Tag Archives: disaster flick

Greenland

It’s the end of the world as we know it and Gerard Butler isn’t going to take it lying down. A planet killing comet is head for Earth and John’s family has been selected for relocation to a safe haven in Greenland. Unfortunately, it’s a little rough going and things don’t happen the easy way. On to the hard way! In a 24 hour road trip from hell, John (Gerard), wife Allison (Morena Baccarin) and son Nathan (Roger Dale Floyd) are going to battle literally the very worst of humanity just to hopefully get stuck living in an underground bunker with a lot of other pale, stinky losers, eating tinned peas and condemning their kids to incest and bad eyesight. Haven’t they seen any post-apocalyptic movies? The post apocalypse is awful! Stay home and die with dignity.

But they do not. Greenland is a rote, by the book disaster flick, and that’s not a bad thing. If you’re in the market for an action thriller, this one ticks all the boxes, fast-paced and bursting with adrenaline. It will not surprise you in the least but it takes no breaks and no prisoners as it literally races an extinction level event to the ends of the earth. This is Gerard Butler’s niche and he serves up Action Guy as good as he ever did but the script also remembers to make him a human being whose challenges and flaws don’t disappear just because the world is ending. In fact, director Ric Roman Waugh takes the time to show a more human side to the traditional disaster thriller.

I’ve gone on record before – I am not a survivor. I would rather die a thousand deaths than live without clean fingernails, hot soup, pillow-top mattresses, a good light to read by, air conditioning, online shopping…well, the list is nearly endless. I am what they call “high maintenance” and I am not embarrassed. My happiness is not accidental, it is the result of favourable conditions and many comfort items. It’s basic math. More is more. Plus, I think running for your life is undignified. I won’t even walk briskly for a bus. But Waugh does a decent job establishing this family’s dynamic relationship so we buy the bid to keep them together against all odds, to survive even in the face of deplorable hardship. Greenland isn’t great, but it is a great popcorn flick, a precious commodity this day in age, and she’s available to enjoy on Amazon Prime.

Poseidon

Although we’ve very much enjoyed the cruises we’ve taken (once, in the Caribbean, around the Bahamas, the other one around the Hawaiian islands), we were happy last night to be celebrating at a resort on land because when we got back to our room, Sean chose Poseidon for its New Year’s Eve setting but this movie might have made us think twice before getting on a boat.

The unsuspecting guests on that boat had just rung in the new year, with Fergie leading them in a countdown to midnight (the Shakira of the sea, we renamed her, since Shakira had played at our sister resort). But then a rogue wave hits, flipping the boat upside down. Of the 5000 or so passengers who must have been on board, most die instantly (and not on film). Mostly just the hundred or so survivors of the ballroom are given any airtime: Fergie of course, and the ship’s captain, Capt. Raymond Holt (Andre Braugher, again!), a degenerate gambler named Lucky Larry (Kevin Dillon, also again!), a suicidal man named Richard (Richard Dreyfuss), Robert, the former mayor of New York (Kurt Russell) and his daughter Jennifer (Emmy Rossum), newly and secretly engaged to Christian (Mike Vogel), a mother and young son, a stowaway, and of course the fearless leader Dylan (Josh Lucas), whose dimples will surely keep them afloat for hours. The ship’s captain is trying to keep everyone calm and contained within the airtight ballroom until help can arrive, but squirrely Dylan is not content to stay put. He leads a small handful of the survivors “up” (which in this case means travelling down into the ship’s bowels since it’s currently bobbing upside down in the ocean). They’re battling flash fires, rising waters, and of course gravity to get out in time.

Like most movies of its ilk, Poseidon (this is the 2006 remake of a 1972 classic) is big on the epic disaster set pieces and meager on story and character. It’s not going to make any logical sense, so leave that in life raft for later. You’re not going to know or really care about the people either. Remove your humanity, wrap it in a personal flotation device, and move on. The movie delivers a bloated sense of claustrophobia and a bad case of Murphy’s law, which impressively follows them right down to the bottom of the ocean. The camera dwells on the dead bodies as we swim by them so if you’re hoping for some campy fun, think again. There are corpses everywhere, and not all of them float. Not unlike this movie, which sinks under its own self-importance.

Geostorm

Geostorm takes incoherence to a whole new level, one I never thought possible. A guy dies on a space station for reasons that are entirely unclear and it seemed to me I had missed something. I rewound because I thought I missed an important detail, but I didn’t. It is just an unexplained and unexpected event almost 20 minutes into a 109 minute movie. The music cues told me this event was very mysterious, and eventually it ends up being a super important plot point begeostorm-1280-1508455954341_1280wcause it brings Gerard Butler into the mix (because he designed the space station in question). Come to think of it, Butler as a space station designer is one of the most believable aspects of this film.  That’s Geostorm in a nutshell.

Geostorm is a shameless ripoff of Armageddon, right down to tragedies in Asia and hail the size of basketballs, and Butler is asked to be both Ben Affleck and Bruce Willis. He is not up to the task to even being William Fichter (the guy with the gun in space). But rest assured, there is tons of drama to come, and it is set to the most over-dramatic and generic music imaginable. And the drama keeps on building as the scientists theorize that a Geostorm is on the way, and it turns out that Butler and his brother have quite a complex relationship, and a secret code, and lots of sciency gibberish to share with each other. At least I think these things were an attempt to add depth to these characters, but it all comes off as total garbage, and a pale imitation of other disaster movies that weren’t all that great in the first place. The worst part is, there’s not even a Geostorm for, like, ever, as we are forced to wait and wait for the disaster to actually occur while the scientists overhype it (by a lot).

I am quick to make fun of Michael Bay, because he makes lots of big, dumb movies that make little to no sense. Well, Geostorm made me feel kind of bad about having done that, repeatedly.  Mr. Bay, I am truly sorry for ever calling you a talentless hack because  Geostorm makes Armageddon look like 2001: A Space Odyssey.  In short, as a film, Geostorm is a disaster on a global scale. Fortunately, this is one disaster you can avoid all by yourself, without needing to prove that climate change is real.

Tunnel

On his way to his young daughter’s birthday party, a man becomes trapped in his car as a tunnel collapses around him. There’s no telling when or if help with arrive, and all he’s got are 2 bottles of water and a birthday cake to see him through. His wife finds out in the worst way imaginable and the Korean news is pretty ruthless in reporting the failure of a newly-built piece of infrastructure. The damage is so encompassing that the rescue will be a long-term affair and there’s no guarantee that a little water and cake will be enough to keep him alive until help arrives. Of course, that’s not even considering whether the panic and isolation might get him first – or if the poorly and hastily constructed tunnel might further deteriorate.

Jung-soo (Jung-woo Ha) is the man in the tunnel so of course this movie is his. As blunders delay the rescue and the national media loses interest, this poor guy is as alone fullsizephoto731941on this earth as anyone will ever be. He isn’t just going through a physical hardship, but a psychological one as well. Occasional glimpses of the rescue effort reminds us just how bleak his situation really is. Dae-kyoung (Dal-su Oh) is the only member of the rescue team truly dedicated to Jung-soo’s survival. Politicans are turning their backs and resources are drying up – are being redirected, in fact, to the construction of yet another tunnel. Meanwhile, Jung-soo’s wife, Se-hyun (Doona Bae) treads the fine line between hope and realism. This trio of actors give very fine performances. Tunnel ends up being more character-driven than action movie, and that’s a good thing. When the script demands it, the visual effects are there, but it’s Jung-woo Ha and co-stars who drive the story forward. It’s a story we’ve seen and heard before but writer-director Kim Seong-hun injects this with satirical elements that bring renewed interest to the genre.

Tunnel is perhaps overlong and could have benefited from some fat-trimming but I still really enjoyed it. It’s got some juicily angry scenes (Kim Seong-hun obviously has something to say about bureaucracy in general and his nation’s government in particular) and some surprisingly dark humour. You might not expect to chuckle through a disaster flick, but this one’s got a little bit of everything.

The Wave

We tried to see this at the Whistler Film Festival but they had both technical and organizational difficulties that meant the movie just didn’t play at our intended screening, and they weren’t able to get us into any other.

the-wave-movie-imageThe good news is, it’s on Netflix now, and you can satisfy your curiosity  as to how Norwegians handle disaster flicks. The easy answer: a lot like us. Sure they sound a bit like the Swedish Chef (yes I really am this ignorant!), but they’re privy to all the same tropes that we are:

  1. One guy knows the disaster is coming. No one will listen to him.
  2. His family is split up. Can he save his wife and son?
  3. His son is of course not paying attention. Doesn’t hear warnings. Impedes escape.
  4. Outrunning the disaster. Usually unsuccessful for most.
  5. Since the disaster is never enough, there has to be a superficial villain, and his or her karmic death.
  6. One word title. You may think the The in The Wave negates this, but it’s just Bølgen in its language of origin.

Kristian (Kristoffer Joner, in a weird combination of Hillary Clinton haircut and ginger pedo mustache) is athe-wave-2015-1080p-bluray-ac3-x264-norwegian-etrg-mkv0109 geologist who knows what’s coming, only no one will believe him. Classic case of ignored scientist syndrome. His wife  Idun (Ane Dahl Torp) and son Sondre (Jonas Hoff Oftebro) are at a resort hotel in town. He and his young daughter Julia (Edith Haagenrud-Sande) are of course elsewhere so of course when the alarm finally does sound, it’s too late for most, and this family will have to further test the odds by dividing them.

The disaster: an avalanche causes a rock slide which causes a violent tsunami. And it was such a picturesque fjord up until then. Everyone starts driving  in an up direction, which of course causes deadlock. They abandon cars to run. Some are so stupid you’ll hope to see them die (everyone else screams at this idiot too, right? Like, fuck, your stuffed bunny from the carnival where you had your 3rd best date isn’t literally to die for you motherfucker!!!) But the end for some will be so horrible you’ll take it all back, forgive them all their dumb mistakes. More or less.

There are fewer special effects scenes in this movie, which they make up for with more character, and that’s refreshing in a tired genre. In fact, this setting being relatively unknown is a nice change of pace. There’s no White House explosion or underwater Statue of Liberty. It’s new to my eyes, and likely to yours. Director Roar Uthaug gives us gritty rather than slick but it went down just as easily.