As everyone knows, storks used to delivery babies. It was hard work, gross work, and no one is more relieved than storks that they’ve since gotten out of the baby trade and gone into delivering packages instead.
The boss stork, Hunter (Kelsey Grammer), the kind of dick who made his office out of glass even though birds can’t see it, is stepping aside, leaving room at the top for Junior (Andy Samberg) to fill his shoes (well, birds don’t wear shoes, though they seem to occasionally wear ties) on the condition that Junior get rid of “the orphan Tulip,” a baby who was undelivered 18 years ago and has been a thorn in their sides ever since. She’s about to turn 18, and Junior’s first job, if he wants the new title, is to return her to the human world.
I’m watching this movie because of a junkie. My sister’s SUV was broken into last month, and aside from the 85 cents in change in a cup holder, the thief got away with their DVD player, used to entertain my 3 year old nephew on car rides. When I was a kid we had to listen to tapes, and play I Spy, or Mad Libs on car rides but apparently these days commuting is unbearable unless everyone has a screen to stare at. My sister, suspecting the thief might be the drug addict across the street (she lives in a very comfortable suburban neighbourhood), magnanimously said “You don’t know his circumstances” and left it at that. Possibly she was just tired of hearing the same 10 minutes of Peppa Pig every day. Anyway, that’s how I came to be watching Storks, even though I firmly turned down the press screening a year ago when offered because it was at 10am on a Saturday morning when in fact I prefer to pretend that there isn’t an “am” on weekends.
Back to the movie: There’s a little boy named Nate who dreams of having a little brother or sister. His parents (Jennifer Aniston, Ty Burrell) are busy realtors who are basically “one and done.” Nate decides to circumvent their fertility plans and appeal to the storks directly himself. Junior is already fucking up after just one day as the boss so of course there’s a spare baby, but he fucks that up too and accidentally delivers her to wolves (Jordan Peele, Keegan-Michael Key) instead.
This movie is perfectly serviceable. It’s not memorable or good in the way we’ve come to expect from Pixar, but it’s colourful and frenetic and will have some appeal for children if not their parents (although I admit I was pretty charmed by the wolf versatility and voice cast). I do wonder if this movie will inspire some follow-up questions about where babies DO come from, so you parents out there will have to let me know. All I have is a Sean, and he prefers not to know. 😉
I actually thought this movie was pretty good compared to the other shit I’ve watched with my kid lately. I laughed a few times.
I laughed too. I laughed when the kid is (successfully) guilting is parents into playing with him.
A warning from Tubularsock: These are just the type of movies that cause children to grow up and break into cars for 85 cents and a DVD player!
Oh my, you might be right!
LikeLiked by 1 person
You know, someone once broke into my Mom’s car for a box of donuts. That’s pretty worrisome, I’d say. There’s not even resale value!
LikeLiked by 1 person
Ok, Tubularsock just wants to say to your mom I’m sorry. But for glazed donuts, some have a weakness to consume.
I like a nice, fluffy cartoon now and again. I’m sure I’ll see this at some point.
Good review. The movie was okay (a bit better than average animated movies last year), but the voice talents and the overall humor was solid.
I laughed too. Ok, Tubularsock just wants to say to your mom I’m sorry.
Pingback: Canada 150 | ASSHOLES WATCHING MOVIES