Becoming an astronaut was always a dream of mine. As early as I can remember, I was fascinated by the idea that there were other planets and stars surrounding us, and the idea that I could float around in outer space and jump so much higher and further on the moon than on Earth. At the time I lived in Kentucky and learned at school that I could write to NASA and they would send back random photos of space shuttles, planets, satellites, and so much more. So write I did. I wrote almost as many letters then as Jay does now (she is singlehandedly keeping Canada Post’s lettercarriers employed), and ended up with stacks of photos that I treasured throughout my childhood.
Obviously, I am not the only one who dreamed of becoming an astronaut. Space travel is clearly on a lot of people’s bucket lists, as shown by the proposed reality show cataloguing a one-way mission to Mars (which went belly-up earlier this year), the numerous space flights available for purchase (Virgin Galactic has collected $80 million in deposits for 90 minute voyages costing $250,000 each), and NSYNC’s Lance Bass attempting to buy his way onto a Russian rocket (he couldn’t afford it after Justin Timberlake left the band), among other examples.
In Astronaut, Angus (Richard Dreyfuss) definitely has space travel on his bucket list. He’s always looking to the stars and, as a retired civil engineer, possesses the type of scientific knowledge that might grant a seat on a NASA mission. Unfortunately, he never secured a NASA spot during his career and his dreams of space travel seem more and more distant as his health begins to fail. But the stars align when a billionaire (Colm Feore) announces a contest that will give the winner a seat on the first commercial flight to space, which otherwise would be too expensive for Angus (and the rest of the 99%) to afford. You can probably guess who becomes one of the twelve finalists in that lottery, but even with that stroke of luck things don’t come easy to Angus, not only because of the health issues I mentioned, but also because he’s trying to settle his wife’s estate and he’s struggling with an impending move to a retirement home.
Astronaut asks us to suspend our disbelief on more than one occasion, and in exchange rewards us with a sweet and engaging fairy tale. The pieces fit together so neatly and conveniently that there is never any real tension or possibility of failure, but the movie works even with relatively low stakes because of Dreyfuss’ stellar performance. Angus is a great combination of gruff and personable, and Astronaut is elevated by Dreyfuss’ wonderful chemistry with Angus’ family and friends, particularly his daughter (Krista Bridges), his son-in-law (Lyriq Bent), and his grandson (Richie Lawrence).
Writer-director Shelagh McLeod wisely focuses on Angus’ personal relationships rather than the space flight itself and Astronaut is better for it, because the fantastical (and potentially unbelievable) elements of the film are just minor details. What matters is watching Angus reach for the stars, and I happily cheered him on from start to finish.
has again not brought baby Ruby, and hints that she may be selling the family home and moving away. A meltdown seems imminent, but Wendy is fixated on her script, and getting it to Paramount Pictures on time for a contest. When she’s mysteriously not in her bed the next morning – well, let’s just say it’s not much of a mystery.
Because Deb is worth more than she even knows, which she stars to discover after her daughter fails to come home one night after a date with her basement-dwelling baby daddy. A loved one’s disappearance must be life-shattering. Miller lets us see the dissapearance’s drastic effects on Deb in such a restrained and measured way that Deb’s resulting character growth is organic, believable, and most impressively, almost invisible at first. Deb’s evolution is captivating, and the Deb we know by the end of the movie is at once the same core character and a woman whose outlook and attitude have evolved beyond anything I could have ever expected.
Calvin, he’s a tired old man, safe in his routine, happiest at the bottom of a bottle. But one night the FBI shows up at his door, with a delicate problem on their hands. It’s the Bigfoot. He’s patient zero for a world-ending virus, and he’s already decimating populations up in Canada. Calvin, with a reputation for excellent tracking and a specific immunity to the disease, is a last resort. If he can’t stop the Bigfoot, the president is going to nuke Canada to keep himself safe.
Thompson) who are trying to organize a union that will help the little guys make a living wage too.
things about architecture. The photography is just as kind to its human characters, but the way it treats the artistry of the buildings turns them into characters as well, characters that reflect and mirror or juxtapose and contrast. It’s clear that writer-director Kogonada has put a lot of thought and time and research into his baby.
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