Meera and Henry have left the rat race of Boston for a small town and their dream home, which Henry, an architect, builds for them. But paradise is about to be, well, intruded upon. A break in rattles the couple, and Meera (Freida Pinto) starts to feel uneasy in her luxurious but secluded home. What’s more, it turns out those responsible for the break in were also suspects in a case of a local missing woman. Meera and Henry (Logan Marshall-Green) might have accidentally built their home in the middle of something complicated and violent.
I think most of us would be frightened by a break-in. It’s very invasive, isn’t it? To feel like someone’s been in the place where you normally feel safe. Meera’s uneasiness grows when it seems that she and Henry are healing along different paths; Henry is ready, in fact insistent, that they move on quickly, while Meera doesn’t feel so confident. She’s a therapist, perhaps more in tune with her feelings, and recently in remission from cancer, so she feels lucky just to be here. Henry was by her side through every treatment and every bad day, so it feels strange to suddenly not be united in this, and issues only worsen as their case gets more complicated.
This thriller by Adam Salky is new on Netflix. It’s a home invasion movie like many before, and many afterward too, I’m sure. They’re effective because they literally hit us right where we live. Intrusion isn’t any great addition to the genre, but it’s fairly benign, and Pinto is lovely to watch. Character in these types of films, especially female ones, tend to be one-note, shrill and terrified, whereas Meera is a little more determined, more pro-active; not merely a victim, but an agent in her own fate. Give it a go if you feel like sleeping a little less soundly tonight.