Tag Archives: Trevante Rhodes

Bird Box

Imagine threatening very small children with their lives. Imagine threatening your own children with their deaths, their painful deaths, by your own hands if necessary. Can you even imagine a situation so dire that you would tell your kids you would kill them IF?

If you’re a fan of Josh Malerman’s post-apocalyptic horror novel, Bird Box, the good news is,  you can always reread it. Netflix has adapted this “unfilmable” book (how many books have we said that about now?), and turned it into something bibliophiles will scarcely recognize. But that doesn’t meant it’s bad.

Malorie (Sandra Bullock) is in the impossible situation. She’s pregnant at the end of the world. This particular nightmare is the inverse of The Quiet Place – they had to stay silent in order to not die, and in Bird Box, they have to not see. The sight of something is causing people to almost immediately become homicidal and ultimately, suicidal. It’s a plague killing millions, killing billions, killing everyone around the world. The only way to survive is to not see, to never see. But food and water and resources inside are finite. MV5BMjE5Nzk1ODgwMV5BMl5BanBnXkFtZTgwMjU5MTE2NjM@._V1_SX1500_CR0,0,1500,999_AL_Malorie is living with a small group of people, strangers, really, who don’t always agree on the best way to exist together, or how to stay alive. Malorie’s not even the only pregnant one – Olympia (Danielle Macdonald) is expecting too, right around the same time. The house’s other inhabitants (Trevante Rhodes, John Malkovich, Jacki Weaver among them) will have to make all kinds of hard choices to ensure the group’s survival. As you probably guessed, ultimately, Malorie will need to leave the relative safety of their shared home – and worse than that, she may have to sacrifice one child to save another. Doesn’t that sound like a fun little jam to be in?

Yeah, this is a horror movie, in case you’re not picking up on the obvious. The unknown, horrible, unseeable things remain unseen by us, but they’re a constant threat. Director Susanne Bier understands it’s way creepier to only suggest the worst, and let our own imaginations prey on our fears. A newborn baby is of course the most vulnerable creature in the world. What else could heighten a dangerous situation like a helpless baby? But what else would pose a greater danger? A baby, unable to look away, unable to understand, a baby who will only need need need, and take take take, and attract attention while putting everyone at risk. A baby, two babies, normally a blessing, but in this scenario, the worst possible thing.

Bier creates a tense atmosphere and Bullock keeps us riveted. Rather than jump scares, Bier gives us a character study, and Malorie’s humanity and the children’s inherent weaknesses gives some real meat to the film’s anxiety. But the film strays quite far from the book, and to no real advantage. Since this film streams for “free” on Netflix, it’s a no-brainer if you can take the heat (or rather the chill, the frisson). Squeeze your eyes half shut.

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Moonlight

hero_moonlight-tiff-2016Moonlight is the quietest tour de force I’ve probably ever seen. Never have I rooted for a drug dealer in this way, and never have I sympathized so much with a kid who wanted to follow in that drug dealer’s footsteps. Moonlight is spectacular in its simplicity. It is also entirely different than the movie I expected.

That difference comes in its approach. This is a coming-of-age story focused on a likeable outsider named Chiron who has been dealt a terrible hand. His father is absent, his mother is barely there, and he’s a walking bully target. He’s called soft but he’s got an obvious inner strength, and I loved him right from the start. He didn’t have to say a word to get me on his side. Which is fortunate because he’s not much of a talker.

081816-celebs-janelle-monae-s-film-moonlightChiron’s adolescence is the subject of three tightly focused vignettes. It’s a wonderful storytelling choice that perfectly explains Chiron’s choices as he grows up, without having to engage in any exposition. Moonlight is brave in many ways but to me it’s the choice to let us figure things out for ourselves that makes this film great. It makes the journey more fulfilling, the experience more real, and greatly increases our empathy for Chiron. Moonlight helps us understand Chiron to a degree that I would not have thought possible. Regardless of your race, wealth, or sexual orientation, we are all a lot like Chiron.

Writer/director Barry Jenkins somehow enhances that commonality at every turn, and also finds beauty everywhere he takes us.  His efforts are supported by wonderful performances from top to bottom. moonlight_1-5-1-e1477472370758Alex Hibbert, Ashton Sanders and Trevante Rhodes each take remarkable turns as Chiron and the extent to which they feel like the same person is incredible. Mahershala Ali is not the only other actor deserving of mention (the supporting cast is consistently great) but for my money his performance as the aforementioned drug dealer shapes Chiron’s life and makes us understand his growth to a degree that is virtually unmatched in film.

Moonlight has been on my watch list for a long time. It was well worth the wait and deserves every bit of acclaim coming its way.  It’s perfect from start to finish. Go see it!