or if you just need another excuse to fall in love with the City of Possibility, then put this on your list.