Tag Archives: Gugu Mbatha-Raw

Concussion

Concussion makes you sick with guilt for being an NFL fan.  As the movie unfolds, the names and stories of these tormented souls bring back memories of news articles you’ve read, and you know that even if some of the details are fictionalized, all the important ones are true.  And even though Sony’s leaked emails reveal they toned down the movie to avoid kicking the “hornet’s nest” that is the National Football League, the watered down version is horrifying enough.  Concussion makes you feel dirty for ever having watched a Super Bowl, let alone having bought a ticket, because involvement as a fan means you actively contributed to the destruction of so many lives.

Mike Webster really died in his pickup truck.  Justin Strezelczyk really died in a fiery crash because he drove into oncoming traffic while being chased by the police.  Terry Long really drank antifreeze.  Andre Waters really shot himself in the head.  Dave Duerson really was an NFLPA executive who fatally shot himself in the chest so he could

US PRESSWIRE Sports Archive-Historical

The real-life Mike Webster.  RIP.

donate his brain to science (and Junior Seau really did the same).  All of these former players were 50 or younger when they died.  All have been diagnosed with chronic traumatic encephalopathy (CTE), which is a degenerative brain disease that causes symptoms of dementia including memory loss, aggression, confusion and depression.  The scariest thing is that these are just a few of the former players who have died from CTE, or are living with CTE-like symptoms (a CTE diagnosis cannot be confirmed until after death), and there are thousands more who almost surely are living with the same symptoms and/or other neurological conditions like Lou Gehrig’s disease, Alzheimer’s, Parkinson’s or dementia.

That alone would have been enough for Concussion to make me uncomfortable but a personal connection made these issues all too real.  Growing up, I was a good athlete but my brother Bryan was better.  He was good enough to be playing both basketball and rugby on provincial teams at age 16, and then it was time to make a choice.  He chose rugby because he loved hitting people (which makes sense because he’s kind of an asshole too).  Focusing on rugby made him even better at it, and after high school he went out west to play for the Canadian junior national team.

And then everything went south in a huge way.  His first concussion was well in the past, suffered at age 14 while playing quarterback.  We didn’t think of it at the time but as the hits piled up, every big hit hurt him more and took him longer to recover from.  By the time he was playing national-level rugby, and getting hammered repeatedly by other 6’5″, 240 pound monsters like himself, he was also experiencing blackouts, memory loss, chronic pain and who knows what else.  When he came to at the top of a mountain and had no idea how he had gotten there (turns out he ran the mile from his house then continued all the way to the top), it was a rude awakening in more ways than one.  That was the end of his rugby career but only the beginning of his suffering.  He lost years to pain, headaches, and nausea, he lost his desired career as a firefighter, and he almost lost himself.

Bryan’s story has taken a better turn lately, as he has found treatments and medications that help him manage his pain and live his life. But for me, Concussion was a terrifying reminder that Bryan could have been Mike Webster.  He may still be.  Bryan’s only 36, which is how old Justin Strezelczyk was when he drove into a tanker truck.  Mike Webster was still playing football at 36, so 50 is still a long way off for Bryan and countless others.

Will Smith is decent in the role of Dr. Bennet Omalu, the coroner who autopsied Mike Webster and brought a lot of these issues to light after so many years of darkness and denial.  His accent is not as distracting as in the trailer but I couldn’t escape the feeling that the script was designed to include the phrases that Smith was better at saying in an African accent (“Tell the truth.  Tell the truth!”).  The same accent probably would have been more palatable coming from an unknown actor but does this movie get made or seen if Will Smith isn’t starring?  So while I probably wouldn’t have nominated him for a Golden Globe, I can see how he got one.  He is obviously trying here and maybe that was the problem for me.  In my view Albert Brooks (as Dr. Omalu’s mentor) and Gugu Mbatha-Raw (as his wife) both gave better performances than Smith.

Concussion makes sure to note the similarity between the NFL’s treatment of concussions and big tobacco’s treatment of cancer, and the comparisons are apt.  They still ring true, especially when the class action settlement between the NFL and 4,500 former players was conditional on the NFL never having to admit what it knew about the danger of concussions, or how long it’s known.  It’s easy to read between the lines.

The hits these players took (and gave) are going to kill many of them.  And we watched and cheered.  For me, Concussion made me realize that I’m long overdue to stop cheering and stop pretending that any of this is okay.

For that, I’m glad I saw Concussion.  I’m not sure the movie works as well as it should, because it seemed at times to soften its message in an effort to not seem too preachy.  I’m thinking particularly of a speech Smith’s character gives where he says he doesn’t hate football after being persecuted by the NFL for his research, which to me rang false.  Still, despite that scene and a few similar missteps, Concussion got to me and made me think, and that’s worth something.

Concussion gets a score of seven (six for the touchdown and one for the PAT) out of ten.

 

Belle

First off, thank you to all my fellow film-lovers who brought this movie to my attention. It seems to have slipped under the radar over here but I’m infinitely glad I had the chance to watch it.

Belle recounts the true story (in broad strokes – little is known of her life) of Dido Elizabeth Belle, the half-black, bastard child of a Royal Navy Captain in 18th century (slave-trading) England. Her gugubellefather loves her deeply (as he did her deceased mother) and when he ships out to India, he appeals to his uncle to care for her in his absence. A Lord and Chief Justice, the uncle tries to raise her, along with another (white) niece, with the privileges she is due while teaching her the important barriers of her skin colour. “Too high in rank to dine with the servants, too low in rank” to dine with her family. She has enough to feel a sense of belonging, and just enough to feel left out. At court, her uncle must decide an important case about slaves as he resists acknowledging their similarity to his beloved niece.

I just watched Gugu Mbatha-Raw in Beyond The Lights and thought she was a stand-out, but this film makes clear that her career will be one to be reckoned with. She’s very subtle and belledeliberate and saves Belle from being merely a curiosity. Instead she is painted as a woman conflicted, a woman carrying the weight of her race for everyone to see. And this movie is also about class, and (perhaps even foremost) about gender. It would seem that her skin colour can be compensated for with enough money, but her gender leaves her with few options. She must either find a good husband or be invisible like her aunt (Penelope Wilton, tragic and invisible). In the film, Belle’s uncle (Tom Wilkinson, formidable) is challenged to draw a parallel between his niece (who is constantly referred to by the ugly word “mulatto”), and slaves insured as human cargo. Are they not worth the same? Is Belle Movieshe not worth the same as any other debutante? The film asks the same question of us but poses it too lightly. I can only imagine the controversy her presence in the family home must have caused, and yet I must imagine it because the script glosses right over the indecencies that certainly occurred. The story focuses on romance, or lack thereof, as befits their station and the time, and covers social implications inadequately. Belle lacks the self-starting spark that would make her the pioneer the script so badly wants her to be.

The script has been controversially attributed to Misan Sagay, despite director Amma Asante

The artwork that inspired the movie

The artwork that inspired the movie

having written 18 drafts over 3 long years. Sagay is an American member of the writer’s guild and took it to her union, which decided in her favour against non-member Asante (who is based in Great Britain). Wilkinson and Wilton have expressed ‘incredulity’ at the decision, because they had “only seen and worked from a script written by Amma”, With or without accreditation, this is an imperfect but impressive first full-length feature and Asante is sure to give voice to more great stories over time.

Beyond The Lights

I confess I hadn’t heard of this movie, nor would I have likely given it a chance had it not been nominated for an Oscar this year. It’s been nominated for Best Original Song for “Grateful” (music and lyrics by the estimable Diane Warren, who has 7 other deserved nominations under her belt).

It’s not always a delight sitting through a whole movie just to hear a song, and for judging purposes, it’s not usually even necessary since tonnes of the songs only appear over the credits and thus don’t have the benefit of a lot of context. But for once, I’m not even feeling resentful.

Beyond_the_lights_StillThe movie opens as Minnie Driver brings her little daughter Noni into a hair salon, hoping the woman can help her do her (black) daughter’s hair before a big talent show. The little girl sings beautifully but mother is furious when she only takes second place. Cut to: present day. Noni (Gugu Mbatha-Raw) is on the verge of pop star success with a purple weave and a crotch-grabbing music video. But everything she’s always wanted is not quite what it’s cracked up to be. Why else does she feel like throwing herself off her glamorous hotel balcony? Along comes knight in shining armour (also known as celebrity bodyguard) Kaz (Nate Parker) with a dose of reality and some ambitions of his own.

Is this supposed to be The Bodyguard of 2015? Or just a guard with a damn fine body? It’s not gugu-and-nate-parkerexactly an original story. I bet you can guess right now how it goes! But that didn’t make it unwatchable. I mean, Nate Parker taking his shift off makes it watchable. Gina Prince-Bythewood, the writer-director (Love and Basketball), has all the elements of a classic backstage story, but is just shy of having it feel genuine. Minnie Driver, who easily could have turned out to be a one-dimensional “momager” villain, is credibly handled into a multi-dimensional one. Mbatha-Raw is a shining star, and this movie is just a twinkle in her rising star; I’ve heard she’s just divine in Belle, which I haven’t seen yet but has been is securely at the top of my list.

celeb_beyondthelights_stars_tvspotThis is not exactly a great movie, and it does rely on at least one corny montage on the beach that the world could have have done without. But there’s also a gentle exploration of race and gender, so it’s cheesy, but it’s a nice cheese rather than generic.