BlacKkKlansman

Ron Stallworth is a young black man, proud to be Colorado Springs’ first African-American police officer, in 1972 (or 1979 in real life, but from these parentheses forward, please understand that though this is based on his autobiography of real events, I’ll be discussing the events in the film). He’ll be the Jackie Robinson of the PD, and like Jackie, he’s the impossibly perfect, flawless, magical black man who will need to constantly turn his cheek – not just to the racist public, but to racist colleagues as well. Life might be difficult for Ron walking the beat but he’ll never know because he’s buried in the basement records office being abused by his own fellow officers. He’s desperate to get some real police work but I bet he got more than he bargained for. When he’s partnered with a Jewish officer named Flip, the two of them together make a single perfect Klansman.

Wait, what? Yeah, true story, though it sounds like the setup of a joke with a cringe-worthy punch-line. A black guy and a Jew teamed up together, undercover, to infiltrate the KKK. Ron (John David Washington) says all the right things on the phone, all the way up to the Grand Wizard himself, David Duke (Topher Grace). Flip (Adam Driver) provides the requisite white face and trucker caps. Together nothing can stop them, except possibly guys in hooded robes.

Spike Lee directs this thing, based on Stallworth’s memoir. But the spin that Lee and the other writers bring to the movie is fantastic. While this would have been a remarkable story at any time, setting it is amidst blaxploitation movies and Nixon’s reelection 03-blackkklansman-review.w1200.h630campaign gives it a crisp edge, and the constant allusions to Trump’s eventual win, thanks in part to his KKK ties, give it a sharp one. Damn it’s smart. And also depressing. And funny. Like, really funny. And so sad. Because as astutely-observed as this stuff is, it’s astonishing and disappointing to realize that 40 years on, we haven’t made much discernible progress. White people were horrified and baffled by 45’s election, which is funny because it was obviously white people who elected him. The two kinds obviously don’t talk. But nearly every black American I’ve spoken to was not overly surprised by the result (which is a far cry from being happy about it). They knew the country’s true temperature since they live with its consequences every day. And now those things have been outed, given permission to be voiced, and suddenly 2018 is resembling 1972 is some very uncomfortable ways.

John David Washington is really great in this role. He made his movie debut at just 6 years old, playing a school kid in a movie Spike Lee made with his father, Denzel called Malcolm X…maybe you’ve heard of it? If he’s getting acting lessons at home, they’re paying off. He’s subtle and natural and the movie’s success hinges on how well he underplays events that seem so impossible. Adam Driver does well too; he knows he’s second banana, but his character undergoes an interesting arc, from “it’s just a job” to really internalizing the hated for Jews that he constantly has to endorse as part of the klan. It has to mess you up to say things against your own people, to disavow yourself from a group that is part of your essential self – we feel that every time Flip denies his religion out loud to suspicious klansman, but it’s an interesting callback to Ron’s police department interview, where he basically had to do the same. And that should give us pause. And Topher Grace gets to play David Duke because Armie Hammer’s perfect Aryan face was presumably busy playing a slave owner in some other movie.

Ron spends the movie trying to prove to himself, to his potential girlfriend, and to his superior officers, that you can work from the inside to tear something down. His lady, the president of the black student union, is a proud agitator who doesn’t believe you should belong to the system you’re trying to destroy. “Black liberation!” she shouts at him. And we clearly see his own internal struggle because on the one hand he’s a first hand witness to the system being broken, and stacked against him, but he also believes he can be an agent for change. It takes guts to be the guy on the inside. I guess after being that guy for his whole life, joining the klan maybe didn’t seem so scary.

In fact, Lee does well subtly highlight the similarities between the two groups: kops and klan. Both seemed nearly identically racist in the 70s. But what got me is that in the film, both groups refer to themselves as “family.” Very recently I was telling Sean this theory of mine that any non-family member who refers to themselves as “family” is doing it for nefarious reasons. Work “families” tend to be abusive. It means, sure they’re internal fighting. It’s fine. It’s family. In the police department it means we don’t rat on each other. If some officers are abusing their position to harass people (spoiler alert: black people!) we turn a blind eye. There are so many clever, subversive little elements that they get under your skin incredibly effectively.

And just when you’re starting to feel cutesey about all the Nazi-salute foreplay and lynching pillow talk, Lee flips the script and reminds us of our present-day truth, where we cannot hide behind our smug sense of superiority. We are not better, and there’s no better way to remind us of that than with footage from last year’s white superemacist, neo-nazi, ‘white civil rights’ rally inย Charlottesville. This weekend is actually the one-year anniversary, and tensions are high. This movie will likely never reach the hearts and minds of those who could really use it, but let it be both a balm and a rallying cry for the rest of us, perhaps even an emergency flare. We need movies like this to get us through these dark days.

 

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22 thoughts on “BlacKkKlansman

  1. Katrina Morrison

    Hi Jay ๐Ÿ˜Š
    Thank you for reviewing this movie. When I first heard about it, there was no way I would watch it. Now, that you explain the plot and Leeโ€™s intentions, I look forward to seeing it. You are right! Too bad the ones who should see it probably will not๐Ÿ˜•

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  2. ninvoid99

    I saw the film yesterday morning and already posted my review yesterday as it’s right now the best film of 2018 for me so far. It is entertaining but it also had something to say about America. We haven’t really done much to confront these issues of racism and after what happened in Charlottesville last year. I feel like we haven’t made any progress at all and our fucking dictator is the one stirring the pot.

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  3. allthingsthriller

    As I’m writing this, I’m also watching CNN and the “white supremist” march. There’s literally about 40 “supremist” and perhaps thousands of counter protesters. This gives me hope that, at the very least, these “people” do not feel as embolden as they did a year ago.
    Fantastic review Jay. Can’t wait to see this film.

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  4. Henry Chamberlain

    I was utterly compelled to post my review of Spike Lee’s latest masterpiece. As I say in my review, this film leaves you galvanized. It’s got great press. It’s got a stellar cast. It is this year’s movie. Hard to see this not winning for Best Picture.

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    1. Jay Post author

      It wasn’t even released in contention – most big Oscar contenders don’t come out until Christmas, so we’ll see if this has legs. It’ll likely get a nomination, I’d think.

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  5. Often Off Topic

    I was on board for this movie for Adam Driver alone, but to hear from you and many others that it’s a brilliant movie has got me so hyped! Just 2 more weeks (I think) for it’s UK release ๐Ÿ™‚

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  6. John Charet

    Great post ๐Ÿ™‚ I saw this recently and I loved it ๐Ÿ™‚ It is now my second favorite Spike Lee film after Do the Right Thing, which still stands as my number one favorite of his. Anyway, keep up the great work as always ๐Ÿ™‚

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  7. Brittani

    excellent review! I’m glad I watched this today. Excellent story and a terrifying reminder of the fact that nothing has changed.

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  8. Pingback: King Kong (2005) | ASSHOLES WATCHING MOVIES

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