Other than a major difference in size, Godzilla and a drunk have a lot in common. They both stumble around erratically, they both have a temper, and they both wreck a lot of stuff. Though Colossal does not feature Godzilla, presumably due to licencing issues, it does feature a giant monster terrorizing an Asian city (though this time it’s Seoul, Korea instead of Tokyo, Japan). As you’d expect, the monster’s appearance is big news, so even Gloria (Anne Hathaway) hears about it eventually. It takes a while for her though because of how drunk she got the night before.
Gloria’s got a lot of problems. She’s just been kicked out by her longtime boyfriend for drinking too much and she’s been unemployed for way too long. She’s got no direction and no prospects, so after losing her relationship and place to stay, she heads to her hometown and meets up with her childhood friend Oscar (Jason Sudeikis). Since Oscar owns a bar, Gloria stays there all night drinking, and a giant monster appears in Seoul about the time she’s stumbling home the next morning.
Colossal is different than I expected, which is not a bad thing. Writer/director Nacho Vigalondo has created something unique, something much different than any kaiju movie I’ve ever seen. Colossal is slow paced and focuses largely on people, not monsters, and the characters’ personal growth (/lack thereof) is a very important part of the story. I don’t want to say more about what Colossal is or isn’t, as I think trying to figure out this movie is part of the fun. There are definitely some surprises along the way, and those were high points for me. It’s always interesting when a movie takes an unexpected turn and Colossal offers a few of them.
In support of the unique story, Hathaway and Sudeikis both deliver excellent performances, and the quality of those performances is why this movie works so well. Seeing Gloria and Oscar reconnect after all these years, discovering each other as adults, is something we can all relate to but we soon learn that the stakes are a little higher here, because Seoul is in peril every morning.
Colossal is set to be released in North America on April 7, 2017. If you’re interested in seeing a different kind of kaiju movie, one that is more character study than city-destroying rampage, then Colossal is worth watching.

the witless driver of an armoured money truck whose terrible relationship with fiancée Kate McKinnon makes it all too easy for him to fall for coworker Kristen Wiig who manipulates him into working with her confederate, Owen Wilson, who thinks a heist is in order. Galifianakis will do all of the work under the guise of love but will receive little to no reward if Wilson has anything to do with it – he’s got contract killer Jason Sudeikis after him and only the law (Leslie Jones) has any chance of intervening.
only laughed once the entire movie – and it was post-credits, in the blooper reel, not even at a joke that got edited out, but at Zach Galifianakis accidentally hitting his head on a swing set (I console myself that it made Kate McKinnon laugh too, before she checked that he was okay). Only babies laugh at people getting bonked on the head, but I had been in a comedy desert for the past hour and a half and I was parched for laughter.
Red (Jason Sudeikis), Chuck (Josh Gad), and Bomb (Danny McBride) only get angrier when a ship of green pigs sails out of nowhere (“But there’s no other place besides here!”) and start encouraging them to adopt pig ways. They introduce things like trampolines, slingshots, and helium gas, and I thought – these are the dumbest gifts. Birds don’t need to be hurled about, they already fly!
out in 2009, and hopefully most kids aren’t already carrying smartphones in their pockets. I know it had a hard time keeping my attention, and I have the attention span of a 3 year old (so: no). But it’s energetic and filled with primary colours, which might impress the 4-year olds but is beneath the 8 year olds. And it’s got some great one-liners that even I could appreciate, and a few sight gags that made not completely resent the film. It’s rated PG for “rude humor and action” and yes, there’s some rude humour. How do you feel about pelvic thrusts combined with sexual innuendo (I know, I know – is there any other kind). But what stopped me in my tracks was that one bird says “Shut up.” Shut up was a VERY bad word in my house, growing up. VERY bad. Awful. Huge trouble. Then again, so was vagina, so that shit’s messed up (is this just me? What was off-limits in your house?).
ocrisy by showing us the second-class citizenship of Owens even when he’s America’s hero. If that was the aim, Race falls well short. Painting Hitler and the Nazis as the bad guys is easy, and Race goes that route. But the real story is more damning and I wish Race had told it as it happened. At a political rally in October 1936, relatively soon after his triumphant return to the U.S. with four gold medals in hand, Owens said, “Some people say Hitler snubbed me. But I tell you, Hitler did not snub me. I am not knocking the President….but remember that the President did not send me a message of congratulations because people said, he was too busy.” Hitler reportedly shook Owens’ hand after his victories, while Franklin Delano Roosevelt couldn’t find the time to send Owens a congratulatory telegram.
sing his amateur status he was reduced to racing against horses for show. Later, Owens got by as a dry cleaner and gas station attendant (though “got by” may be generous as he declared bankruptcy and was prosecuted for tax evasion). All in all, it’s a very sad statement. Today, Owens is rightfully regarded as a legend but it seems that during his lifetime he was not treated like one, to say the least. Race hints at that fate but doesn’t focus on it, and that’s a shame.

