The film opens with a David Attenborough nature documentary-style narration as we swim through the reef toward Bikini Bottom, where our protagonist resides. It’s a nice touch though possibly lost on a lot of kids, and unfortunately, pretty much the highlight of the entire movie.
In today’s extended episode, Plankton (Mr. Lawrence) decides that his longtime rival Mr. Krabs (Clancy Brown) is not the true bane of his existence; it’s his devoted employee SpongeBob (Tom Kenny) who seems to thwart all his nefarious plans. And so Plankton hatches yet another nefarious plan, this time to rid Bikini Bottom of SpongeBob by kidnapping his beloved pet snail, Gary. Gary winds up in the hands of King Poseidon (Matt Berry), ruler of The Lost City of Atlantic City, who’s just a little bit obsessed with youth (and snail slime, or snail mucin, an even worse word, is an actual, legitimate ingredient in a lot of skin care products). So SpongeBob, his best friend Patrick (Bill Fagerbakke), and their robotic chauffeur Otto (Awkwafina) will embark on a road trip adventure that will take them across the sea and even on land in search of said Lost City. On the way they’ll find a sage named Sage (Keanu Reeves) and be guided spiritually if not geographically by him in their quest to bring Gary home.
Sean and I are not fans of SpongeBob generally, and without prior attachment to these characters, this movie isn’t exactly spectacular. Longtime fans might be quite happy to find out how young, cute SpongeBob, Patrick, and Sandy (Carolyn Lawrence) first met, but for the rest of us it feels suspiciously like padding for an extremely thin concept.
Not to mention you REALLY can’t get nitpick this show. You have to accept that they live under the sea AND their glasses can still be only half full AND there can still be puddles on the ground AND they can light grills and keep burgers from getting soggy etc etc. It’s a cartoon so I’m going to work on letting this shit go but just know that I’m on to you, Nickelodeon.
Sponge On The Run isn’t really meant for non-fans, and possibly not for adult fans either. Its simple story is constantly interrupted and sidetracked, with so many distractions no one would blame you for losing track of the plot. The stars of the show are upstaged by a tumbleweed and the truth is you’re just not going to be blown away by this film. There’s a slim chance you might be entertained by it though, at least mildly-to-moderately, especially if you care for these characters and wouldn’t mind paying them a socially-distanced visit.
[Note: not so much a review as a full-on recap and discussion…I’d say *spoilers ahead* except you already know she’s going to sing…right? So let’s get into what she wore and to whom she was bitchy.]
Some might say that a “premise” isn’t really necessary for a Mariah Carey Christmas Special. She’s practically Christmas royalty – hand her a microphone and we’re set. But nobody ever accused Mariah of not being extra, and so we have this:
Tiffany Haddish opens up a book and begins reading a Christmas tale about the year 2020 and how it was very difficult for people, resulting in a general lack of Christmas cheer. We check in with Billy the Elf (Billy Eisner) at the North Pole, who confirms the numbers are dangerously low. He greets Millie Bobby Brown, Bette Midler, and Heidi Klum, who concur (a random consortium, but I’ll take it). Billy surmises that there’s really only one thing to be done:
Cut to: Mariah Carey in a body-con holiday onesie the envy of ski bunnies everywhere, trimming the tree with her beautiful twins, Monroe and Moroccan, and a third child who’s basically just there to do the acting on their behalf. Unfortunately, no such stand-in is available for Mariah, who gives the most wooden Mariah Carey performance of her life (in fairness, she is probably physically incapable of moving her face). Mariah’s secret Santa phone is ringing, and she is summoned to the North Pole to save Christmas the way only Mariah Carey can. To the Batcave! Or the secret Christmas cave behind the fireplace anyway, where a self-propelled sleigh is awaiting to to whisk her away to the North Pole.
Anyway, she arrives to the North Pole like she is its Queen, and she kind of basically is. As “Santa’s Great Friend,” her arrival merits a parade thrown in her honour, rolled out so quickly they must keep it on standby and rehearse it periodically, like funerals for all the members of the royal family.
Or, I suppose I should say the “North Pole” – we’ve really taken increasing artistic license with the North Pole over the years. The geographic North Pole is found in the Arctic Ocean, on constantly shifting pieces of sea ice. It’s mostly just the sea ice, icebergs, and glaciers up there (no, those aren’t synonyms), with plant life mostly limited to grasses, mosses and lichens, not the oodles of evergreens Christmas Special set decorators are prone to overuse.
Mariah consents, from the bottom of her generous bosom heart to give a concert that will bring cheer to all who hear it. In her first costume change (out of 6.5), she appears in a glittering gold gown and stands beside a red lacquered piano to belt out the first of many Christmas carols.
In a third outfit, a short red and black dress with an impressively unnecessary train, she greets Snoop Dogg and Jermaine Dupri for a song, Snoop Dogg looking like he’s blissed out on some sort of special elf blend in a big red Santa suit he’s not remotely self-conscious about. And then Ariana Grande and Jennifer Hudson join her on stage, and by join her I mean quite visibly play back up singer to Mariah Carey’s lead singer. Wearing green dresses (Ariana in a cute velvet number and Jennifer looking like an absolute vision in sequins) and standing slightly behind and to the sides of Ms. Diva Carey, flanking her like they’re definitely not the stars of this special. When Mariah hits those high whistle notes of hers with a finger in her ear (an affectation when you’re lip-syncing, sure, but Mariah Carey is like 117% affectation), you might almost believe she’s doing it to block out Ms. Grande who’s joining her up in that upper register, but no, Mariah Carey has marked her territory and no one could mistake this as anything but her show. Not even Misty Copeland, ballerina extraordinaire, who’s up next.
Then there’s the silver dress which Mariah wears standing out in the “forest.” Let’s take a moment to shout out the formidable wardrobe department who help Mariah’s considerable assets defy gravity with a minimum of straps or structural support. This, above all, is the magic in Mariah Carey’s Magical Christmas Special. Her wig department is no less overworked but a little less technically proficient. The silver dress segment has her sporting a windblown look that stays windblown even without her dedicated wind machines, of which there are many.
Next we have the great big white dress that takes up nearly the entire stage. If you saw a woman wearing it down the aisle you’d wonder who the hell she think she is (Celine Dion?). She could be hiding several Billy Eichners under there. But then, for the next song, it seems the voluminous skirt is removed to reveal a fitted mermaid dress underneath, with sheer cutouts, no sleeves, and plenty of cleave. This is the portion of our evening in which Mariah will now heal the world, and she does it with two things: candle light, and extensive humming. If you’re thinking about watching this special, BYOC (bring your own candle). Millie, Heidi, and Bette all seem to have been cured. Billy Eichner confirms up: cheer is alive and well! Mariah has indeed saved the day, as we all knew she would.
Tiffany Haddish closes the book on Mariah’s Christmas miracle, but have no fear, we’re all heading back to the North Pole for one last number, and Mariah will be joined onstage by her children, who are pretty enthusiastic little dancers. Her encore deserves one last costume change, into a military/nutcracker inspired red sequined number that is worthy of the song that inspired the special, All I Want For Christmas Is You. Mariah Carey could be cryogenically frozen the other 11 months of the year and just rolled out for Christmas, and to add another billion to her bank account for a song she co-wrote and co-produced with Walter Afanasieff. That song gains in popularity every damn year, it’s a modern Christmas classic and it keeps her busy all December long, belting it out at every tree lighting ceremony across the country. It even broke the record for the longest trip to the number one position, reaching the spot 25 years after the song’s original release. It’s her bread and butter and has the coveted last spot in her Christmas Special (though it’s teased earlier). It’s exactly the kind of special you need around the holidays, and it couldn’t contain any more Mariah per square inch without exploding.
so, interesting story: a couple of weeks ago, Sean and I were at a wedding that got hit by a tornado. Don’t worry, everyone was fine. The same cannot be said for tents and glassware and flowers and cake, but those are but details with hefty deposits. They were already legally wed, and that’s the main thing. Anyway, Sean and I cleared out before we even got fed, but Sean had certainly been watered. With lots and lots of beer. Which means I was driving. I always volunteer to be the DD, though I don’t usually count on having to navigate roads blocked by fallen trees. Anyway, it was a long-ish drive back home, during which time Sean’s jobs were to keep Spotify thumping, and to read my sisters’ Snapchat updates aloud. Even with hindsight, it’s impossible to say how we got on to the topic of 90s music, but we eventually landed on Creed (believe it or not), which I’d forgotten was a thing. And even with the reminder, I couldn’t quite name a song, though I knew that knowledge must be buried deep. So Sean took it upon himself to sing (remember all the beers). Anyway, you do not need to remember that Creed exists because this movie is here to remind you, if briefly. And that’s about all I have to say about the movie The Beach Bum.
Moondog (Matthew McConaughey) has a very rich and very beautiful wife, Minnie (Isla Fisher), with whom he does not live, and a newlywed daughter whose life he flits in and out of. Moondog lives by no rules. He barely lives in this world. “He’s from another dimension,” explains his indulgent wife, who finds his spotty record very convenient for doing what she wants with whom she wants – mostly, a man named Lingerie (Snoop Dogg).
With straggly, unwashed hair, and volcano-orange thongs, Moondog isn’t just a beach bum, he looks and lives like a bum, period. Except for some reason fake-titted women still line up to be with him. It makes no sense and is exactly the kind of nonsense that completely derails a movie for me. Not that this movie was ever on the rails. Or even has rails.
Anyway, Moondog is apparently a talented poet, which is also completely unbelievable, and his wife figures out how to give him a little motivation to do some writing.
In some ways this is the role Matthew McConaughey was born to play: a merry, aimless stoner. It’s not that hard to imagine that this might have been his fate had he not caught some lucky breaks in Hollywood. Jonah Hill, however, turns in a performance I find nonredeemable; it’s not that hard to imagine that to be MY fate were I being punished in hell for some hella unforgivable sin. Still, it’s mostly writer-director Harmony Karine with whom I take issue. While it may not be unusual to be forgiving of one’s anti-hero, Moondog is undeniably reckless and Karine is infuriatingly nonjudgmental. There’s an outside chance that the message he’s intending is that the pursuit of happiness is attained through pure and selfish hedonism. At the end of the day, its worst crime is that it is boring. Had I not paid to rent it, I would have turned it off. Spare yourself Zac Efron’s douchy beard.
Carl Black moves his family to California when he meets with a bit of success. His timing’s terrible though – the city is about to have its annual purge, where all crime becomes legal for 12 hours. Sound familiar? Yeah, there’s already a whole franchise called The Purge. But this purge is – you guessed it – black! Or more specifically, it involves the only black family in a gated community.
I cannot review this movie. I turned it off halfway through. Not even when I’m stuck at work trying to kill time can I sit through a movie this magnificently bad. Is this supposed to be a parody? I can’t even tell. The title is useless. It’s colossally bad. Not in the history of this site have I walked away from an unfinished movie. Isn’t that remarkable? I sat through The DUFF, the Do-Over, Get A Job, and Accidental Love. I didn’t even flinch. There isn’t even a category for how awful this is, or for how much George Lopez embarrasses himself in it.
It’s a black hole of comedy, where a couple of bucks bought a very cheap production, one that is severely unwatchable. They hope to cover up the lack of laughter by lobbing constant racist shit at you. Um, I know the difference. And no amount of Snoop in white face is going to convince me otherwise.
Meet the Blacks is unbearable, and the only thing it’s good for is as a movement to purge all spoof “comedy” henceforth.