Tag Archives: Ron Perlman

Hellboy

In the final days of WWII, the Nazis attempt some sort of magic to bolster their faltering cause, but instead they open up a portal through which Hellboy arrives and is adopted by an Allied scientist, Professor Broom. Hellboy (Ron Perlman) is raised in Broom’s lab, among other, erm, special…entities, such as firestarter Liz (Selma Blair) and the aquatic and telepathic Abe Sapien (Doug Jones, but voiced by David Hyde Pierce). So though Hellboy looks a lot like a demon with his horns (which he carefully files down) and his red skin and freaky arm, he’s actually been more of a force for good, deployed when only his special skills will do: welcome to the (secret) bureau for paranormal research and defense.

W4lFb0LOf course, no one would make a movie about a guy just doing his part to make the world a safer place – not one called Hellboy, anyway. Those Nazi fucks are back, and their aim is to recruit Hellboy back to the dark side, where he belongs.

With master of horror Guillermo del Toro leading the way, the Hellboy movie is at its best when Hellboy is among the people he loves; it’s the quieter moments between the impressive action sequences that give this movie heft. Perlman is pretty damn magnetic as the spawn of satan, and delivers the kind of dry humour that no other comic book movie has come close to. It’s not a perfect movie but you can tell how del Toro has tried to smooth out some of the uneveness between Hellboy’s down time and his work. There’s more to him than you might guess and despite his monstrous looks, he’s got a good dose of humanity {this is a common theme of del Toro’s, I’ve noticed: the true monsters are never the ones who look the part}.

Clearly a fan of the source material, del Toro embraces some of Hellboy’s ridiculousness. He’s faithful to the wit and the charm and the misfittedness of the whole endeavour. And actually, who better than del Toro, who has made a career out of defining and applauding the outcasts, to pay homage to the movement’s red leader?

Hellboy is a lot of fun if you give yourself up to it. It already has a memorable character, and Perlman is nothing if not the perfect choice to play him. But Guillermo del Toro is also the perfect choice to colour in his surroundings. The production design set the standard for all comic book movies that came after. Del Toro knows that the details are where it’s at – it’s where old fans will find home, and new fans will be created.

 

A new Hellboy is in the works; not the third movie proposed by Del Toro and Perlman, but a complete reboot starring David Harbour instead, which has lots of fans rather upset. We’ll judge the new film on its own merits I suppose, but it feels like this one’s already going in the wrong direction.

 

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Pacific Rim

Some sort of portal opens up in the ocean’s floor, and the aliens that flow through are immense monsters called Kaiju. A war ensues that humans seem poised to lose until they develop humongous robots called Jaegars controlled neurologically by two synched-up pilots. The world’s resources are devoted to these specialized weapons, but the Kaijus only up the ante. Now, with resources dwindled and the world seeming defenseless, we’ve got one last chance, with a fallen, washed up pilot in Raleigh Becket (Charlie Hunnam) and a complete novice in Mako Mori (Rinko Kikuchi).

Stacker Pentecost (Idris Elba) runs the last-ditch program but even he doesn’t have confidence in the only option they’ve got left. And two wacky scientists (Charlie Day, Burn Gorman) on his team are devoting their time and energy to connecting neurologically to the Kaiju, which is either a brilliant idea that will reveal the Kaiju’s plans or a terrible idea that will spoil the only thing the human race has going for them – the element of surprise.

Pacific Rim is a send-up to the fantastic monster movies of yore with the benefit of tumblr_mgeodlgqPl1qcga5ro1_500.gifmodern effects and technology – and yes, it looks slick as hell. It’s basically Transformers fighting dinosaurs, which appeals to the little boy that exists surprisingly near the surface of nearly every man I know. This movie was released just before my dear sweet nephew Ben was born, but it strikes me now as made especially for him. I know one day we’ll watch it together, and my old bones will creak for the next six months as we painstakingly recreate every battle scene without the benefit of CGI.

I may prefer del Toro’s smaller films, but his visionary genius means that when  you give him a pile of money to make a monster movie, he’s going to make you feel every inch of the enormity on screen. The scale is astonishing. Del Toro likes to create huge sets, giving his actors plenty of real stuff to react to, so though this movie is of course effects-heavy, it’s probably not as heavy as you think. There’s loads of practical stuff in there too – miniatures, and models, whole sets built on hydraulics so things will jostle exactly as they should when a mega monster stalks by. Guillermo del Toro is a world builder, and Pacific Rim has a lot of his usual hallmarks, just swathed in the gleeful fantasies of his inner 10 year old child.

This is likely the movie that keeps Michael Bay up at night, eating too much Häagen-Dazs: it’s the movie he always means to make but never knows how to.

You may have heard that a new Pacific Rim sequel (“Uprising”) is about to drop – without del Toro at the helm. He’s still producing but declined to direct in order to make The Shape of Water instead (good call, Guillermo!). Charlie Hunnam isn’t returning either (opting to do Pappillon instead, with Legendary’s blessing), so instead John Boyega fills his shoes as Stacker’s son and Mako’s new partner. Are the monsters back? Substitute director Steven DeKnight will attempt to answer – but as a noob, he seems at an immediate disadvantage. I mean, he did direct one episode of Daredevil and 2 of Smallville, so as a white male, that more than qualifies him to have a go at a $150M project. I can’t imagine that he’ll replicate anything like Guillermo’s instinct and soul, but we’ve not got long to wait: Uprising drops in March 2018.

 

Pottersville

Maynard is the nicest guy in town, so it’s kind of upsetting when he goes home to surprise his wife with a couple of steaks and instead finds her – no, not naked in bed with another man, but dressed up in a plush mascot costume with one, which is somehow worse. She’s not just an adulteress, she’s a furry, the kind of person who gets kicks from dressing up and rubbing herself on someone else, also wearing a sweaty costume.

still1_pottersvilleMaynard is shocked and disturbed, and after a night of drinking, he finds his old hunting gear and an ape mask, though they bring him little consolation. Cut to: the next morning, the small town’s abuzz: big foot is on the loose. It doesn’t take long for Maynard to connect the dots and realize HE’S the one they’re looking for, but he keeps that embarrassing information to himself and the legend grows.

Netflix has a whole bunch of really, um, interesting holiday fare in its lineup this year, and this one stars the likes of Michael Shannon, Judy Greer, Ron Perlman, and Christina Hendricks (as the furry). I kind of dig Michael Shannon. He’s a great actor whose choices sometimes baffle me – this holiday season you can check him out in this, or the Oscar-bound The Shape of Water. Totally up to you. If you’re looking for a Christmas movie that’s light on Christmas, high on conspiracy, and is a tolerable if forgettable watch, well, I can say with confidence that this is the cream of the crop. If it’s also my opinion that the crop this year is spoiled, well, that’s a whole other post.