Tag Archives: documentaries

Gleason

Steve Gleason was an unlikely football star: too small to do what he did, he did it anyway, for the New Orleans Saints. It was the NFL that brought him to New Orleans but it was falling in love with a free-spirited local girl named Michel that kept him there beyond his retirement in 2008. They soon found themselves expecting a baby, which would be a happy occasion  except that about 6 weeks prior Steve was diagnosed with ALS.

ALS, or amyotrophic lateral sclerosis, is a neurodegenerative disease where the nerve cells that control your muscles die. The brain can’t talk to muscles, leading to a loss of mobility, loss of speech and eventually the ability movie_headerto breathe. Everything is still right in your head though, so you’re still smart and alert and you see everything happening to you, helpless to do anything about it. There is no cure. It is fatal, and will likely be so within 2-5 years of diagnosis.

Within months, Steve is walking and talking with noticeable problems. As Michel’s belly grows with their baby inside, he starts keeping a video diary so that one day his unborn child may know him.

The documentary is bittersweet; the Gleason family experiences highs and lows, and no matter what we hear the clock ticking. As hard as it is for us to watch him deteriorate so quickly on film, to see that hardship mirrored on his wife, Michel’s, face, is just agony. Steve seems determined to share his struggle honestly, even when that means admitting that he’s trying to live up to this banner of ‘inspiration’ and ‘hero’ that the media has ascribed to him and not always knowing that means.

He does, however, establish the Gleason Foundation, which focuses on service and equipment. He felt that much of what ALS takes away, like speech and mobility, technology can give back. And while that’s true to an extent, it can’t quite account for everything: not time, not life. But the foundation gives him purpose, and he’s certainly in the position to bring awareness and to raise money for this disease.

It’s sucky to watch this movie. It’s hard. But as Steve himself says, it’s sad but it’s not all sad. And maybe it’s those moments of not-sad that we need to attend to: the hope, the faith, the optimism, the acceptance, and certainly the closeness and love of this family.  And as difficult as it is, it’s also an amazing piece of film. It’s raw and emotional and real. As a famous athlete and the face on a poster on many bedroom walls, many would have called him a hero. But giving a voice to those who have lost them? That’s heroic. His wife’s caregiving? That’s heroic. This film has the power to provoke the hero in all of us. I can’t recommend it enough.

 

 

 

Miss Sharon Jones!

When a film includes punctuation in its title, it’s a signal that you should pay attention. The exclamation adorning Miss Sharon Jones is no anomaly. The woman is a phenom worthy of exclamation. Often called the female James Brown, you’ll notice the similarities not just in the soulful tone of her voice, but in her tireless performance.

Sharon Jones didn’t find fame until middle age. Before then, she’d paid the bills with 0c3581d044fe83696f1bc8c18349abdacorrections work on Rikers Island. But then the music business started paying attention and audiences marveled at her powerful energy and her joyful performances. Touring with her band, the Dap-Kings, Jones’s career was taking off when she was suddenly diagnosed with pancreatic cancer in 2013. Director Barbara Kopple is with Jones during her treatment, and Miss Sharon Jones! is a testament not just to the music, but to the immense effort Jones goes through in order to make it.

It is difficult to see such a formidable, vibrant artist brought down by disease. Her energy onstage is unreal, and her positivity stays with her even as she languishes in bed with nothing but daytime talk show hosts to keep her company. This documentary focuses on faith and perseverance, but never fails to remind us of Sharon’s individuality, her humanity, and her quest to squeeze more out of life.

Great music is often tinged with mortality, and that’s where Miss Sharon Jones! distinguishes itself from the biopic documentary genre. This is not a rise to fame 03-miss-sharon-jones.jpgrecounting, it’s more about facing down death with graciousness, gratitude, friends, and yes – music. Always music. It’s clearly Jones’ passion and her greatest motivator. But the people she plays it with and shares it with are just as important, perhaps even more so as her health fails and her recovery is rocky. There is a stark contrast between her life as a performer and that as a cancer patient, and the best parts of this film are found right in that crack, where Miss Jones is unafraid to be honest, and to share this journey with her fans just as she shares her music, and her best self on stage, where Jones is really, truly alive.

I am sad to report that although Miss Jones was well enough after the documentary to grace the stage and bring music to the people once again, her luck didn’t last. She has another good year before cancer struck again, and she performed whilst in the middle of chemo, drained on stage but still giving it her all. Coincidentally, she passed away on November 19th, the very day I sat down to watch and review this movie. This documentary makes it glaringly obvious how much she will be missed, and by how many.

Sour Grapes

Rich people problems.

Do I have a wine cellar? Yes I do. It’s quite nice. On any given day it houses exactly the number of bottles I neglected to drink last night. We are not wine snobs. We don’t even aspire to be. But as Sour Grapes will tell you, the world’s already got enough of those. Too many, maybe.

In the 90s, during the tech boom, people had too much money. “Fuck you money” they call it, the millions in excess, to be pissed away rather than spent. The kind of money I will never see and have a hard time just reading about. Riches needed to be conspicuous, so after the cars were bought and the art hung and rare coins sought out, they turned to wine, which can be literally pissed away given a certain amount of time. Wine became such a commodity that auction houses made bundles selling the stuff. Rare bottles were gobbled up; demand was high but resources extremely finite.

The “angry men” (so called because they’re the ones who bring exceptional bottles of wine to the dinner party while the rest of us just pick up whatever’s on sale at the grocery store and this makes them ANGRY) began hosting wine tastings where $200 000 worth of wine was consumed in a night. Auctioneer John Kapon pushed this new culture of big wine being sexy and exotic, and why not? It’s not like auction houses make a 20% cut on whatever they sell. And by golly did they sell: millions at a time.

Rudy Kurniawan was a buyer and a drinker. He chased the elusive bottles and dropped big cash on them. His palette was legendary. In fact, he was legendary. He was deliberately mysterious, and a mythology built up around him. But he was generous, gracious, and extremely well-liked and respected. He bought wine compulsively; some he drank, some he shared, and lots he turned around and sold for profit.

103503968-koch_cellar_1-530x298Until Bill Koch noticed something peculiar in his wine cellar that has more square footage than my house.  Among his 43 000 bottle collection (including 4 bottles reportedly owned by Thomas Jefferson for which he paid $100k per bottle) he started to notice some fakes. Those fakes were traced back to none other than Rudy Kurniawan.

It’s thanks to Koch and an honourable vintner named Ponsot that Rudy was eventually brought down (justice for Burgundy, Ponsot passionately believes). The story is pretty engrossing, and it turns out that even more fraudulent than the wine is Rudy himself.

The documentary also explores the collaboration between forgerer and dupe – obviously lots of people wanted and needed to believe their wine was real. Otherwise it’s just a bottle of vinegar the price of a Ferrari. They all wanted to possess something rare – maybe so rare that it didn’t even exist anymore. Or ever.

Bill Koch seems to have lost the taste for wine collecting since these events; he just sold 20 000 bottles for $22 million dollars at Sotheby’s. And yourself? What’s the most you’d ever pay for a bottle of wine? Go ahead and uncork (unscrew?) your favourite $10 bottle and watch this movie. It’s streaming on Netflix right now and it’s worth savouring.

 

 

“Buy ’96 champagne. If you can’t afford that buy ’02. If you can’t afford that, drink fucking beer.”

 

 

Zero Days

I was so nervous the morning of the election that I could barely concentrate on anything else. I worried about voter intimidation at polling stations and about what would happen if Donald Trump and his supporters refused to accept a Hillary Clinton victory. I think my biggest fear  was a close enough race that would send the message to future candidates that, despite Trump’s loss, there was still a place for his brand of inflammatory rhetoric.

Well, most of you now know that I may have lacked imagination when dreaming up Donald Trump Holds Campaign Rally In Keene, New Hampshirethe 2016 American Election’s worst-case scenario. Misogyny and xenophobia  seem to have its place in American political discourse after all- the Oval Office on weekdays and Trump Tower on the weekends. A lot of people have said a lot of things to try to make me feel better. “Geez, give him a chance. If he succeeds, we succeed,” they say. “He’s not going to do any of the things he said,” seems like a popular response, which even if true seems to miss the point. One person even made the bizarre claim “Don’t worry. Orange people never do anything”.

zero-days“Sure, he’s unprepared and easily distracted but give him time,” would makes more sense if the world was a simple place where nothing all that important or complex were going on. Zero Days, the new documentary from Alex Gibney and the film I’m using as an excuse to talk about the feelings I can’t shake since the election, paints a scary picture of the complexity of the security threats that face the United States and the world. Specifically, Zero Days is focused on cyber security and the story of  the Stuxnet virus.

If you are as unfamiliar with Stuxnet as I was, I won’t spoil it for you. Even thoughzero-days-2 Gibney (Taxi to the Dark Side, The Armstrong Lie, Going Clear) takes his subject seriously, his documentary can’t help feeling like a Hollywood thriller and the twists can feel pretty exciting until you remember that this is real life. The director is wise to play up the suspense given that all this talk of worms and centrifuges can get a little technical and continually reminding us how high the stakes are is an excellent motivator to pay attention to all the tech talk. The interviews with the security company that discovered Stuxnet, the politicians who can neither confirm nor deny anything, and the NSA whistleblowers are all gripping.

Maybe it’s all these film festivals that have me so worried. If you’ve been watching the documentaries we’ve been watching lately, the future- even without Trump- can seem like a pretty uncertain and scary place. From cyber attacks to nuclear weapons, climate change to sexting scandals, the challenges facing our and future generations can seem overwhelming. Electing wise and level-headed world leaders would have seemed like a logical place to start.

 

 

Mixed Match

If you are facing a life-threatening disease, finding a bone marrow match for donation may be life-saving, even a cure, but as we all know, people languish on lists waiting for matches and sometimes die before they ever find one. For people of mixed race, finding that match is so much harder, akin to finding a needle in a haystack.

Mixed Marrow is an organization that helps people find those elusive matches. It is dedicated to finding bone marrow and blood cell donors for patients of jeff-chiba-stearn-s-mixed-match-is-a-call-to-action-to-build-the-bone-marrow-donor-registrymultiethnic descent. Before I watched this documentary, I didn’t understand that these matches tend to be found within one’s own race, and how limiting that can be for all kinds of people. Multi-ethnic backgrounds are the fastest-growing demographic, but the waiting lists aren’t keeping up, leaving multi-racial patients struggling to surmount complex genetics on top of everything else. It’s already tragically unlucky to be struck by a stupid disease, but to fail to find a match because you’re losing at a numbers game? That’s just unacceptable.

Mixed Match is a solid documentary by Vancouver filmmaker Jeff Chiba Stearns, one that blends medical research and personal stories that make sure we remember that this topic is literally life and death. Brave patients and families share their stories, some of triumph, some of heartbreak, to help educate us while also personalizing the urgency. Cute animation helps us break down some of the more challenging science. But nothing makes a sick kid okay. That’s never easy to watch, nor the helpless of desperate parents.

Mixed Match, more than just a documentary, is a call to action. The only way to achieve more happy stories of survival is to expand the donor registry. Race is part of medicine. Our genetics have something to do with our ancestry, and where we come from. And we’re all multi-racial, in way or another. Lots of us don’t even know all the combinations that may be forgotten within our lineage.

Mixed Match, while dealing with a serious subject, is very hopeful in its heart. There’s an answer here, and the film exuberantly charges us to be part of the solution.

 

Before The Flood

I learned two major things watching Before The Flood:

  1. Leonardo DiCaprio’s parents really should have sprung for an interior decorator for his nursery.
  2. (North) Americans are goddamned hypocrites.

We all know the Earth is dying, and we’re the murderers. This is pre-meditated, Murder One, capital stuff. There won’t be any plea-bargaining at the end of the world because we’re guilty as sin.

We’ve seen this coming for 20 years or more. Unfortunately, climate change is accelerating at a greater rate than even predicted. We have very real, very frightening present-day consequences as it is. But we’re still not making changes. Oh sure we’re willing to do the small stuff, like recycling, or using lower-watt light bulbs, or bringing reusable bags to the grocery store. But the big stuff? Oh man. Don’t ask us to change our lifestyles! We’re very attached to those.

I’m attached to it. I’ll admit it. I treasure my back yard, which is why I live nearly 40km away from my work, so my car guzzles gas to make that daily round trip. I also live away from my family and my in-laws, so we’re either travelling 272km or 840km roundtrip to visit them – or 2646km if it’s my baby sister. And that doesn’t begin to include the 3 or 4 trips I take every year by air. It feels almost commonplace now to be able to get on a plane and land anywhere in the world, but it’s a luxury in how absolutely wasteful it is, how much energy we consume to travel long-distance. I know this. I feel guilty about it. But I’m still going to Hawaii in 3 weeks.

As privileged North Americans, we create 13 times as much ecological damage as someone in Brazil. One American consumes as many resources as 35 Indians, and 53 times more goods and services than someone from China. The sad fact is, we depend on the poor staying poor. If the people of India, China, and Africa caught up to our before-the-flood-leonardo-dicaprio-imageconsumption rates, the Earth would already be dead, and so would we. “Luckily”, poverty has stopped them from even accessing the kinds of resources that we have at our fingertips. If everyone had a light bulb in their home, a washing machine, a car in the driveway, a heat source for cooking…well, we’d be doomed. But the thing about developing nations is that they are in fact developing. They are making headway. They’re getting closer and closer to attaining our level of lifestyle everyday, and we’re PANICKING. We know it spells our demise. So we plead with them: don’t bother with coal or fossil fuels, go straight to solar power, India! Hey Kenya – why not go solar? Why not? Well, because those things cost more. Which is why we still haven’t adopted them ourselves. We’re the wealthiest countries and the most able to absorb those costs, but we haven’t.  We do not practice what we preach.

Fisher Stevens directs an urgent but humble documentary that keeps climate change advocate Leonardo DiCaprio front and centre, even as he questions his own credentials, and laments his carbon footprint.

Just a decade ago we saw America start a war over oil. In a not very distant future, those same wars could be fought over water. We’re already seeing climate change refugees – people forced to leave their homes because flooding or other “natural” disasters prompted by global warming. This won’t just be about the environment. This will quickly become an issue for national security.

There is hope. There are things we could and should be doing. You and I share a responsibility to lead by example. We need to start making wiser choices now, because we will be judged by future generations, and we need to decide whether we want to be lauded by them, or vilified.

 

Trumpland

I enjoy Michael Moore’s documentaries, but I’ve always thought they were largely unpersuasive because he preaches to the choir. He really only talks to the people who already agree with him. With Trumpland, and the stakes so high, Michael Moore finally attempts to identify with the other side, and this film is his plea to them.

colleen-oharaOfficially, Michael Moore is not exactly a Clinton supporter himself. He voted Bernie Sanders in the primary, and even voted against Bill in the 90s. But now it’s time to get real. Donald Trump was a good joke for a while, but now the threat is a little too real and he’s coming out swinging.

What this film, which is not in the normal style of  a Michael Moore documentary, but more just a filmed speech that he gave in the heart of Trumpland (Ohio), gets right is that he doesn’t waste time bashing Trump. Arguably, Trump does a good enough job of that himself. Instead, Moore looks toward Hillary as not just a viable alternative, but the only real choice.

Moore tries to justify the mystifying support of Trump by

a) Identifying the disenfranchised and understanding where they’re coming from. The current system has left some people (the former middle class) without dignity, and 160125114628-donald-trump-quote-shoot-somebody-super-169they’re pushing back, which is a normal response.

b) Speaking up for the angry, older white men (among which he counts himself) who find themselves going extinct and will not go down without a fight.

Of course, Trump is not the answer to either of those problems. Trump is going to make sure the whole country goes down in flames, whether you voted for him or not. But some people just don’t like Hillary, and to those people, Moore says: that’s okay. It’s okay to hate Hillary. You can hate her and still vote for her, for the love of your country, because you don’t want to see it destroyed, because you’re willing to make a sacrifice for the land you call home.

 

Man vs Snake: The Long and Twisted Tale of Nibbler

I am too young to remember Nibbler from the arcade but it was on my computer at some point during university, along with Solitaire, Hearts, and Free Cell.  In Nibbler, the player controls a snake with the goal of eating all the dots on the board.  But every dot you eat makes your snake get longer (in a very non-sexual way), and if you let the snake run into itself then it dies (I guess because it is super poisonous?). All in all, a pretty simple concept, but like most 80s games, you can playmanvssnake-cartoon-billionpoints-700x374 the game forever doing the exact same thing over and over, just a little faster each time.

As a natural-born procrastinator, I played a few rounds of Nibbler while avoiding writing research papers.   Is it just me or has YouTube/Facebook/Twitter made all those games obsolete?  Anyway, back in the day I became quite good at Free Cell but mastery over Nibbler always eluded me.  Part of it was that I found the game extremely boring (possibly more boring than writing the paper I was trying to avoid), so I’d only last one or two games and then I’d move on to something else.

Unlike me, there are 40+ year olds who seem not to get bored by Nibbler, and who play that game for marathon sessions, 30 hours or more, in order to score a billion points.  Nibbler’s claim to fame is that the developer had the foresight to display a score nine digits long instead of the usual six, so Nibbler’s whirring numbers went that much higher than its contemporaries before flipping back to zero (which may be part of why we feared Y2K so much, because in all these games you could lose everything by playing just a bit too long).  Nibbler focuses primarily on the first player to hit a billion in the game, the unfortunately named Tim McVey.  He hit the high score back in 1983 and promptly moved on to other games because after playing the game for 40 hours straight he couldn’t bear to touch a Nibbler machine ever again, but hemanvssnake_1280-720x405 returns to the competitive Nibbler arena in his 40s when he learns he might not actually have held the world record all those years.

We’ve reviewed some very good documentaries on Netflix recently (like Ava DuVernay’s excellent 13th).  Man vs Snake does not come close to those heights.  It is unlikely to inspire you or educate you or show you anything worthwhile.  This lifelong quest for high scores in a dull, repetitive game is led by people who like dull, repetitive things and inevitably are stuck in the past due to their nature.  Certainly, the gameplay footage, which features prominently in a whodunit-type post-mortem of one marathon attempt, is going to hurt your eyes because it’s painfully archaic.  I don’t know how I ever stared at any of those screens.  It’s impossible for me to stare at them now or hear the incessant beeping that was a staple of the arcade experience back then, the equivalent of the bells on a slot machine, over and over and over.

While it is interesting to peek inside these people’s lives for a few minutes, my interest faded long before the movie wrapped up.  At its core, Man vs Snake is a dull, repetitive experience, much like Nibbler itself.  It’s a decent time-waster that you will likely get bored of before it ends, and you may want your quarter back.  There are much better documentaries to be found in the Netflix arcade.

The Secret Path

You may have noticed there was a day this summer when Canada “went dark.” It was August 20th, the day the Tragically  Hip performed for the last time. Hip lead singer, front trudeau-the-hip-concert-kingstonman extraordinaire, Canadian superstar Gord Downie had recently announced that he had a brain tumour and was terminally ill. Since making music has always been his passion, he and the Hip went on a farewell tour and despite the ravages of cancer, he performed full-throttle at each and every show, somehow finding the energy and the courage to power through. Their final trudeau-downiedate was in their hometown of Kingston Ontario, just a little ways down the road from Ottawa. Our Prime Minister, Justin Trudeau, was in the front row, and spoke for all of Canada when he thanked Gord and the whole band for their decades of artistic serviced to the country. It was a stirring night. The end is coming for Gord and he knew it, you could see it in his eyes, feel it every time he was overcome by emotion, but instead of making it about him, he chose to use this spotlight (and believe me, about 32 out of our 33 million strong l3z58mkrpopulation were tuned in one way or another) to speak on behalf of Canada’s indigenous population.

Since that night, as Downie inches closer to his final days, he’s still pouring his last energies into speaking up for our Aboriginal people. His latest endeavor is a tribute to Chanie Wenjack – in music, graphic novel, and animated form. 10 poems were turned into an album, which was turned into a graphic novel, which was turned into an animated film. They all tell the story of one boy, who represents the many, many more just like him, our first nations children ripped from the arms of their mothers, out of their communities, and into residential schools. Residential schools were run by church and state with the sole purpose of ‘civilizing’ the savages. gord-downie-sheila-north-wilsonProhibited from speaking their languages, practicing their spirituality, or honouring their cultures, teachers stripped them of their identity. Many children suffered terrible abuse, but all of these kids were deprived of their childhoods, and all of the families suffered terribly as I’m sure you would if your child was removed, perhaps never to be seen again, or if you were lucky enough to be reunited, we can only hope that you can find a common language in which to communicate. Communities were destroyed in what many Aboriginal people refer to as a genocide. It’s a dark part of Canadian history that wasn’t acknowledged until very recently. Today our First Nations peoples often live in poverty and other consequences of this intergenerational tragedy. Healing is not an Aboriginal problem, it’s something we need to address as an entire country. Gord Downie is doing his part.

If you are so inclined, The Secret Path can be streamed here for free (or in fact, down below). I hope you take the time to do so, and to share it with a friend. The images are haunting, but the lyrics will punch you in the gut. I was in tears by the third track.

Chanie Wenjack was only 12  years old when residential school became unbearable to him and he tried to find his way home. Not knowing where he was or where he was going, he walked until he collapsed in the snow, tired, lonely, starving, and he died. But there are dozenssecret-path and hundreds and maybe even thousands of Chanies dotting our countryside. Lonely and miserable, many children made an escape an attempt only to lose digits or limbs to frostbite, arms and legs on traintracks, or lives to exposure, or to punishment when recaputured. How many tiny bodies are still unaccounted for? The fact that we don’t even know is proof of how little white Canada cared for Aboriginal people, and this is a guilty fact we struggle to reconcile even today.

One day, likely sooner than later, Gord Downie will die and our whole country will mourn a great man, and a good man too. But Downie’s using his last work, and his last breaths to remind us that there are many others worth mourning too.

 

 

 

[As great and heartfelt as Gord Downie’s work is, it’s also really great to hear from Aboriginal artists themselves. Check out our coverage of the ImagineNative film fest]

Queen Mimi

Director Yaniv Rokah is a barrista\wannabe actor in Santa Monica, where he encounters the woman who lives in the laundromat across the street.

Marie ‘Mimi’ Haist was born in 1925, married young and ‘obeyed’ her domineering husband. After 29 years of marriage she was left with nothing when he preferred his mistress. She was out on the streets in her 50s, homeless, spending her days in a renee-zellweger-062313-kiss-10__optlaundromat until one cold night a kind laundromat owner didn’t kick her out at closing time. She’s been living in Fox Laundry ever since – some 25 years now.

The documentary is pretty low-key about how the laundromat guy, Stan Fox, was really her saviour. Not just for letting her stay, but for knowing her story, and for putting up with her. She’s not exactly a picnic; if she doesn’t like you, you’ll know it. But if you show her kindness, she’s a blast. She doesn’t work for Stan Fox but she does work in the laundromat, undercutting his business and often making more money than the actual employees. She likes nothing better than putting on some tunes and dancing her head off.

She’s 88 years young in the film and dresses like she’s 12. Her face is one of years hard-lived. Her teeth are nonexistent. Her back hunched, perhaps a side effect of sleeping scrunched up in a lawn chair in a laundromat for so long.

You kind of have to watch this film. Queen Mimi is a character, one you’d hardly credit in a movie, and one you have to see in a documentary to believe. She’s got her philosophies, screen-shot-2013-09-24-at-2-05-59-pmher hard-won wisdom, and an outlook that’s totally unique. She’s cantankerous and whimsical and totally intolerant of homeless people (she doesn’t see the irony). And she has a knack for making famous friends: Zach Galifianakis has taken her to movie premieres (he met her while doing his laundry some 18 years ago), Renee Zellweger takes her shopping, and if you promise to keep a secret, Zach’s about to put her up in an apartment all her own. She hasn’t had a home since 1976.

 

 

What a fascinating portrait of a complex human being. We step over homeless people all the time, but everybody has a story, and this is Mimi’s. It’s heartening to see so many people rally around her, wonderful to see that people care. I kind of wish the same for all those lining the sidewalks.