Marla cares a lot. SO much, or anyway that’s what she tells the judge. This poor little old lady can’t care for herself and her son’s unfit, so Marla (Rosamund Pike) will step in and be her court-appointed guardian, for a fair fee of course. This is how she makes her lavish living, by “caring” for old people she’s cherry-picked for being old but not too old, in relative good health so she can bilk them for a good, long time, with a sizable nest egg and not too many prying family members around to question her judgment. She colludes with doctors to identify these victims, and with care home directors where she’ll stash them while she sells their houses and all their worldly possessions. Many of these older people are of sound mind and body before Marla gets to them, but not for long. Kept restrained, drugged, isolated, and barely fed, Marla’s aged victims will soon appear to be as far gone as she’s claimed. Marla’s about to meet her match.
Jennifer (Dianne Wiest) seems like a perfect target – a retiree with bountiful assets and no known family. But Jennifer isn’t who she seems, as you may have guessed, and Marla’s in for a whole world of trouble. But Marla isn’t just a crook, she’s a tenacious crook, an entitled crook, and she won’t go down without a fight. And oh what a fight!
This movie starts off shocking you with the ugliness and abuse in the system, the vulnerability of the aged, the potential for corruption, but then good old fashioned greed inspires this story to spin wildly off the rails. It’s an entertaining if not particularly realistic watch. Rosamund Pike gives a committed performance, though it may remind you of her turn in Gone Girl where she also played a harmless looking blonde woman whose innocent smile hid her true nature. Marla is a ruthless conwoman. Director J Blakeson does villainy well, he makes it slick, he makes it glossy, and he makes us complicit.
I liked but didn’t love I Care A Lot; the script could have used a little more of that care, and the second half doesn’t quite live up to the promise of the first. The set-up is amazing but Blakeson doesn’t quite excel at this whole dark-comedy-satire-cum-wacky-violent-thriller thing. It’s a delicate balance, something the Coens have perfected but few others can truly pull off. Blakeson doesn’t quite have the courage to maintain his carefully crafted cynicism right up to the last scene. He flinches. I Care A Lot is still worthy of your attention, but I bet you’ll be able to spot both its flaws and its fun.