Tag Archives: Disney+

The Crimson Wing

The Crimson Wing: Mystery of the Flamingos sounds like it might be a classy film noir detective story from the 1940s where everyone smokes and matchbooks are almost always a clue. It’s not. It’s an early (2008) Disneynature documentary, before they developed the simple titling system that created such gems as “Bears” and “Penguins.” Today’s Disneynature docs are slick affairs, incredible photography paired with an anthropomorphic narrative that makes it fun to follow, and the big-name celebrity lending their voice sure doesn’t hurt.

But while The Crimson Wing is still working out this recipe for success, it’s still a pretty good watch.

Lake Natron in northern Tanzania is quite unique. Its water can often reach the same alkaline levels of pure ammonia. Thanks to a nearby volcano, a sodium crust forms on its surface. This is where a million crimson-winged flamingos are born (or lesser flamingos, if you will), live, and die, and have done so for nearly 20 million years. It’s a dramatic and unforgiving landscape. The salt builds up around little baby ankles, like shackles, that perilously slow them down, or shuts them down altogether (yeah, dead baby birds, it’s rough).

But the drive to stay alive and thrive is innate in all of us, and these flamingos aren’t chicken. They’ve kept the species going this long, hardship is in their blood, and the presence of a few cameras isn’t going stop them from living life. This is a rarely-photographed slice of Africa, a vast area of little besides drying salt that often gets left off even maps. But Disney gives us a bird’s eye view (ew, pun), and if you’re willing to tolerate the agonizing stamping out of the fuzziest, downiest life you’ve ever seen, young, hopeful little creatures who keep persevering long after being left behind, defying the odds, the predators, the searing heat – all just to succumb to salt accumulation around their dainty little ankles. If nature is the mob, then salt is the cement shoes, and soon their fluffy little bodies become just another bump in the road.

All right, enough moaning. I understand that death is part of life (sound like bullshit to anyone else?) and blah blah blah, why be upset about this one headstrong, floofy little chick when heavy rains literally washed out every egg in the nesting grounds so that the crew had to sit around on their own butts waiting for the flamingos to breed again.

People who live out in these crazy conditions for years at a time just to get one perfect shot of an innocent baby’s last breath must be a special kind of nut. We call them documentary film makers, but that’s definitely a euphemism for nut. And it’s not just because they used both snowshoes and hovercrafts to get around (although: nutty), it’s more that when the nearby volcano erupted during filming, they described it as “fortunate” when literally everyone else on the planet would have gone the other way on that one.

Anyway, the flamingos remain dignified even while being scrutinized by nuts, proving that whoever called them lesser got it wrong.

Hamilton (!!!!!!!!) (exclamations my own)

However much you thought I was looking forward to seeing Hamilton on Disney+, double it. Then cube it. Then add 10 000 more. Then halve it. Then times it by 13.24 million billion. Then you’d at least be within a three planet range of my excitement supernova.

Hamilton: the hit Broadway play that no one could ever get tickets to, and now you don’t have to! I mean, still do, if you haven’t already. There’s an electric current to a live performance that streaming can’t quite replicate – but this one sure comes the closest. This is not a film adaptation of a play, it is the stage performance itself, taped in front of a live audience, with so many cameras and angles and microphones even Lin-Manuel Miranda’s own mother can’t get seats this good.

Miranda disrupted Broadway with his follow-up to the very well-received In The Heights. Hamilton is a very old story told in a very fresh way. American founding father Alexander Hamilton is perhaps not the most enthusiastically remembered by history, but Miranda gives just cause for his placement among the greats, and pays tribute to him with his own unique blend of culture, politics, and song. The actors portraying contemporaries such as George Washington and Thomas Jefferson are from diverse backgrounds, representative of today’s American population, and reflective of the period’s influx of immigrants. The costumes are relatively period-appropriate, with just a kiss of the modern to still feel true to the hip-hop-heavy numbers.

The original Broadway cast appears on stage, performing together one last time before many of them dispersed to other projects (the musical itself of course lives on, or it did before COVID darkened Broadway’s lights). This show was so electrifying that it blew up every single person in the cast – making the likes of Daveed Diggs, Anthony Ramos, Leslie Odom Jr., Jasmine Cephas Jones, and Renée Elise Goldsberry household names, or pretty near. Certainly they were the toast of Manhattan and all have continued to find fame and fortune beyond the shadow cast by Hamilton. Lin-Manuel Miranda is chief among them of course, tapped by the folks at Disney to write songs for Moana, and to co-star in Mary Poppins Returns.

Disney was so exuberant about Hamilton that it paid a record-setting $75 million for its distribution rights, and set it for a fall 2021 release. However, COVID-19 reared its contagious head, shutting down stage and cinema alike. So Disney made the decision to bring Hamilton to the people, and Miranda made family viewing possible by sacrificing two of his 3 f-bombs (only half of one remains, the f word started and implied but not completed).

Hamilton is such a startling and tasty treat it simply must be seen. Director Thomas Kail makes sure this film feels just as vital and urgent as any live performance. The actors, having rehearsed their roles on Broadway for an entire year before filming in 2016, are at the very tops of their game; besides Miranda, Leslie Odom Jr., Phillipa Soo, Jonathan Groff, Daveed Diggs, Christopher Jackson, and Renee Elise Goldsberry all earned Tony nominations. Of its unprecedented 16 nominations, Hamilton won 11, including, of course, Best Musical. And it really is.

Artemis Fowl

Artemis Fowl is a series of quite beloved fantasy novels written by Eoin Colfer. If you are a fan of the books, may I suggest you put that aside right now and meet Artemis Fowl the movie as a similarly titled but only loosely based third cousin twice removed type situation.

Artemis Fowl (Ferdia Shaw) is a 12 year old genius rambling about his big old house in Ireland with only his definitely-not-a-butler manservant/bodyguard Domovoi Butler (Nonso Anozie) for company. He learns from TV that his father (Colin Farrell) has gone mysteriously missing (is that redundant? i think yes) and also, I think, that he’s behind some major art-thievery. Which is when Alfred Mr. Butler gently guides young Bruce Artemis down to the batcave secret lair and lays some truth on him: he comes from a family of criminal masterminds. He’s meant to be some sort of prodigy villain, and so donning the batsuit and sunglasses, he receives the obligatory ransom call and gets down to saving the world or maybe just his dad, I’m really not sure, this part wasn’t entirely clear to me.

Meanwhile, keeping in mind that Ireland is apparently quite magical, we’re introduced to some non-human characters such as Mulch Diggums (Josh Gad), a felonious oversized dwarf who seems like he would have bad breath, Holly Short (Lara McDonnell), who I think is a fairy, and her boss Commander Root (Judi Dench), who’s in charge of making sure magical creatures don’t mix with humans, and Juliet (Tamara Smart) who is some much younger relation of Mr. Butler’s and whose presence I never quite understood. Also various goblins, elves, trolls, Italians, and even a centaur with a sexy little canter. Most of these…beings…are technically enemies. Well, enemy is a strong word for people who don’t even know each other. Maybe “non-belligerent” is a better term for it, a term I picked up mere moments before watching this film thanks to a Spike Lee movie about the race discrimination and the Vietnam war (who knew these two movies would have so much this one thing in common!). Anyway, it’s hard to keep track of who’s on who’s side and what that side wants and why. And then there’s you know, alliances made and broken, objectives intended and abandoned, just stuff. Presumably. I don’t really know. There’s magical force fields/space-time continuums (?), dislocating jaws, and a coup against an 800 year old stickler for rules.

The movie is kind of a mess. This is a kid’s movie and I’m struggling to relay any of the plot points, and I’m frankly not even 100% convinced there were any, it may have just 90 minutes of pure pixie chaos for all I know. It hurt my brain to try to keep up, but on the other hand it wasn’t really interesting enough to pause let alone rewind.

Those who have read the book(s) will of course bring important supplemental information to the film, which will either a) make it a more pleasant, sensical viewing experience or b) make it that much more frustrating, just a big old soak in a bath of disappointment. I’m guessing it’s b but let’s not marinate in negativity. Let’s optimistically assume that you subscribed to Disney+ hoping for a child’s version of Men In Black where the aliens are now fairies and the good parts are now the suck and the idea of a sequel both frightens and confuses you.

If you wanna hear more, and you know you do: Youtube!

The Disney Family Singalong

This special feature aired on TV a couple of weeks ago but if you missed it then, it’s now available to steam on Disney+, and if your family likes Disney songs half as much as I do, you won’t want to skip it. This special was put together surprisingly quickly by the folks at Disney in response to the quarantine due to COVID-19. It’s an hour’s worth of popular Disney songs performed by a whole host of celebrities, but it’s all self-shot in their own homes. Accordingly, some of the footage is better than others, proving that we’re all equally at the mercy of the strength of our wifi connectivity.

Auliʻi Cravalho, the actual voice of Moana, sings How Far I’ll Go, and sounds movie quality. Josh Groban covers a song from Toy Story. Christina Aguilera belts out Can You Feel The Love Tonight from The Lion King soundtrack. The cast of Broadway’s Aladdin deliver Friend In Me. Ariana Grande covers I Won’t Say (I’m In Love) from Hercules. Beyonce dedicates When You Wish Upon A Star to all the brave health care workers. These are all professional singers and they do a terrific job of covering some great songs – often inter-cut with scenes from the movies.But for my money, things really get interesting when celebrities go above and beyond.

Donny Osmond, who provided the original singing voice for Shang in Mulan, covers I’ll Make A Man Out of You and he sounds just as good as he did 20+ years ago. What makes his performance great though is that he involves all (well, maybe not all, but an awful lot) of his grandkids in the song. They’re all self-isolating in their own homes of course, but everyone had a cell phone and a few lines to sing and the result is pretty adorable.

Country singer Thomas Rhett Akins Jr. gets help from two of his daughters on Do You Want To Build A Snowman?, the pair adorably dressed as Anna and Elsa. The little Anna is sometimes VERY into singing and sometimes bored to tears and mildly angry, all within the 3 minutes of the song, reminding me very much of my own sweet niece. Her older sister is a little more shy, and a little more enthusiastic about throwing the snow. Little Big Town are also joined by their children as they each sing A Spoonful of Sugar from their respective kitchens. Amber Riley does a song from Frozen too, introduced by her niece, who is incredibly poised and professional, proving herself to be a host equal at least to Ryan Seacrest who is managing the show from his own kitchen. Josh Gad and Luke Evans reprise their roles from the live-action Beauty and the Beast for Gaston, with Evans belting out his part with surprising aplomb. Darren Criss plays several instruments and does his own backup vocals on “I Wan’na Be like You (The Monkey Song)” from The Jungle Book. But for my money, the very best effort is also the first, and it’s by someone who doesn’t sing at all.

I can’t believe I’m saying this, and I’ll deny it if you bring it up, but Derek Hough stole the show with a jaw-dropping choreography to Be Our Guest. He’s joined by quarantine buddy (and girlfriend) Hayley Erbert who’s very game. I don’t see any credits for choreography, but for them to have thrown this together themselves in what I can only assume is a pretty short amount of time is impressive. I know they’re professional dancers, but there were plenty of cute and funny little bits that raised the bar to an insurmountable high. Julianne Hough joins in via cellphone to top it all off.

Penguins

We have continued our binge of Disney nature documentaries streaming on Disney+. It’s a welcome break from all the junk. Disney docs are like the strawberry of movies; they’re technically healthy but sweet enough to be eaten for dessert. We recently raved about both Elephant and Dolphin Reef, and now we’ve watched 2019’s Penguins. And guess what? It’s great.

Now, we’ve insinuated before that Disney nature documentaries are perhaps not the greatest source of information. They’re not just shooting facts at you rapid-fire, they’re crafting a story, which makes the doc far more palatable and definitely kid-friendly. that’s why I don’t call Disneynature documentaries the kale, but they’re definitely in the same tier of the pyramid.

In Penguins, “Steve” is a 2 foot Adelie penguin in the Antarctic. It’s spring time, and this is Steve’s coming of age. He’s finally considered old enough to make his way to the breeding grounds with the other male penguins. I’m not gonna lie: Steve is a bit of a bumbler. He trips over his own feet, he gets lost and turned around. He’s the last to the breeding ground, so he’s got fewer materials to make a nest to impress the ladies. He’s going to face a lot of rejection. Will he find himself a honey and make a family? You’ll have to watch to find out.

But even if Steve fails to triumph, there are still plenty of reasons to check out this movie. First, writer David Fowler puts together an awesome story and makes Steve into a compelling and relatable character. And then narrator Ed Helms steps in to fully animate Fowler’s story, giving life to penguin Steve, and drawing us in to his triumphs and challenges.

Of course, it’s nothing without the amazing pictures. Cinematographer Rolf Steinmann and principal photographer Sophie Darlington share the credit with a team of very dedicated people who bring a frozen land and its inhabitants straight into our living rooms. The crew can spend years capturing enough footage for a single 70-minute film, but the immersive experience captivates us and endears us to our little protagonists. Penguins is a fantastic offering from Disney+.

Dolphin Reef

Last week we were discussing Elephant, a brand new nature documentary released on Disney+. Disneynature films are perhaps not the most scientific among documentaries but they are beautifully photographed and extremely family-friendly. During these difficult days of self-quarantine, parents struggling to home-school their children or even just provide for some less junky screen time may want to turn to Disney+ for this not inconsiderable benefit. In fact, Disney+ is also home to National Geographic programs as well, perhaps better suited to older students. In any case, you can get a free one month trial from the streaming service and it’s hard to imagine a better time than now to use in.

Dolphin Reef is another incredible offering from Disneynature. This one dives under the waves near the Polynesian Islands in the Pacific Ocean to explore a colourful and diverse environment on the ocean’s floor. Dolphins have long been fascinating to we bipedal, air-breathing, earth-walkers. They are smart and engaging. They communicate and express emotion. They are playful and have close family bonds.

Echo is a young bottlenose dolphin who, at the age of 3, is struggling with the notion of growing up. His mom is devotedly and determinedly trying to teach him the ways of the reef but Echo keeps giving in to his silly side. But despite his playfulness, dolphin society is tricky, and survival depends on skill and preparedness.

As if Echo isn’t enough, we’ll also meet a mother-daughter humpback whale duo and learn some of the parallel trials and tribulations of growing up whale. In fact, there’s an entire ocean filled with orcas, sea turtles, and cuttlefish, and we’ll get the most amazing front row seats to it all.

What distinguishes a Disney nature documentary from others is that they write a narrative to go along with the pictures so kids get to know the animals personally. Each one becomes a character we can not only learn about, but root for. A few liberties are taken but on the whole the story fits accurately within the animal kingdom and the result is an exciting and engaging watch.

For me, even besides the dolphin and whale families we’ll get to know intimately, I just love trolling along the sandy bottom and discovering the bright and beautiful life that lives there. Lots of people look to the stars and imagine what alien life might exist, but I’ve always preferred plunging below the sea and exploring those unfathomable depths. There are creatures living on our own planet that defy our understanding. This documentary explores fairly shallow waters and still encounters fascinating species to capture the imagination.

Narrated by a very excited Natalie Portman, Dolphin Reef is an adventure worth taking.

Stargirl

Ladies and gentlemen, it is my pleasure to introduce the new Michael Cera, Graham Verchere.

I know, I know, where has the time gone if we’re already putting Michael Cera out to pasture. Well, technically he’s going to be the new Jon Cryer and Jon Cryer’s going to be the new Steve Buscemi and so on.

Anyway, that was a bit of a digression and I apologize. We first saw Graham Verchere at a film festival in Montreal where he was starring in a horror movie (a good one) called Summer of 84. And now here he is all grown up on Disney+, working for the very talented director Julia Hart, who we first saw at a film festival in Austin, alongside Giancarlo Esposito, whom we also met at SXSW, albeit the year before, directing a movie that was called This Is Your Death at the time and later got renamed rather lamely, The Show. Anyway, this was another digression because we’re already seeing film festivals (including SXSW) cancelled due to corona virus and we may lose our whole festival season, which is sad because it’s where we’ve discovered so many gems over the years.

Anyway, if Graham Verchere is the new Michael Cera then I suppose that makes his costar Grace VanderWaal the new Emma Stone (move over, you old cow). Which isn’t a bad comparison, really, because VanderWaal is both luminous and a talented singer. But Stargirl is no Superbad, and that’s not a (super) bad thing. While my generation settled for movies where boys were obsessed with popularity and sex and girls where afterthoughts at best (and often just a means to an end), Stargirl is a movie that embraces awkwardness and gives it a starring role.

Leo (Verchere) moved to a new town with his mom after his dad died. His sartorial tribute to his dearly departed father made Leo a target for bullies, so he learned to keep his head down and fit in. This all changes around his 16th birthday when a new girl, Stargirl (VanderWaal), starts attending class and soon disrupts the whole school. Stargirl is the kind of girl who can completely dismantle a marching band. Well, technically one lonely boy who falls out of step can dismantle a marching band, but Stargirl is the cause and the crush either way. She’s weird from the barrettes in her hair to the pompoms on her shoes, and startlingly, she’s unashamed. She owns her oddness in a way that is immediately fascinating to all, and her penchant for ukulele serenades is not just tolerated but celebrated, propelling her toward not just popularity but a spot on the cheer-leading squad. Sure it’s for the losingest football team in the history of sports, but still. Even her uniform outshines the rest. And it’s okay! Have these same kids who once bullied Leo for his porcupine tie are somehow woke enough to embrace Stargirl without a trace a jealousy.

At least for a while. Don’t worry: kids today can still be dicks. Interestingly, Stargirl is more than just a manic pixie dream girl – sure she casts a magical spell on everyone, but she has her own inner workings, her own growth, her own arc.

Stargirl is a John Hughes movie for the modern age – without all the racism.

Meet The Robinsons

Lewis is abandoned by his mother on the steps of an orphanage. By the age of 12, he’s been through over a hundred adoption interviews with no luck, so he spends his time on inventions that never quite work out. One day his school science fair is interrupted by two interlopers: a weird dude in a bowler hat, and a kid named Wilbur who claims to be visiting from the future. It seems like a pretty dubious claim until his space ship whisks them away.

In the future, Lewis meets the Robinson family, a wacky bunch of people he bonds with instantly. Which is too bad, because for the good of the space-time continuum, he really will have to go back.

This movie feels like it was designed by committee if that committee was a classroom full of kindergarteners shouting out their most favouritest things: robots! dinosaurs! food fights! And Disney’s feeling generous enough to stuff the movie with every last ounce of feedback it received, no idea too outlandish or sporadic to include. A story can be weaved around them all, and it involves time travel and one genius kid with big ideas.

It’s not the best film that Disney has to offer, but it’s got rapid-fire visual gags and a riot of crazy ideas and eccentric characters brought to life by some vivid animation. And eventually it circles back on sweet themes, like family and imagination, things you might expect that Walt himself would have been proud his legacy continues to endorse.

Halloweentown

Marnie’s mom is so mean! Marnie loves ghosts and goblins and all she wants to do is trick-or-treat with her friends, but as usual, Mom (Judith Hoag) says no. Halloween is forbidden at their house. But this year it’s saved by a visit from Grandma (Debbie Reynolds), who has a bag full of candy and decorations; she indulges her three grandkids with treats and stories about Halloweentown, the magical place she claims to come from. Marnie (Kimberly J. Brown) overhears her mother and grandmother talking not-quietly-enough in the kitchen for such a big secret: their family has the witch gene and if Marnie was growing up in Halloweentown, her magic apprenticeship would nearly be over. So of course she’s going to sneak out and catch Grandma’s flying bus back to the Halloween dimension. What she doesn’t count on is little brother Dylan (Joey Zimmerman) and little sister Sophie (Emily Roeske) following. Now they’re all in Halloweentown, only Halloweentown isn’t what it once was. There’s an evil presence lurking about, and townspeople have been disappearing.

This movie was a Disney channel offering back in 1998, and it’s available to stream on Disney+. The great thing about Disney+ is that if you like this, you don’t have to look too far for all 3 sequels of the Halloweentown quadrilogy – they’re all right here, and though the lead actress eventually gets recast, Ms. Debbie Reynolds appears in all four. And that’s why we’re watching, right? To see Debbie Reynolds strutting through town square past goblins and pumpkin-heads like a super model, her cape billowing behind her. Even a hokey Disney movie cannot diminish her presence.

If you have kids I’d love to know how a 2020 audience feels about the “practical effects” in this film (that’s the nice way of saying it was super low budget, and the makeup/prosthetics/wardrobe they used weren’t even as good as the standard Halloween costumes you’d buy off the rack for a kid today. We’re used to fully CGI characters being superimposed over actors in green suits, so I wonder if bulbous noses still seal the deal.

Halloweentown is a harmless movie, it has witches and warlocks but mostly the good kind. It involves tween girls getting their broom licenses and grandma using instant witches’ brew instead of making it from scratch. It’s a non-scary Halloween offering, and those are relatively scarce these days. But thanks to various streaming devices, we don’t have to board a magic school bus to take us back in time, we can simply click from the comfort of our own homes.

magic is simple: you want something and then you let yourself have it

marnie’s little attitude, dylan’s an asskisser