Tag Archives: Emily Blunt

Sherlock Gnomes

It was 2011 when we first met garden gnomes who come to life when no humans are watching. Back then, two rival yards, that of the Montagues, and the Capulets, were at war, except Gnomeo fell in love with the forbidden Juliet, and they all got a happier ending than the one Shakespeare wrote for them, set to a soundtrack of Elton John songs.

Cut to: the May long weekend, 2018. Jay and Sean are in the mood to kick off the summer in style, so they drive to the nearest open drive-in, which is playing a TRIPLE feature which we only realize in retrospect was a night of sequels: Sherlock Gnomes, Deadpool 2, and Super Troopers 2 (in order of how they played, and how much I enjoyed them).

As you may have gleaned from the title, instead of revisiting Shakespeare, this time the gnomes tackle Arthur Conan Doyle. London is being terrorized by a garden gnome thief, MV5BM2RhOTI1YjktOGYwMS00MDdkLTg0MWYtNGIxNmRkMWM4NDI5XkEyXkFqcGdeQXVyODEyMzI2OTE@._V1_which may sound petty to you, but if all your friends and family are gnomes, you’d understand why Gnomeo and Juliet are so concerned. Luckily London is also home to the kind of taste-makers likely to have literary garden gnomes in their flower beds, so a ceramic version of Sherlock himself (and his ceramic sidekick Watson) show up to solve the crime and save the day.

I liked Gnomeo and Juliet in a “just fine” kind of way, and was surprised to find that a sequel, 7 years after the first, was to be released. I wasn’t even sure if it was a sequel. The first had big names as voice actors – Maggie Smith, Michael Caine, and Emily Blunt and James McAvoy in the titular roles. I assumed they couldn’t possibly be back for a sequel with little to no promotion, and yet they were, in addition to Johnny Depp as the master detective and Chiwetel Ejiofor as the beleaguered Doctor Watson.

The thing is, this movie is once again strictly fine. But it doesn’t have much raison d’etre. It doesn’t aim for much more than kid appeal, which makes its sporadic attempts at literary humour feel out of place. It’s hard to believe that a movie, and in fact two movies, were green-lit specially for the crowd (which I need to believe is pretty small) who find garden gnomes wearing thongs to be hilarious, and movies based on that one running joke to be oddly satisfying.

I didn’t really love this movie, but then I saw Super Troopers 2 and realized that I could probably find just a little bit of leniency for any movie that wasn’t it.

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SXSW: A Quiet Place

A family tiptoes barefoot through a deserted city, collecting food and medical supplies before their long walk back home to the family farm. The daughter is deaf but the whole family communicates silently. It is clear that not one sound must be made, not a single sound, even if it is not yet clear why that would be.

In the great style of horror movies, we know soon enough: beasts, monsters or aliens, whatever you call them, they hunt by sound. You’re safe as long as you’re silent – but who can remain truly silent, and for how long? In the year or so since the attacks started MV5BNGRhMWRhNzEtOGM2NC00MGNjLWE2ZTEtMzE0NDk1ZmU5YmYwXkEyXkFqcGdeQXVyNzQ0MDUyMzg@._V1_SY1000_SX1500_AL_happening, it’s clear this family was quicker than most to adapt. They appear to be among the only survivors. But even if you can manage to never speak, to never laugh – can you also manage to never knock over a glass of water? To never sneeze? And what about the poor mother, visibly nearing the end of a pregnancy. Can she labour in silence, and what about the newborn – won’t his first act be to cry? In fact, this movie keeps you so on edge I despaired as the mother doled out fish and veggies for dinner. Were the vegetables suitably soft? A particularly crisp cucumber could spell certain death.

You likely heard me bellyaching about having to survive a horror movie for SXSW’s opening night film, but I wanted to do it for Emily Blunt, and her husband\director, John Krasinski. Not because I owe it to them personally, but because neither is known for genre work, so if they’ve made an exception for this, it must be exceptional.

And actually, it is. First because of the silence. There are different kinds of quiet and we experience dozens of them during A Quiet Place. The pregnant silence, the expectant silence, the easy quiet, the calm quiet, the hair-raising, heart-beat elevating, sweat on the backs of your knees silences. And then there’s the daughter’s silence, true silence, the kind that envelops you, comforts you, terrifies you. This is the movie that should be up for Oscars in sound editing next year but probably won’t be.

Second, because of the acting. Emily Blunt is easily phenomenal. Mom characters tend to get short shrift in horror movies but in this case, Blunt gives us patience and strength, real suffering and heartache, an iron will and a tender heart. The kid actors are top-notch too – in fact you’ve already heard me rave about them, Millicent Simmonds in Wonderstruck, and Noah Jupe in Suburbicon. John Krasinski is the first to admit that he learned a lot working alongside these professionals and he fills the father’s shoes nicely.

But this movie is also remarkable for its themes that extend way beyond the genre. At its heart, it’s really about a family who is trying to prepare its children to fend for themselves in the big, bad world. Like any family. Only hopefully your children won’t be facing any literal face-eating monsters. But of course you’re afraid for them, afraid that they’ll encounter something you haven’t prepared them for, and that you won’t be there when they need you. As director, Krasinski makes us care for this family, while at the same time making it feel like it could be mine or yours.

 

My Little Pony: The Movie

I was once a My Little Pony playing girl but the truth is, My Little Pony left fans like me behind a long time ago. It was rebooted in 2010 and found a surprise demographic: not just the expected little girls, but grown men as well. What the heck? These fans, who call themselves by the shudder-worthy nickname “bronies”, were brought to my attention in the 2012 documentary, Bronies: The Extremely Unexpected Adult Fans of My Little Ponies.  It’s fascinating to watch in a train wreck kind of way and if you have to choose between it and this animated film, definitely definitely go for the documentary.

Anyway, whatever these adult fans see in the series is beyond me. And though I’ve now racked up 11 nieces and nephews between the ages of 2 and 9, there is not a single My Little Pony fan between them. To whom does this series appeal?

The film opens up with The Go-Go’s We Got the Beat playing – or is it? In fact, the lyrics giphy (1)have been tampered with. What I thought might be an appeal to our inner 80s kid turns out to be just an extended pony play on words. The song plays as Twilight Sparkle, the Princess of Friendship (the horse community has a stunningly high proportion of royalty vs subjects), is preparing Equestria for a festival of friendship when the party’s invaded by a dark force, led by Tempest Shadow and The Storm King, who encase the upper pony echelons in rock and prepare to do some evil, conquery thing to the happy go lucky ponies.

So the “Mane 6” (Twilight Sparkle, Rainbow Dash, Applejack, Pinkie Pie, Fluttershy, and Rarity) go on a journey that I suppose the creators have sold as “exciting” and “unforgettable” but in actual fact, My Little Pony: The Movie has no discernible difference in quality between its theatrical release and whatever passes for acceptable on early-morning kids programming. It feels like an extended episode of something really shitty, with bland, cornball songs thrown in for good measure, spouting predictable lyrics about working together and how anyone can do anything if only the put their mind to it (actual song titles: We Got This, I’m the Friend You Need, Time to Be Awesome). The main characters are all voiced by the same no-names who do the morning cartoons but new characters developed strictly for the film are voiced by the likes of Emily Blunt, Zoe Saldana, Sia, Taye Diggs, Liev Schreiber, Uzo Aduba, and Michael Pena, which in no way makes the film even remotely more watchable, and in fact, Emily Blunt isn’t even doing her own natural accent, so she’s easy to miss.

The ponies pay lip service to the sharing and caring type shenanigans you’d expect but when the chips are down, some pretty entitled bullshit really drives the plot. The good news is, you’re only likely to be subjected to this if you’re a parent, and there’s truly no other reason to watch it except under duress. And any road trip longer than an hour with kids under 10 counts as duress. The hard part is, I know that in lots of houses with young kids, certain movies get stuck on repeat. At my sister’s house, it’s currently “Woody” (Toy Story) and “Choo Choo” (The Polar Express), which aren’t too bad all things considered. But even Oscar winning fare gets tedious after its eleventh straight viewing. If you’re currently living through a similar My Little Pony scenario, may Pegasus help you.

 

How They Met: Stories Behind Famous Couples

In 2003, Matt Damon was in Miami shooting Stuck on You (he plays Greg Kinnear’s conjoined twin). It was supposed to have shot in Hawaii but the location was changed last minute and Damon was a lot less familiar with Miami. One night the crew convinced 00-matt-damon-luciana-barrosohim to join them for a drink, and that was it. Literally from across a crowded bar, he looked up and saw her. She was the bartender that night, separated but technically still married to someone else, with a young daughter at home. But he knew. They were married in December 2005 at city hall, at 9 in the morning because he was expected on the set of The Good Shepherd that night, and production was moving to Europe the next day. She went with him, and so did the unborn baby in her belly. Ben Affleck was unable to attend – Jennifer Garner had just given birth the week before. Three daughters have joined the elder one from Luciana’s previous relationship so now Matt Damon is happily surrounded by women. In 2013, ten years after they first met, they held a lavish vow renewal in St Lucia with 50 guests, including Affleck, Chris Hemsworth, Chris Messina, Emily Blunt, John Krasinski, Gus Van Sant, Chelsea Clinton, and Stanley Tucci (fun fact: Tucci is married to Blunt’s sister, Felicity]. Jimmy Kimmel officiated.

In the 1970s, Tom Hanks remembers being a kid at his friend’s house, watching The gallery-1452197593-tom-rita-volunteersBrady Bunch, when a girl guest starring as a cheer-leader caught his eye. She was 16 and so was he. He thought she was cute. He didn’t meet Rita Wilson in person until 1981 when she had a guest role on his sitcom, Bosom Buddies. Hanks was married to someone else at the time, and her character ended up with Tom’s costar, Peter Scolari. But fate threw them 324451C900000578-0-image-m-7_1458170786580together in 1985 on the set of Volunteers where the attraction was so strong that Hanks left his wife even though he admits that had they met in high school “I wouldn’t have had the courage to speak to you.” They married in 1988, have 2 sons together (plus Tom’s 2 kids from his first marriage). In 2015 they weathered Rita’s breast cancer diagnosis and remain a totally strong couple that’s all kinds of #goals.

Kristen Bell and Dax Shepard first met in 2007 at a birthday party. Their meeting was “not electric” (her words) – no sparks, no interest on either side. He was suspicious of her “unbridled happiness.” But two weeks later she was at a hockey game (Kings vs Red Wings) with her Veronica Mars castmate\roommate Ryan Hansen and she saw him with a mutual acquaintance. 36908E2D00000578-3706107-image-a-1_1469400447589Apparently this time, it took. They fell madly in love and nauseated each other with their mushiness, but their personalities were quite different. Kristen is sweet and generous, and Dax had a long history of bad decisions and addictions. He was already sober when they met, but she was insecure as to whether he could really step up. They went to couples therapy obsessively and weathered the storm. They famously refused to marry before it was legal for everyone to marry, but once that hurdle was crossed, they speed-walked right to the court house to get themselves a license. A judge just happened to be available, so why not, they tied the knot right then and there, having spent about $140. Friends met them later with a cake that said World’s Worst Wedding in frosting, but Bell and Shepard never looked back.

John Krasinski thought he might quit acting when he had his big break – he was cast on The Office, and he moved to L.A. In 2006, he went to the movies expecting to see 159270240_emily-blunt-john-krasinski-zoom-3cde631c-7e21-4382-9e84-75e9969cab4bSuperman Returns, but when it was sold out, he and his buddy saw The Devil Wears Prada instead. He claims to have watched the film 50 times before meeting his future wife, Emily Blunt, who stars in the film, in 2008. As he describes it: It was one of those things where I wasn’t really looking for a relationship and I was thinking I’m going to take my time in L.A. Then I met her and I was so nervous. I was like, “Oh god, I think I’m going to fall in love with her.” As I shook her hand I went, “I like you.” But he felt so far out of his league that he was sure it could never work, and almost blew the first date, on which he took her to a gun range. But she stuck it out, and when he proposed, they both wound up crying. Now they’ve got 2 daughters and lots of celebrity double dates: they vacation with the Kimmels and dine with George and Amal.

Matthew Broderick was the youngest actor to receive a Tony but of course it was landing the lead role in Ferris Bueller’s Day Off that made him a household name and allowed him to go back to his first love, the theatre, this time as a director. One of his actors felt 65110102b3c437394a37f16cda4e6020Broderick would be perfect for his sister, so he made the introductions. It took Matthew three months after meeting Sarah Jessica Parker to actually ask her out, over the phone, and on their first date, she was so nervous she talked a mile a minute while he sat stunned and silent. They wed in 1997, she in a black wedding dress because the guests all thought they were attending a party. They have three kids together and though she’s currently the star of a new show called Divorce, they celebrated their 20th anniversary together this spring.

Goldie Hawn met Kurt Russell on the set of The One and article-2209534-153CC875000005DC-578_468x358Only, Genuine, Original Family Band (blink and you’ll miss her). She was 21 at the time, and he just 16. She thought he was cute and interesting but much too young. Luckily, fate intervened and 15 years later they met on another film set, Swing Shift. Kurt was hungover at the audition and immediately regretted the first thing he said to her: ‘Man, you’ve got a great figure.’ She was magnanimous. This time their age gap seemed inconsequential. They never married but after more than 3 decades together, I think it’s Kurt and Goldie forever.

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Who’s your favourite celebrity couple?

 

The Five Year Engagement

Tom (Jason Segel) and Violet (Emily Blunt) met at a New Year’s Eve make-up-your-own-superhero party one year ago. On their anniversary, he gets down on one knee and proposes. It’s romantic and sweet and perfect in a way that only movies can pull off. The article-0-12D1557A000005DC-855_306x444.jpgengagement is easy and wonderful, and their engagement party is infuriatingly better than most people’s weddings. But then things get messy. Her sister (Alison Brie) hooks up with his best friend (Chris Pratt), and then Violet gets accepted at her dream school and a move is on the horizon. The wedding gets postponed.

What was your engagement like? When Sean proposed, he got down on his knee on a beach in the Bahamas on our 6 month anniversary. It was lovely. But until this week, I’d assumed that though he did the asking, I’d done the initiating. Hadn’t we decided to marry months before that? And hadn’t I been voicing some impatience? Turns out, Sean didn’t remember it like that at all. He didn’t even remember that I knew the proposal was likely – that we’d ring-shopped together, in fact. He was still worried I’d say no! We were engaged for a year, which is longer than Ms. Impetuous (that would be me) would have liked, but I had a sister and he had a brother that already had save-the-dates in the calendar year. So we waited our turn and spent the time planning the perfect wedding and attending some close runners-up. We also almost broke up (the birth of his first niece had Sean questioning whether my no-baby stance was right for him) and then almost couldn’t marry whether we wanted to or not (did I mention I was still technically married to someone else at the time? Divorcing crazy people is hard!) but in the end we got to legalize this bitch and recently celebrated 6 years of matrimonial togetherness.

Violet and Tom had a bumpy time too. Life doesn’t always make it easy on us. Jason Segel The-Five-Year-Engagementhad to lose 35lbs to even pretend to be good enough for Emily Blunt. They have great chemistry together, and you believe in their imperfect relationship. The jokes land, but so do the more sobering moments, the ones that remind us that when relationships work, they’re transformative, and when they don’t, they’re soul crushing.

Unfortunately, The Five Year Engagement is overlong and occasionally falls back on some pretty tired cliches. But I’d still consider it worth a watch, despite its flaws, even if it had me wondering what this movie would be like with Chris Pratt in the lead rather than playing second banana. The astounding supporting cast probably contributes to this movie’s bloat, but also adds to its charm: Kevin Hart, Mindy Kaling, Mimi Kennedy, Jacki Weaver, David Paymer, Jim Piddock, Rhys Ifans, Kumail Nanjiani, and Chris Pratt all steal scenes. Not everything in this film is brilliant, but it does manage to find some truths along the way, which I suppose is not unlike a marriage: it could be improved with some editing, but isn’t that life?

Charlie Wilson’s War

Charlie Wilson (Tom Hanks) was a Texas congressman, a jolly womanizer but otherwise fairly low-level until his good friend former beauty queen Joanne (Julia Roberts) convinces him to take time away from his hot tub shenanigans to make a little trip to help the Afghan people.

In the early 80s he visits the Pakistani president who is frustrated with inadequate American support in opposing the Soviet Union. Pakistan is flooded with Afghan refugees (a fifth of them!), but thousands of others have been slain. They send Wilson to a refugee camp and he can’t help charliebut be moved by what he sees there. Going home a changed man in his heart, he rallies around the cause. His personal life, though is still a shambles: US Attorney Rudy Giuliani is leading an investigation against him for allegations of cocaine use.

Philip Seymour Hoffman provides brilliant support as a maverick CIA guy who is leading the covert US effort in Afghanistan. Wilson ultimately multiplies the American contribution by a hundred fold, and it becomes a huge part of the foreign policy of the time, but there aren’t exactly a lot of easy answers here and Hoffman’s crazy windmilling arms tell us a lot about the near-impossibility of his job.

Julia Roberts is of course poised as hell, the perfect choice for a controlled, smart, beautiful woman who knows what she wants, and how to manipulate men to get it. The few scenes she shares with Amy Adams, playing Wilson’s administrative assistant, are quite punchy, their rivalry crackling. Emily Blunt makes a brief appearance in her underwear as well, which means I didn’t know who Emily Blunt was back in 2007 when I would have seen this for the first time.

Tom Hanks is commanding as always, but I have to wonder whether he was the right man for the role. Some of the juiciest material of this “true story” seems to have all but disappeared, his drug use played down (have we ever seen Hanks snort cocaine?), his DUI unmentioned, and his worry about what happens when the US inevitably disengages from Afghanistan only vaguely alluded to.

The truth is, there were unintended consequences to this involvement. When Afghanistan lay in ruins, the US pulled out, washed their hands of death and destruction they had funded, and this left a vacuum for Osama bin Laden to emerge as a power player. I have read from multiple sources that Tom Hanks couldn’t deal with the 9-11 implications, so they were largely written out, with just the identifiable sound of a plane flying over Washington hinting at what was to come. The film is quite good, almost great, but I do wonder if someone else was bringing it to life, could it have maybe been a Dr. Strangelove for a new generation? I guess we’ll never know.

The Girl on the Train

I felt such an affinity for Rachel, the main character in The Girl on a Train, that it was easy for me to love Paula Hawkins’ novel. Partly, it’s because I’ve woken up with a hangover more times than I’d care to admit with an instinct to immediately check my email, text, and call history to see if I need to apologizing to anyone. But, just as important, I love people watching and especially enjoy speculating about the lives of strangers.

So Rachel (played in the film by Emily Blunt) wakes up from a night of drinking to find that her favourite stranger to watch (Haley Bennett) has gone missing and she may have seen something that could help find her. If only she can remember what it is. As the story unfolds, her behavior is frequently frustrating and not always easy to empathize with but I’d be lying if I said that she didn’t feel completely real to me. A great protagonist is really all you need to make even the simplest murder mystery seem gripping and, told from Rachel’s point of view, I found this one nearly impossible to put down.

The best film adaptations are able to identify what worked best from their source material and build a story around those elements that suits the medium. Because the film version of The Girl on the Train is a shitty adaptation, director Tate Taylor and screenwriter Erin Cressida Wilson try to pack in as many of the events of the book as possible without seeming to give any thought to how well the structure would play on screen. Neither seem interested in Rachel’s state of mind.

These may seem like the typical “the book was better” complaints but I can’t imagine the movie would impress anyone who hasn’t read the book either. Considering the popularity of the novel, the roll that Emily Blunt has been on lately, and the fact that just two movies ago Tate Taylor directed a Best Picture nominee (The Help), The Girl on the Train feels surprisingly TV-movieish. For a book that was marketed as an edge-of-your-seat thriller, its film is curiously boring, talky, and whiny.

The good news, as you may have heard, is that Blunt is terrific. She makes Rachel a lot easier to sympathize with even when her actions risk making her unlikeable. She plays the various levels of drunkenness quite well. But her efforts are wasted in a boring, lazily structured movie.

The Huntsman: Winter’s War

Ravenna (Charlize Theron) is the sister we know: kinda evil, not above killing kings in order to usurp their kingdoms. Ravenna is the one who the-huntsmantormented Snow White in the last movie, the wicked step mother, if you will. Her younger and less-known sister Freya (Emily Blunt) has powers that resemble Elsa’s, from Frozen, and they’re awakened when she undergoes a personal tragedy. She flees in grief, and tortured by sad and angry thoughts, she establishes her own land, her own army, all ruled with the vengeance in her heart. The best of her army turn out to be Eric (Chris Hemsworth) and Sara (Jessica Chastain) and they attract Freya’s unwelcome attention. They also attract each other and there’s a little bow-chicka-bow-wow. But Freya, scorned by love, can’t bear to seem them together, and slays Sara.

Meanwhile, back at home with Ravenna are the events of the previous movie. Ravenna recruits Eric, aka, The Hunstman, to capture Snow White after her escape, and promises to bring his wife back to life as a reward. a-sneak-peek-at-the-gorgeous-costumes-in-the-huntsman-winters-war-1740031-1461183847_640x0cHowever, he quickly switches allegiance and together they defeat and kill the Evil Queen, and Snow White is crowned in her place.

In this movie, an unseen Snow White (Kristen Stewart does not reprise her role) asks The Hunstman to do one final thing: to get rid of Ravenna’s magic mirror, still a source of evil.

You’ve probably already heard that this movie is not super good, and I’m not able to tell you any different. I’m also pretty grumbly about the fact that a movie with 3 strong female leads is still named after the man.

I’m going to focus on the thing that this movie does right, and that’s noticeably its costuming. It should be a surprise to none of you that Colleen Atwood is behind the genius designs.

a-sneak-peek-at-the-gorgeous-costumes-in-the-huntsman-winters-war-1740028-1461183847_640x0cOn Freya’s costumes, Atwood says: I sourced a lot of fabric in Italy for the dresses that she wears. She has a lot of Italian velvets and silk in her dress and croquets from different vendors in Italy. Some of her fabric is vintage fabric I had in my stock. We wanted Freya to have something that wasn’t a crown. I have a 3-D printer in my crafts department, and this guy is a genius at operating it. I said, “Let’s do little tiny feathers and glue themmaxresdefault together.” So we grew that mask as separate elements in a 3-D printer and applied them to a facemask.

On Ravenna’s look: We built a different kind of cloak with feathers that I had all hand-foiled and made into the cape. It was quite an a-sneak-peek-at-the-gorgeous-costumes-in-the-huntsman-winters-war-1740032-1461183847_640x0cordeal for the people who had to feather it. I had a feather room, where it was just feathers stuck into Styrofoam. It was really beautiful, you walked in and there were all these shelves with gold feathers stuck in foam before we applied them to the cape.

On working in the fantasy\period genre: The big challenge is that you’re working with modern bodies, you’re working with people that are three times the size what people were in the actual periods. When you look at all the costumes from historical figures, you realize how small they were. You have to adapt that period or that fantasy silhouette to a modern body so that it doesn’t look charlizereally goofy. You back away from it to get the proportions right, so that you feel it’s historical, even though it’s on somebody eight inches taller than the average man was in that period, and it’s a woman.

TIFF 2015: Sicario

Sicario

I discovered two things immediately prior to the North American premiere of Sicario, the latest from the always interesting Denis Villeneuve. One, I had been mispronouncing the film’s title this whole time  (there’s a hard “c” apparently). And two, I was not even close to dressed properly. I shivered for forty-five minutes in line as it poured on me.  TIFF- as well as being the unofficial start of awards season – may be the unofficial end of summer.

The dreary weather suits a screening of any Villeneuve film just fine and Sicario is no exception. We walked by a TV reporter that morning who was declaring this to be the most gruesome thing you’re likely to see at the festival. During the question period after last night’s screening, the director attempted to explain to an audience member why he was so fascinated with such dark themes. “Well, I’m a spoiled Quebecer whose biggest problem is winter,” he joked

I had high hopes for Sicario, being a fan of some of his most recent work (Incendies and Prisoners). His films tend to be dark, even to a jaded Asshole like myself, with deliberate pacing and an excellent tone  He demonstrates these qualities here but didn’t quite manage to get under my skin in the same way, despite an impressively unnerving score.

Sicario is an action movie of sorts (Villeneuve joked in his introduction that he’d always dreamt of making one) about the war on drugs across the US-Mexico border, raising the usual questions about how far is too far when battling evildoers. The shootouts – as well as the sometimes unbearable suspense that lead up to them – are shot and edited expertly. Benicio Del Toro and Josh Brolin, both present to answer our questions last night, play elusive characters whose motives we’re never sure of and are always interesting to watch. Emily Blunt, as the idealistic FBI agent who believes strongly in the rule of law, plays against type with mixed results. Blunt even feigned taking offense to one audience members question to Villeneuve about why he decided to cast her.

Sicario is a tight and brutal film and I was thrilled to be at the North American premiere, even if it meant standing out in the rain. I don’t think it works as well as Incendies or Prisoners though, mostly because the questions it raises on the subject of right or wrong in the war on drugs aren’t quite new enough, even among Benicio Del Toro movies.

Edge of Tomorrow

Tom Cruise plays Major William Cage, an officer used to in front of a camera rather than in the front lines. He is forced to join in combat against the invading alien race and is killed in the mission, though he “wakes up” to find himself in a time loop, repeating the battle in which he dies over and over again. It’s a military, sci-fi Groundhog Day with fewer jokes but buffer bodies. Cage teams up with Special Forces warrior Rita Vrataski (Emily Blunt) to improve his fighting skills so that he may live long enough on battle day to defeat the alien invaders. edge

I liked this so much more than I was supposed to. It’s an action-y-science-fiction-y movie that should appeal to Assholes like Sean, not Assholes like me. But it did. Probably because Emily Blunt is so fantastic, beautiful and feminine and tough as hell and totally believable as a feted warrior. And because for once, Cruise portrays this inept guy who has to be trained and guided by a woman in order to become the soldier they need him to be. It’s probably the most feminist action flick made in years. Or ever.

The movie is really cool to watch. The special effects contribute to a video game feel (and now that I mention it, I guess the constant re-levelling of the characters might have something to do with that too). The editing is pretty brilliant: the battle scene is overwhelming and unrelenting and although Cruise and Blunt relive it many times, it never feels as repetitive as it should. Actually, I felt moved and heartbroken by how much of their lives were spent on a mission no one would ever credit them for.

I mentioned earlier that this movie had fewer jokes than Groundhog day, and I stand by that statement, but this movie is not without its own brand of (dark) humour. And maybe we’re also slightly laughing at Tom Cruise, perma-action-hero, who in this one, has to take the back seat. It’s a war action movie that doesn’t glorify war. It’s got more storyline than weaponry. It feels like effort has been made, and for me, someone who doesn’t appreciate “cool” explosions for no apparent reason, this was a clever gem in the genre. It made me remember why Tom Cruise is a movie star and realize that Emily Blunt is just at the start of an amazing career.