Tag Archives: Peter Berg

Spencer Confidential

Some directors just have their muses: Scorsese has DeNiro, David O. Russell has Jennifer Lawrence, Tim Burton has Johnny Depp, Wes Anderson has Bill Murray, and Peter Berg has…Mark Wahlberg. Spencer Confidential is another Peter Berg – Mark Wahlberg collaboration, the fifth in a lineup of increasingly forgettable films: Lone Survivor, Patriot’s Day, Deepwater Horizon and Mile 22 and it feels like it was cobbled together by an AI that’s been programmed to write screenplays based solely on other Berg-Wahlberg collabs. It has thrown together all the B(b)erg cliches: Wahlberg inexplicably shirtless, Wahlberg sporting a sexy black eye, Wahlberg sticking up for the working man, Wahlberg just wailing on a guy, driving cars, crashing cars, and just generally acting macho.

He plays Spenser, a Boston cop who’s so dumb he spells his name wrong. He suspects his superior officer is a dirty Boston cop so he shows up at his house and beats him silly. You know, not exactly a rule follower. So he goes to prison to cool his heels, as you do when you assault a police officer. And when he gets out he lies low, drives transport trucks for a living, takes vacations in the desert.

Haha, just kidding. Spenser is out of prison for less than 24 hours when the cop he assaulted winds up murdered, and guess who’s the prime suspect. And even though he’s very much not a cop anymore, he still works the case. Out of the goodness of his heart?

Anyway, he’s got two buddies backing him up: an old man named Henry (Alan Arkin) and a complete stranger who’s also his new roommate, Hawk (Winston Duke). Conveniently, Hawk is a tank of a man who’s an amateur MMA fighter and knows a little computer, so he actually comes in handy when he’s paying attention. But believe me, you don’t want to be Mark Wahlberg’s friend. I mean Spenser’s friend. Okay, I mean both. Spenser has a knack for finding trouble. He’s never even heard of minding his own damn business.

Anyway, Spenser Confidential is a new kind of forgettable that’s actually forgettable even whilst viewing. Luckily there’s no real plot to keep track of and there’s no character development because no characters were drawn in the first place. Which is super convenient if you mostly watch Netflix for the white noise.

Collateral

It’s probably never a good day to be a cab driver, but Max is having an exceptionally bad day: he’s just trying to put in his time until he can get his own limo business going, minding his own business, when by a stroke of bad luck, Vincent climbs into his backseat.

Vincent (Tom Cruise) turns out to be a contract killer. We know this because he intends to use Max (Jamie Foxx) as the getaway driver in a series of murders across L.A. The first collateralunlucky victim takes Max by surprise when he crashes through his windshield. That fearsome windshield crack will be a thorn in Max’s side, but it’s just a small obstacle in a rather wild ride. Max is a hostage but under surveillance by the cops he looks rather like an accomplice. Good thing Detective Fanning (Mark Ruffalo) is on the case! He’ll save him!

But not before Max realizes he’s the only one who can save Annie (Jada Pinkett Smith), an attractive lawyer who coincidentally gave him her number earlier that day. Turns out she’s working the wrong case, and her name is on Vincent’s hit list. Yikes.

Director Michael Mann once drove cabs; so did his father before him, and his grandfather owned a taxi company.

600px-CollateralUSP-45-3Considered to play the role of Vincent: Russel Crowe, Edward Norton, John Travolta, Leonardo DiCaprio, Colin Farrell

Considered to play the role of Max: Adam Sandler, Cuba Gooding Jr, Robert De Niro, Johnny Depp

I’m glad we got the Cruise-Foxx combo because they made such a great pair. It’s refreshing to see Cruise as the villain and he channels sinister very well. I’m sure Foxx felt it, particularly in those tense scenes in which Cruise is sitting right behind him, leaving Max vulnerable and twitchy. Collateral may be a but formulaic but it’s a highly polished thriller with some great performances. Michael Mann stylishly serves up heaps of tensions, and the performances are great, never overcooked.

Deepwater Horizon

07Disoriented. I walked out of the theatre disoriented. Was it the strobe light effect while the power failed? Was it the glass shards being pulled by Kurt Russell out of his own foot? Was it the bone sticking out of a redshirt’s leg? Was it that 11 people died and I wondered how the other 115 on the rig survived?

Yes.

Deepwater Horizon is a war movie where the good guys don’t have a chance in hell, the bad guys are greedy bastards who were supposed to be on the good guys’ side, and the real enemy is an almost unstoppable 130 million gallons of oil spewing from the sea floor. Deepwater Horizon makes it perfectly clear where the blame for the worst oil spill in history rests: with the money-grubbing assholes who tried to cut corners and lost their gamble. The film is not subtle. It finds ten different ways to show us the choices that led to the disaster. It works.

image1-3Mike Williams (Mark Wahlberg) gets bloody. Jimmy Harrell (Russell) gets bloodier. The stand-in for greedy BP, Donald Vidrine (John Malkovitch), does not get as bloody as you’d hope. They are some of the lucky ones. Deepwater Horizon takes us into the heart of the mess. Tons of mud, oil, fire, explosions, and rag dolls flying all over the screen. It is hard to watch but not too hard to follow. We are provided with title cards and a grade school explanation of the Deepwater Horizon’s mission. They help the exposition fly by so we can get to the destruction faster.

By the end you will have been appropriately beaten down by the disaster. It is a suitably somber end. The survivors are consumed with grief. The restraint shown, especially in the closing minutes, elevates this movie above the Michael-Bay-esque fire show I thought we would see.

Deepwater Horizon is not a great movie but it’s far better than expected. By the time the credits roll your head may be spinning like mine was, especially if you remember that beyond the immediate devastation depicted in the film lies the worst environmental disaster in U.S. history, one that ended up costing BP $54 billion in cleanup costs and penalties. Deepwater Horizon makes clear that BP in general and Vidrine in particular got off too easy, but it puts itself in an awkward position by barely mentioning the environmental effects of the disaster, which left me feeling that the movie entirely missed the point.